Read Me A Nightmare

By: Angelique Fawns
Listen for free

  • Summary

  • "Read Me A Nightmare" brings strange short stories to life. A fan of Twilight Zone? Tales from the Crypt? Mixing genres, these tales come from the realms of sci-fi, fantasy, horror, and comedy. A writer yourself? Stay tuned after the readings for interviews with editors, publishers, voice actors and other interesting folks in the industry. Visit www.fawns.ca to learn more. Please --if you enjoy the episode, leave a review!

    angeliquemfawns.substack.com
    Angelique Fawns
    Show more Show less
Art Literary History & Criticism
Show more Show less
activate_Holiday_promo_in_buybox_DT_T2
Episodes
  • 51 Wyatt & the Whog + Rachel Luttrell!

    51 Wyatt & the Whog + Rachel Luttrell!
    Dec 23 2024

    This episode originally aired on Read Me A Nightmare 3 years ago! But I am sure many of you missed this magical and fun performance.

    Rachel Luttrell is not only an award-winning actor, but also my very best friend. Listen to the story and stay tuned afterward for a conversation about acting, life, and our friendship.

    NOW for the story:

    Wyatt is having the baddest of all bad days...And when he gets sucked into a magical world,it's about to become wildly worse. Read by Rachel LuttrellThis story is rated "PG"Wyatt & the Whog was written by Angelique Fawns and first published in the Mannison Press anthology, "Little Boy Lost". Rachel Luttrell is an actor and singer, and my lifelong best friend. She was born in Tanzania but moved to Toronto at the age of five. She's accomplished many wonderful things in her life, including performing the role of kick-ass warrior Teyla Emmagan in Stargate Atlantis. Check out her website and acting school at

    https://www.rachelluttrellstudio.com

    A few questions with Rachel Luttrell:

    AF: I love how engaged you were with the character, and I know you are voicing a novel for an author right now. What is it that you love about voice work?

    RL: I love VO because you can inhabit characters that you would never get the chance to perform on camera. I have always loved singing and playing with my voice is an extension of that. VO allows for that kind of play!

    AF: What kind character is your favourite to portray?

    RL: Hmmmm… my favorite character… That’s a tricky one. So many characters. Some intriguing with little screen time. Some on stage some on camera. There are even characters that I have only had the privilege of performing in class that I loved. But the character of Teyla was very fulfilling and fun. Teyla has certainly brought me the most love back. I am eternally grateful for that.

    AF: What did you think of Wyatt & the Whog? (gratuitous begging for compliments here. Lol.)

    RL: This story was so fun! My daughter, Ridley, just loved it. She wanted more! I love that it’s so accessible for all ages. What’s going to happen next? It reminds me of The Lion, The Witch and the Wardrobe. Stumbling into a new dangerous realm as told from the perspective of a child.

    Thank you so much for joining Rachel and I today! If you want to learn more about her acting, cooking, and lifestyle, join her Substack here!



    Get full access to Writing & Selling Stories with Angelique Fawns at angeliquemfawns.substack.com/subscribe
    Show more Show less
    38 mins
  • 50 Losing Angel

    50 Losing Angel
    Dec 14 2024
    Welcome to (drum roll please) episode 50 of Read Me A Nightmare! Betty might be forgetful lately, but she KNOWS her daughter-in-law would never leave her son. Can she find Angel before it’s too late?Today, we are featuring a story starring one of my most popular protagonists, Betty, a detective battling dementia. (Based on my fierce mother-in-law, Linda Fawns).“Losing Angel” continues the tale that first began in Ellery Queen Mystery Magazine with my very first pro sale, “Three Calendars.” “Losing Angel” was first published in a pro-pay sale to Mantelpiece Lit in April 2024, and is based on a vacation to Florida that I went on with my mother-in-law as she navigated the progression of her disease while tackling everyday life. Our voice actor is Karen Shute, who also played the role of Betty in the “Three Calenders” episode. Karen is a professional editor, voice actor, and she and I were co-creators/hosts of the Big Brother Canada podcast. Grab your beach towel, toast a bagel, and let’s go hunting for Angel.Angelique’s Substack is a reader-supported publication. To receive my latest open short story calls (the best paying ones I just found!) Please upgrade! Bruce McAllister talks about VOICE and his writing journeyIt’s rare I “hero-worship” another writer, but it when it comes to Bruce McAllister, I am definitely star-struck. McAllister is a Hugo and Nebula nominated science fiction and fantasy writer. My first taste of his genius was the imaginative telling of an alien assassin “Kin” on actor Levar Burton’s podcast Levar Burton Reads.Issac Asimov himself says, “Bruce McAllister is one of the greatest talents working in the science fiction field today.”He published Stealing God and Other Stories in June 2022 which showcases how strong a role voice should play in a short story. He kindly agreed to chat with me about his anthology, writing process, and career. He even drops a few priceless pieces of advice for authors. AF: Thanks for taking the time to talk to me today. Tell us what inspired your latest collection of short stories?BM: Though I’ve published three novels in my career, it’s the short story that’s always held my heart—from the Golden Age of Science Fiction short stories I read when I first started reading SF (and writing SF) through the experimental New Wave of SF’s 60’s and 70’s to the present. The form just won’t let go of me; it’s a Siren that, rather than dashing me on rocks in the sea, has always made me happy, made me feel guided by a muse of some mystic kind, and always rewarded me in my life. The loyalty has been worth it.A novel (as I learned from writing DREAM BABY) can be sprawling and epic and cover a lot of time and have many character points-of-view, and is a glorious thing because of these virtues, but the short story can achieve a kind of craft perfection—or at least the possibility of it—for an author when a novel has, as one writer friend put it, and as Faulkner, for one, would agree, “too many words ever to be perfect.” This isn’t to say that the short story will ever replace the novel; it won’t and it shouldn't, because novels take us away to magical places and keep us there when short stories just can’t—at least in the same rich embracing way. The short story is an American invention, they say, so I suppose I’m very American. My writing has always been mainly short stories, so collecting them—in the case of STEALING GOD AND OTHER STORIES collecting what people feel are my best “new millennium” science fiction, fantasy and horror short stories since my first collection—was natural; and I’m grateful to John Kenny at Aeon Press in Dublin, who also published by last novel, THE VILLAGE SANG TO THE SEA (which was a novel of linked stories—you can see the theme here), for making it happen.AF: How long did it take for you to create the collection, and what was your writing process?BM: As I said, all the stories in the collection are from the new millennium. They were written as I always write: a short story idea (and main character and “voice”) inspires me to write it; and by that I mean the emotion is pretty intense. I don’t “think” my way through the fiction I write—which people tell me puts me in a Bradbury camp rather than an Asimov camp by “method” and in turn brain-and-heart wiring. I write it and send it out and still, after nearly sixty years of publishing SF and fantasy, have no idea which editor it will click with. Some of my best stories (i.e., those destined to make a splash with people) have appeared in smaller venues, I should add—which means that it’s important, as some writers can be, not to be a snob: A good story needs a home, and once it finds one, all sorts of good things can happen. I’m not saying a venue with terrible writing is the place to go; just not to think that the profile height of the publication is more important than the quality of the story....
    Show more Show less
    29 mins
  • 49 Ink

    49 Ink
    Nov 23 2024
    What’s that dark spot on the wall?Ink was written by Akis Linardos and first published in Maul Magazine in September 2022. Sadly, Maul Magazine is defunct. Then I bought the story and reprinted it in my Cursed & Creepy anthology.Check out Cursed & CreepyIn a cove of a Greek island, Akis was born a sane infant but has since then grown to enter the chaotic world of adults--a choice he deeply regrets. His stories delve both into epic worlds and ones of extreme darkness. Find him at Apex, Dread Machine, Flame Tree, and numerous anthologies. https://linktr.ee/akislinardosPete Lead is our voice actor, and you can learn more about this incredible start-up genius here. He’s also writes compelling short stories. I bought one from him as well, called Review of Bondi Beach by Henry the Shark.https://petelead.com/Tuck yourself in and turn the lights down for this short horror story…Akis and I at World Fantasy Con..Akis Linardos is one of my short story writing friends and we’ve been tackling the markets together. Self-labeled “Author, Scientist, 33% Human,” he has a unique approach and has attempted some very cool experiments. I finally met him IRL at World Fantasy Con this October and he was just as intriguing as expected. He has managed to get many miles out of his story Ink. Let’s learn a bit more about this growing concern in the spec world.AF: What was your inspiration for InkAL: There is this game called Bendy and the Ink Machine—a horror of cartoon characters coming alive to haunt their creator. Besides that, I had a leaking ceiling in the toilet at the time of writing this in Barcelona. So Ink must have emerged from the thought: “What if it was leaking because my upstairs neighbors were doing something FUCKED?”AF: I bought this story for my Cursed & Creepy anthology, but I wasn’t your first sale. Tell us about your tales many homes.AL: This one was actually my very first “pro-pay” sale. It was bought by Maul Magazine back in 2022, and since then has also been features in Tales to Terrify podcast.AF: When did you first decide that you wanted to become a writer? Describe your journey to this point.AL: It was in 2019 that I first started writing. Before that I had dabbled with drawing, piano, and guitar, but nothing scratched that itch quite like storytelling did so I followed that much more passionately. It was a lot of self-learning with internet resources, then I found editors within the community that helped me understand the industry better (primarily Alex Woodroe, Avra Margariti, and Rebecca Treasure). What put me on the map initially was my Apex sale at 2022, then my writing momentum picked up wildly with an average of 2.3k words daily in 2023 and a wild number of submissions as well. It was a bit of a manic period following months of major depression, so I guess I turned a dark time into a powerful boost for growth!AF: Who are your influences?AL: A lot of the primary influences are actually not writers but mostly manga artists Junji Ito, Kentaro Miura, Hayao Miyazaki, Hajime Isayama, and video game designers such as Hidetaka Miyazaki. I do have some literary works to mention though, especially dystopian novels such as 1984 and Brave New World, and also the Song of Ice and Fire, and Name of the Wind. Finally, there’s the Greek mythology and ancient Greek writers that I was familiar with from a young age. I think you can see my affinity for mythology in a lot of my work, including Ink.AF: You recently released a Cosmic Horror Chapbook. Tell us about it. How did you market it? Have you made many sales?AL: Yes! Crooked Gods! I pitched it around social media and made a teaser trailer about it with royalty-free images! Not many sales at all!Check out Crooked Gods hereAF: You've found incredible success in the short story world. What are your secrets?AL:* I don’t judge my work.* I don’t rewrite after something is done never mind what personal rejection might say. Better use that time and that feedback to inform my writing of the next.* I keep submitting everything, everywhere, all the time. (and all at once but we don’t talk about that)AF Do you have any advice/tips for writers who wish to make sales to pro-speculative markets?AL: Understand the mathematics of the submission system. 100 rejections are not a reflection of your work, but a statistical inevitability. Which in turn means you have to submit like a damn monster.You don’t have to write every day, but it is definitely a good idea to set at least one period (could be 3 or 6 months) where you do write over 1000 every day. This would show you that you have the capacity to do it, it will improve your confidence as a writer.To make the former possible and to also improve your confidence, you must shut down the critical voice of your brain. Once you stop judging what you write at the moment of writing it, you will write much faster and have more fun with it. You will also be taken down unlikely paths and make surprising...
    Show more Show less
    18 mins

What listeners say about Read Me A Nightmare

Average customer ratings

Reviews - Please select the tabs below to change the source of reviews.

Audible.com reviews

Amazon reviews
No Reviews are Available