• The 2024 US Open Sound Experiment

  • Sep 7 2024
  • Length: 2 hrs and 15 mins
  • Podcast

The 2024 US Open Sound Experiment

  • Summary

  • Episode 132

    The 2024 US Open Sound Experiment

    Playlist

    Note: The starting times indicate at which time during the podcast a sound begins. The tracks often overlap based on the given length of each track.

    Time

    Track Time

    Start

    Introduction –Thom Holmes

    03:36

    00:00

    1. Chair Umpires

    01:19

    05:24

    2. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Granular effect, Classic.

    03:46

    05:40

    3. USTA Billie Jean King Tennis Center—outer courts. Quick Sampler, Bent Guitar.

    06:16

    07:20

    4. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Blur

    01:50

    09:08

    5. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Low/High Cut.

    02:58

    10:56

    6. Arthur Ashe Stadium, Meta-Synth, Inertia setting

    25:16

    11:26

    7. Grandstand Stadium, Meta-Synth, Inertia setting,

    08:36

    12:16

    8. Grandstand Stadium, Auto-Filter, Constant Rise Four Bars.

    08:33

    29:48

    9. Grandstand Stadium, Arturia MiniFilter V, Beatchopper.

    08:33

    31:02

    10. Arthur Ashe Stadium, Delay Designer, Buzz Pattern.

    26:05

    34:40

    11. Louis Armstrong Stadium, Delay Designer, Pulse Groove.

    24:42

    54:36

    12. Grandstand Stadium, AutoFilter, Volume Gate Filter.

    22:31

    01:16:38

    13. Arthur Ashe Stadium, Pedlboard, Blue Echo, Squash Compressor.

    30:28

    01:36:28

    14. East Village Neighborhood, AutoFilter, Resonant High Pass; Delay Designer, Ring and Roll.

    27:28

    01:37:56

    15. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Granular effect, Classic.

    07:56

    02:02:48

    16. USTA Billie Jean King Tennis Center—outer courts. Quick Sampler, Bent Guitar.

    08:02

    02:03:56

    17. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Blur

    03:46

    02:06:59

    18. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Low/High Cut.

    02:54

    02:09:44

    Recording equipment used: Zoom Hn4 Pro digital recorder; Shure CVB-B/O Boundary Condenser Microphone; Boya Omnidirectional Cardioid XLR Lavalier Microphone.

    Opening background music: Opening background music: A mix of tennis recordings set to a track called “Make It Good” by DJ Tennis (2012 Life and Death). The tennis recordings include excerpts from Arthur Ashe, Learn Tennis (For Beginners & Advanced Players) (1974 Manhattan Recording Company), John Newcombe, Tennis With John Newcombe (1974 K-Tel), and Evonne Goolagong, Tennis Tips By Evonne Goolagong (1975 Fleetwood Records), narrated with questions by Bud Collins.

    Additional opening, closing, and other incidental music by Thom Holmes.

    My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022.

    See my companion blog that I write for the Bob Moog Foundation.

    For a transcript, please see my blog, Noise and Notations.

    Original music by Thom Holmes can be found on iTunes and Bandcamp.

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