This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Saida Grundy, who teaches in the Departments of Africana Studies and Sociology at Boston University. In addition to a number of scholarly and public facing publications, she is the author of Respectable: Politics and Paradox in Making the Morehouse Man (2022). Across this conversation, we discuss the relation between sociological research and Black Studies work, the political significance of the study of Black life, and the complex intersection of movement work and research.

This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Vincent Brown is Charles Warren Professor of American History and Professor of African and African American Studies. In addition to many academic and public facing essays, he is the author of The Reaper's Garden: Death and Power in the World of Atlantic Slavery (Harvard University Press, 2008) and Tacky's Revolt: The Story of an Atlantic Slave War (Belknap Press, 2020). He is the producer for Herskovits at the Heart of Blackness (2009), an audiovisual documentary broadcast on the PBS series Independent Lens, and the short video series The Bigger Picture (2022) for PBS Digital Studios.

This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Reighan Gillam, who teaches in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth University. Along with a number of scholarly articles, she has published Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (2022) and is completing a book project titled Diasporic Agency: Transnational Racial Leverage and Challenges to Exceptionalism in Brazil. As well, she is the host of a podcast series on the New Books Network that was recently honored for its public facing scholarship work by the American Anthropological Association. In this conversation, we discuss the place of anthropological methods and sensibilities in the field of Black Studies, the cultural importance of transnational exchange, and the place of Brazil and related Latin American sites in the Black Studies imagination.