Can learning about art and writing change the way we think? Join us as we explore this question with Caitlin Dalton, PhD, a lecturer at Boston University’s CAS Writing Program. Caitlin skillfully blends art history with writing education to inspire critical thinking among first-year students. On this episode, she shares how she uses contemporary art and social justice themes to spark curiosity and encourage students with diverse viewpoints, including those from STEM fields, to engage deeply with public art around Boston. Through this discussion, we uncover the unique ways art can challenge perceptions and stimulate intellectual and academic growth.

Our conversation goes further to investigate the impact of art on society and the methodologies that might capture its influence. How do artists use their work to provide counter-narratives to pressing issues such as gun violence and the refugee crisis? And can we analyze a painting like a scientist? We examine how interdisciplinary dialogue and ethnographic studies can enhance our understanding of art's reach, even when its effects are not easily quantified. This episode also highlights how art encourages multiple perspectives, offering a more nuanced approach to arguments and societal debates usually seen on the news and social media.

Finally, Caitlin and Lara tackle public narratives around higher education and the concept of safe spaces in academia. We address pundits’ claims that universities are brainwashing Gen Z into woke-ism and cancel culture. Caitlin shows, instead, that the college classroom is crucial in fostering an environment where challenging conversations can thrive without stifling viewpoint diversity. This episode promises an enlightening journey through the intersections of art and education, showcasing their power to shape perspectives, foster empathy, and inspire meaningful dialogue. Don't miss this thought-provoking exploration that underscores the importance of art and academia in our rapidly changing world.

About Caitlin Dalton
https://www.bu.edu/newbury-center/profile/caitlin-dalton/

Gun Violence Memorial, Boston
https://www.icaboston.org/exhibitions/gun-violence-memorial-project/

Yto Barrada’s art about refugees
https://smarthistory.org/yto-barrada-ceuta-border-illegally-crossing-the-border-into-the-spanish-enclave-of-ceuta-tangier/

Homeless Vehicle project by Krzysztof Wodiczko
https://www.smithsonianmag.com/smithsonian-institution/how-exquisitely-designed-cart-homeless-people-inspired-wave-artists-activism-180968519/

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Are museums lying about their antiquities? Is the Gladiator film an accurate depiction of life in ancient Rome? Strap in for a wild ride with Liz Marlowe, archaeologist and whistleblower, as she uncovers the dirty truth behind the global trade of Roman antiquities, and describes what Hollywood gets wrong about ancient Rome.

Elizabeth Marlowe, Chair of the Department of Art and Professor at Colgate University, nominates brussel sprout ice cream as the worst flavor, kick-starting our episode with a laugh. But we quickly move to more pressing matters: the shadows cast over Roman antiquities and the ethical dilemmas museums face. Elizabeth shares eye-opening insights from her 2022 article, "When Will Museums Tell the Whole Truth About their Antiquities?" and we navigate the murky waters of artifact provenance and institutional responsibility.

Through Liz's investigative lens, we expose how many US museums have been less than transparent about the looted origins of their Roman collections. From photographing gallery labels to sparking legal actions that lead to the repatriation of artifacts to Turkey, this episode reveals the often-concealed truths behind those ancient treasures. We also dissect the broader implications of these practices, questioning how the illicit trade continues and what changing attitudes could mean for the future of artifact acquisition.

For the first time on a general media outlet, Liz shares the story of one of the most influential antiquities dealers in U.S. history – Jerome Eisenberg, who teamed up with an insurance salesman to market ancient artworks with promises of financial returns. We discuss the fallout that ensued when ethical norms about antiquities shifted between the 1980s and 2000s.

Finally, we turn our attention from the allure of artifacts as investments to Hollywood’s portrayal of ancient Rome. Liz critiques Hollywood's romanticized yet historically flawed depictions of ancient Rome and we discuss how these portrayals feed into modern ideologies, sometimes with negative consequences. This episode promises to challenge your understanding of cultural heritage and the ethics of preserving our past. Don't miss it!

Elizabeth Marlowe in Hyperallergic
“When Will Museums Tell the Whole Truth About Their Antiquities?”
https://hyperallergic.com/760120/when-will-museums-tell-the-whole-truth-about-their-antiquities/

“A Cleveland Museum’s Bad Bet on a Looted Roman Statue”
https://hyperallergic.com/862516/cleveland-museum-bad-bet-looted-roman-statue/

Jale İnan, Turkish archaeologist - Biography
https://en.wikipedia.org/wiki/Jale_İnan

Liz’s email contact:
emarlowe@colgate.edu

Liz on X:
https://x.com/ElizMarlowe

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Is the Bible really anti-abortion? Ever wondered what it’s like inside a fundamentalist evangelical gathering?

Strap in for a thought-provoking episode of The Cheeky Scholar as we sit down with Dr. Myev Rees, Associate Professor of Philosophy and Religious Studies, to uncover the complex layers behind evangelical movements in the U.S. We pull back the curtain on their origins and evolution into a system that impacts education, family dynamics, and reproductive choices. Myev shares her firsthand experiences from evangelical gatherings, including The Institute of Basic Life Principles conference, revealing the strict disciplinary practices and controversial teachings that permeate conservative Christian households.

Reality TV’s role in mainstreaming conservative values takes center stage as we dissect the portrayal of hyper-conservative families in shows like the Duggars in TLC’s “19 Kids and Counting.” Myev and I explore how these sanitized depictions influence societal norms and potentially propel fringe beliefs into the mainstream. We then navigate the contentious history of evangelical anti-abortion stances and the rise of the religious right, shedding light on the intersection of religion, politics, and media.

From evangelical activism to the strategic adoption of abortion as a political tool, this episode offers a rich, nuanced perspective on how deeply intertwined these elements are in shaping contemporary America.

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