The Omega Directive (Star Trek: Voyager, S4 E21) was recommended by The Derp Prime, who said: This episode always delighted me as we saw an interesting development of both Seven and the Borg.

Plus we get more over all lore on the Federations policies, some fun galactic lore and a threat of clumsy science.

Plus, an interesting take on a religious experience though scientific endeavors.

As an Apathiest (Gods, do their thing, I do mine, if we don't bother each other everyone is happy), I like little twists to both science and religion. Twists mind, I am tired of sledge hammer statements (I have been hit in the face enough times by those thank to very much!)

The Omega Directive first aired on April 15, 1998, written by teleplay by Lisa Klink, story by Jimmy Diggs & Steve J. Kay, and directed by Victor Lobl

Janeway undertakes the Omega Directive, an order to destroy Omega molecules, even if it means violating the Prime Directive.

The Joy of Trek is hosted by Khaki & Kay, with editing & production by Chief Engineer Greg and music by Fox Amoore (Bandcamp | Bluesky)

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All the World's a Stage (Star Trek: Prodigy, S1 E13) was recommended by Hoofburd (he/him), who said: Under lesser writers, an homage episode like this could have come across as corny or cheap. Instead, it deftly introduces its younger audience to the concept of the original series, while also being a very TOS episode itself. We've seen the planet of the 20th century gangsters already; now we can cycle back around and go to the planet where everything is original Star Trek! While being deeply silly, this episode provides the Protostar's crew good character advancement, while simultaneously nodding at a bit of TOS continuity and even Lower Decks. I also think there's an interesting parallel how the crew first learns about the original series through a jumbled cultural perception, much as people tend to do in real life. All in all, it's a love letter that never feels like nostalgia bait, and I deeply respect that about it.

All the World's a Stage first aired on November 10, 2022, written by Aaron J. Waltke, and directed by Andrew L. Schmidt

The Protostar crew responds to a distress call from an M-class planet, except for Murf who is unwell. They discover an alien race called the "Enderprizians" who revere and imitate Starfleet. A mysterious disease is afflicting the villagers, and also infects Dal. They track the disease to a cave holding a Federation shuttlecraft that crashed on the planet with Ensign Garrovick of the USS Enterprise long ago. The shuttlecraft is leaking plasma and poisoning the environment. The crew and villagers work together to dispose of the shuttlecraft and seal the cave while Zero devises a cure. When the crew return to the Protostar, they find Murf encased in a cocoon.

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The Forsaken (Star Trek: Deep Space Nine (DS9), S1 E17) was recommended by Rugger (They/them), who said: The Forsaken has its problems as an episode, including that Troi's advances are uncomfortable to watch.

But in all of Trek, there is no more emotionally raw, powerful, and moving scene than in The Forsaken. Odo and Lwaxwana are stuck in the elevator, and Odo has to revert into his natural liquid state—and he has to trust Lwaxana to do it.

This is Trek at its best: taking something fundamentally alien and using it to humanize a character. Almost every other time an alien evokes such pathos, they are being human—as Kirk says of Spock, "he was the most human."

Odo's character arc is one of the best in Trek, and this episode starts it off with the most unique, iconic, and moving scene that I can think of in all sci-fi, while also developing a a character who was previously only comedic relief.

The Forsaken first aired on January 18, 1993, written by story by Jim Trombetta, teleplay by Don Carlos Dunaway and Michael Piller, and directed by Les Landau

The Federation ambassador from Betazed, Lwaxana Troi, visits the station, and develops an affection for Odo. Meanwhile, data from a mysterious Gamma Quadrant probe causes system failures on DS9.

The Joy of Trek is hosted by Khaki & Kay, with editing & production by Chief Engineer Greg and music by Fox Amoore (Bandcamp | Bluesky)

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