Welcome to a special episode recorded guerilla style at the Ivors Classical Awards 2024! You may have heard our previous two pods with Ivors Special Award winners, Roxanna Panufnik and Gavin Bryars - this is a very different beast…

Featuring special guest presenter James Flannery who steps into Seb’s shoes and makes his podcasting debut, this is a rampage around the BFI with odd snippets of chat and composers a plenty.

You might catch journalist Stephen Pritchard, composers Duncan McLeod and Roxanna Panufnik, violinist Tasmin Little and friends of the pod Lizzie Ball and Hattie Butterworth amongst others. Brace yourselves, buckle up and enjoy this weird and wonderful evening at the Ivors!

Stephen Pritchard’s excellent article for Bachtrack featuring Seb & Verity; https://bachtrack.com/feature-freelance-life-orchestra-pit-seb-philpott-verity-simmons-november-2024

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In the second of our Ivors classical awards special episodes we chat to world renowned and celebrated composer Roxanna Panufnik.

As we air this interview, Roxanna has just been presented with the Ivors special award for ‘outstanding works collection’…And outstanding it truly is! She is particularly recognized for her choral works, including Faithful Journey - A Mass for Poland, Four Choral Seasons, and Coronation Sanctus for the coronation of King Charles the Third.

Roxanna has a great passion for world music and her Four World Seasons was written for violinist Tasmin Little - who also happened to present her with her award this week.

Roxanna has done much groundbreaking work in writing music that builds bridges between faiths. Her violin concerto Abraham incorporates Christian, Islamic and Jewish chant.

We chatted to Roxanna about collecting her first Ivor (unbelievably!), composing for the King, the emotions of reworking some of her father‘s Polish folk songs, and the sensitivity required in composing interfaith music.

Roxanna also talks about how she accidentally discovered Catholicism and gives us an insight into her compositional process.

We are hugely grateful to Roxanna for sparing some time on an extremely busy week and for being such a joyous guest!

To read more about Roxanna, visit https://roxannapanufnik.com/

Listen to her Coronation Sanctus here; https://m.youtube.com/watch?v=ap54z0xsms0

For more on the Ivors Classical Awards 2024 visit https://ivorsacademy.com/awards/the-ivors-classical-awards/

Big thanks to Premier for setting up the interview.

You can find us on the socials here;

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Tiktok @threeinabarpod

Three In A Bar on Youtube

Anything you’d like to share with us? Any guests you’d love to hear or anything you’d like us to do better? Drop us a line at hello@threeinabar.com

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In the first of two special episodes with esteemed and newly decorated composers, we sit down with Gavin Bryars, a composer who has led the way in innovation over a long and distinguished career. On Tuesday 12th November he received the Innovation Award in association with the Musicians Union at the Ivors Composers Awards, and we were lucky to get a chance to talk to him about this just a few days before.

We discuss his early days of art college, double bass and free jazz, his early iconic pieces The Sinking Of The Titanic and Jesus' Blood Never Failed Me Yet and his creative relationship with Brian Eno. Over his career he has written five operas, twenty ballets and a long list of instrumental, orchestral and vocal works.

He has collaborated with many non-classical musicians over the years, including Tom Waits, Father John Misty, Charlie Haden, Bill Frisell, Natalie Merchant, Iarla O'Lionaird, Gavin Friday, Bertrand Belin and Mocke, and with many visual artists such as Bruce McLean, David Ward, Tim Head, James Hugonin, Bill Woodrow, Will Alsop, the Quay brothers, Juan Muñoz and Massimo Bartolini.

He divides his time between a Leicestershire village and Vancouver Island, and we discuss his approach to writing in various locations, and in particular the importance of just the right pencil for the job. There really is a lot of time spent talking about this particular pencil.

Gavin talks about the formative time he had working as the house bassist as Greasbrough Working Men's Club, performing in the backing band for Bob Monkhouse, Dusty Springfield and many others. The documentary he mentions is available to watch here: MEMORIES OF GREASBROUGH WORKING MEN'S CLUB

For more on Gavin Bryars, visit www.gavinbryars.com

For more on the Ivors Classical Awards 2024 visit https://ivorsacademy.com/awards/the-ivors-classical-awards/

Big thanks to Premier for setting up the interview.

You can find us on the socials here;

Instagram @threeinabarpod

Tiktok @threeinabarpod

Three In A Bar on Youtube

Anything you’d like to share with us? Any guests you’d love to hear or anything you’d like us to do better? Drop us a line at hello@threeinabar.com

Hosted on Acast. See acast.com/privacy for more information.