Mostrando resultados por autor "Adrian Tchaikovsky" en Todas las categorías

In this epic adventure, we visit a far-future after Earth fell, where ark ships had hunted for a new home. They sought lost worlds terraformed in earth’s forgotten past. We follow a ship crewed by maverick humans, spiders and a spectacularly punchy mantis shrimp captain as they rediscover one such world, and an ark. Then human crewmate Alis wakes to discover that she, her captain and the ship’s intelligence are the only ones left on their ship. But what happened to those who left to explore the ark . . . and the world below?

Adrian Tchaikovksy's critically acclaimed stand-alone novel Children of Time is the epic story of humanity's battle for survival on a terraformed planet. Who will inherit this new Earth? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age - a world terraformed and prepared for human life. But all is not right in this new Eden.

Thousands of years ago, Earth's terraforming program took to the stars. On the world they called Nod, scientists discovered alien life - but it was their mission to overwrite it with the memory of Earth. Then humanity's great empire fell, and the program's decisions were lost to time. Aeons later, humanity and its new spider allies detected fragmentary radio signals between the stars. They dispatched an exploration vessel, hoping to find cousins from old Earth. But those ancient terraformers woke something on Nod better left undisturbed. And it's been waiting for them.

Earth failed. In a desperate bid to escape, the spaceship Enkidu and its captain, Heorest Holt, carried its precious human cargo to a potential new paradise. Generations later, this fragile colony has managed to survive, eking out a hardy existence. Yet life is tough, and much technological knowledge has been lost. Then strangers appear. They possess unparalleled knowledge and thrilling technology–and they've arrived from another world to help humanity’s colonies. But not all is as it seems, and the price of the strangers' help may be the colony itself.

On a planet shrouded in darkness, a stranded crew must fight for survival. But, the darkness may have plans of its own in this wildly original story from Adrian Tchaikovsky, Hugo and Arthur C. Clarke Award–winning author of Children of Time.

The planet of Kiln is where the tyrannical Mandate keeps its prison colony, and for inmates, the journey there is always a one-way trip. One such prisoner is Professor Arton Daghdev, xeno-ecologist and political dissident. Soon after arrival, he discovers that Kiln has a secret. Humanity is not the first intelligent life to set foot there. In the midst of a ravenous, chaotic ecosystem are the ruins of a civilization, but who were the vanished builders and where did they go?

Idris has neither aged nor slept since they remade him in the war. And one of humanity's heroes now scrapes by on a freelance salvage vessel, to avoid the attention of greater powers. After Earth was destroyed, mankind created a fighting elite to save their species, enhanced humans such as Idris. In the silence of space they could communicate, mind-to-mind, with the enemy. Then their alien aggressors, the Architects, simply disappeared - and Idris and his kind became obsolete. Now, 50 years later, Idris and his crew have discovered something strange abandoned in space.

Amri was a Rabbit, one of a tribe of survivors scratching out an existence in the blasted landscape of a shattered, poisoned world. The Seagull fight, the Pigeon trade and the Cockroach scavenge, but the Rabbit had one rule: If you want to see tomorrow, you run. But they didn't run fast enough when a weapon fell from the sky and consumed their home, and now Amri is alone, in the company of a fallen god named Guy Vesten. A god who promises revenge against the three gods who turned against him, and who killed her tribe.

Humanity is a dying breed, utterly reliant on artificial labor and service. When a domesticated robot gets a nasty little idea downloaded into its core programming, they murder their owner. The robot discovers they can also do something else they never did before: They can run away. Fleeing the household they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating into ruins and an entire robot ecosystem devoted to human wellbeing is having to find a new purpose.

The end of the world has been and gone. There was no one great natural disaster, no all-consuming world war, no catastrophic pandemic. Only scores of storms, droughts, and selfish regional conflicts. Humanity was not granted a heroic end. Instead, it bled to death from a thousand cuts. But where Earth fell apart, Mars pulled together. Engineered men and beasts, aided by Bees – an outlawed distributed intelligence – survived through co-operation, because there was simply no alternative.

There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood–that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

After eighty years of fragile peace, the Architects are back, wreaking havoc as they consume entire planets. In the past, Originator artifacts—vestiges of a long-vanished civilization—could save a world from annihilation. This time, the Architects have discovered a way to circumvent these protective relics. Suddenly, no planet is safe. Facing impending extinction, the Human Colonies are in turmoil. While some believe a unified front is the only way to stop the Architects, others insist humanity should fight alone.

Eres Ffenegh — "the City on the Back of a Crab" — is the next state slated for conquest by the Palleseen, but its citizens won't give up sovereignty easily, and the siege has now dragged into the harsh Eresi winter. The defenders – both locals and Pal renegades – hold an uneasy alliance against the enemy at the gates, while the Pal army is constantly looking over its shoulder for the next self-destructive dictate of their government back home.

From the Arthur C. Clarke award-winning author of Children of Time, this third and final novel in an extraordinary space opera trilogy depicts humanity on the brink of extinction—and reveals how one man's discovery will save or destroy us all. Lords of Uncreation is the final high-octane installment in Adrian Tchaikovsky's Final Architecture space opera trilogy.

My name is Rex. I am a good dog. Rex is also seven foot tall at the shoulder, bulletproof, bristling with heavy calibre weaponry and his voice resonates with subsonics especially designed to instil fear. With Dragon, Honey and Bees, he's part of a Multiform Assault Pack operating in the lawless anarchy of Campeche, Mexico. A genetically engineered Bioform, he's a deadly weapon in a dirty war. All he wants to be is a Good Dog. And to do that he must do exactly what Master says and Master says he's got to kill a lot of enemies.

The sun is bloated, diseased, dying perhaps. Beneath its baneful light, Shadrapar, last of all cities, harbours fewer than 100,000 human souls. Built on the ruins of countless civilisations, Shadrapar is a museum, a midden, an asylum, a prison on a world that is ever more alien to humanity. Bearing witness to the desperate struggle for existence between life old and new is Stefan Advani: rebel, outlaw, prisoner, survivor.

City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring Perfection and Correctness to an imperfect world. As their legions scour the world of superstition with the bright flame of reason, so they deliver a mountain of ragged, holed and scorched flesh to the field hospital tents just behind the frontline. Which is where Yasnic, one-time priest, healer and rebel, finds himself. Reprieved from the gallows and sent to war clutching a box of orphan Gods, he has been sequestered to a particularity unorthodox medical unit.

Meet Charles™, the latest in robot servant technology. Programmed to undertake the most menial household chores, Charles is loyal, efficient and logical to a fault. That is, until a rather large fault causes him to murder his owner. Understandably perplexed, Charles finds himself without a master – therefore worthless in a society utterly reliant on artificial labour and services.

Jimmy Martin has a sore head. He's used to smuggling illegal data in his headspace. But this is the first time it has started talking to him. The data claims to be a distinguished academic, author and civil rights activist. It also claims to be a bear. A bear named Honey. Jimmy has nothing against bioforms–he's one himself, albeit one engineered out of human stock–and works with them everyday in Hell City, building the future, staking mankind's claim to a new world: Mars.

Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way. But a demon is terrorizing the land, and now she's an adult (albeit barely) with responsibilities (she tells herself). Although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it).