Showing results by narrator "Casey Withoos" in All Categories

Summer, 2000. In the tranquil town of Queen's Point in southern Australia, the Whitlam family marks the end of every season with a lavish party in their clifftop mansion. Here, clutching her first glass of real champagne, the summer breeze intoxicating on her skin, sixteen-year-old Lucy Ross is kissed for the very first time. And then, in the shadows of the rose garden, she sees something she shouldn't.

Sylvia Knight is losing hope that the person who killed her husband will ever face justice. Since the night of the hit-and-run, her world has been shrouded in hazy darkness—until she meets Theo St. John, the discoverer of a rare comet soon to be visible to the naked eye. As the comet begins to brighten, Sylvia wonders what the apparition might signify. She is soon drawn into the orbit of local mystic Joseph Evans, who believes the comet’s arrival is nothing short of a divine message.

It happened the day of the Moon Festival. It could have been left behind, they all could have moved on with their lives. But secrets have a habit of rising to the surface, especially in small towns. Two couples, four ironclad friendships, the perfect coastal holiday town. With salt-stung houses perched like lifeguards overlooking the shore, Lago Point is the scene of postcards, not crime scenes. Wife and mother Abbi, town cop Blake, schoolteacher Hannah and local doctor Will are caught in their own tangled webs of deceit.

Amy, Jin and Lucie are leading isolated lives in their partially renovated, inner city home. They are not happy, but they are also terrified of change. When they buy a pet rabbit for Lucie, and then Amy's mother, Pauline, comes to stay, the family is forced to confront long-buried secrets. Will opening their hearts to the rabbit help them to heal or only invite further tragedy?

A gripping historical mystery for fans of Kate Morton and Natasha Lester’s The Paris Seamstress, The Cartographer’s Secret follows a young woman’s quest to heal a family rift as she becomes entangled in one of Australia’s greatest historical puzzles.

After a whirlwind romance, London teashop waitress Fleur Richards can’t wait for her new husband, Hugh, to return from the Great War. But when word of his death arrives on Armistice Day, Fleur learns he has left her a sizable family fortune. Refusing to accept the inheritance, she heads to his beloved home country of Australia in search of the relatives who deserve it more.

Australia, 1906: Orphan Jane Piper is nine years old when philanthropist siblings Michael and Elizabeth Quinn take her into their home to further her schooling. The Quinns are no strangers to hardship. Having arrived in Australia as penniless immigrants, they now care for others as lost as they once were. Despite Jane’s mysterious past, her remarkable aptitude for mathematics takes her far over the next seven years, and her relationship with Elizabeth and Michael flourishes as she plays an increasingly prominent part in their business.

After a traumatic assault, Hannah Novak returns to her home-town hoping for a fresh start. However, when strange gifts turn up on her doorstep, and a stalker fixates on her, she discovers that Blackbridge isn’t the safe haven it once was. With no family left to turn to, she’s forced to seek help from the broody new cop in town. Ryan Kilpatrick has travelled across the country to create a stable home for his young son, but being a police officer makes that hard. He doesn’t need Hannah’s problems added to his own, yet her courage and vulnerability awakens the protector in him.

In an odd and serene moment, she wondered how something so bright and actually beautiful, such a vibrant red, a colour synonymous with passion, romance and love, the colour of blood, of life, could also be the colour of so much appalling devastation. Sent south to the Snowy mountains to work on his Cousin Jack's farm, George Sutherland finds himself fighting for a beautiful woman, his job and ultimately his life. He is driven to breaking point as he is made to question his own reality, if he is worthy of the job and ultimately, the family name.

Alice Montgomery goes missing in 2015. Seven years later, her best friend Hannah is bouncing from city to city, forever feeling the need to outrun something, but unsure what. With the niggling need to move nipping at her heels, Hannah decides to return home – a small coastal town in Western Australia – for the first time since she left, to help her mum after surgery and confront their fractured relationship. When Hannah hears that Marnie Montgomery, Alice's mum, has been diagnosed with terminal cancer, she is seized by terror that she will never know the truth of her friend's disappearance.

The first time Ashling Wood realizes her marriage is on the rocks is when her husband, Adrian, suggests they try nest parenting. Heartbroken, Ash suddenly finds herself living a double life—one week with her children, the next cohabiting with her happily single sister-in-law. Her friends think the modern custody solution is an exciting opportunity for her to spread her wings, but all Ash wants is her family back together. An offer to renovate a seaside cottage seems like the perfect distraction for Ash while waiting for Adrian to come to his senses.

In 1999, art dealer Alex Clayton stumbles across a lost portrait of Molly Dean, an artist’s muse brutally slain in Melbourne in 1930. Alex buys the painting and sets out to uncover more details, but finds there are strange inconsistencies: Molly’s mother seemed unconcerned by her daughter’s violent death, the main suspect was never brought to trial despite compelling evidence and vital records are missing. Alex enlists the help of her close friend, art conservator John Porter, and together they sift through the clues and deceptions that swirl around the last days of Molly Dean.

Lou and Josh have been together for 14 years. They share two kids, a mortgage, careers and plenty of history. Now, after a particularly fraught Christmas, Lou is ready to ask herself: is this marriage worth hanging on to? Every month for a year, Lou sets a different test for their relationship - from daily sex to brutal honesty - to help her decide if she should stay or go. Secrets are exposed, old wounds reopened and a true-to-life suburban love story unfolds.

In 1998, an apparently ordinary Australian man is arrested and charged with a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further—into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway 13 takes murder as its starting point, but it unfolds to encompass much more. Fiona McFarlane presents an unforgettable, entrancing exploration of the way stories are told and spread, and at what cost.

In 1941, Queensland drover Michael McTavish leaves behind his young daughter Gracie and joins the 2/22 AIF, his destination, Rabaul, New Guinea, a small town surrounded by impenetrable jungles and steep jagged mountains, its shores lined by tranquil bays and active volcanos. Joanie has also arrived in New Guinea, with a chance to manage a trading store with her father, Reg, too exciting an opportunity to pass up.

Tony had found me. Or, he’d found Maggie. I had no way of knowing whether he was nuts or not; whether he might go to the cops. Maybe that sounds paranoid, but I don’t think it’s so ridiculous. People have gone to prison for much lesser things than accusations of child-killing. A quiet, small-town existence. An unexpected Facebook message, jolting her back to the past. A history she’s reluctant to revisit: dark memories and unspoken trauma, warning knocks on bedroom walls, unfathomable loss.

In present-day Melbourne, a group of power-hungry academics are trying to reassemble a 19th century grimoire designed to summon Satan. For centuries magicians have compiled grimoires to call up demons. In Victorian London an ambitious warlock called Peter Owling designs a book to summon the Lord of Demons himself and thereby achieve eternal life. But not even his beautiful young acolyte Christian grasps the full extent of his master’s plans....

From the moment Lucy met Diana, she was kept at arm's length. Diana is exquisitely polite, but Lucy knows, even after marrying Oliver, that they'll never have the closeness she'd been hoping for. But who could fault Diana? She was a pillar of the community, an advocate for social justice, the matriarch of a loving family. Lucy had wanted so much to please her new mother-in-law.That was 10 years ago. Now, Diana has been found dead, leaving a suicide note. But the autopsy reveals evidence of suffocation. And everyone in the family is hiding something....

So by the grace of a photograph that had inexplicably gone viral, Tony had found me. Or: he'd found Maggie. I had no way of knowing whether he was nuts or not; whether he might go to the cops. Maybe that sounds paranoid, but I don't think it's so ridiculous. People have gone to prison for much lesser things than accusations of child-killing . . .

Faith Forrester is at a crossroads. Single, thirty and living on a farm in a small Western Australian town, she's sick of being treated like a kitchen slave by her brother and father. Ten years ago, her mother died of breast cancer, and Faith has been treading water ever since. She wants to get her hands dirty on the family farm. She wants to prove to herself that she's done something worthwhile with her life. And she wants to find a man...