Mostrando resultados por narrador "David Shih" en Todas las categorías

Zero, Nyx, and the other Pathfinder colonists have adjusted to life on Kaguya. But Earth has built much faster starships-the Dreamcatcher arrives 10 years early, and the Stargazer arrives so early it actually got there before the Pathfinder did! Now the Stargazer is a lost shipwreck, and the race is on to find it, and who should show up looking for it but Nyx's dangerous family: Big Mama, Jim, and Kratt. Nyx and Zero will face kidnappers, pirates, shipwrecks, warlords, dragons, and maybe a new ally or two on their way to save the day once again.

Zero is just one of 20,000 people aboard a spaceship bound for a new planet set to be colonized. The journey is over a century long but luckily, everyone is in stasis, so they’ll be safe and sound asleep during the trip. Everyone that is, except for Zero, whose pod has malfunctioned, waking him up a hundred years early. His initial excitement in roaming the ship alone quickly turns to a heart-stopping interstellar adventure when a family of space pirates show up, trying to hijack the ship and take the colonizers hostage.

A popular young girl disappears without a trace, her skeletal remains discovered three years later in the ashes of a burned-out house. There's a suspect and compelling circumstantial evidence of his guilt, but no concrete proof. When he isn't indicted, he returns to mock the girl's family. And this isn't the first time he's been suspected of the murder of a young girl; nearly 20 years ago he was tried and released due to lack of evidence. Detective Chief Inspector Kusanagi of the Homicide Division of the Tokyo Police worked both cases.

In Osaka, dark secrets haunt a wealthy merchant family throughout the first half of the twentieth century . . . In 1906, the young heir to the Omari family business climbs to the top of a Panorama and vanishes. In 1914, a fight between two mysterious figures on a bridge tragically ends with one falling to their death. In 1943, as war rages on, the once illustrious family has fallen. Both potential heirs have been drafted into war, and a string of strange and violent happenings has beset the house of Omari.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

When a monstrosity above her rank shows up, Siasha is seated with some undesired downtime. Making the best of a boring situation, she and Zig head to the morning market, only to bear witness to a scuffle between humans and demi-humans. But to the inhuman witch Siasha and mercenary Zig, these interspecies tensions are none of their concern—or so they think. They soon learn that these conflicts are far more deep-rooted than they could've ever imagined.

Nothing in this world is more dangerous than a witch. The epitome of fear and terror, they can summon floods on a whim, conjure balls of fire out of the air, or even destroy entire countries overnight. Incur their wrath, and no one is safe. At least, that's what everyone thinks, and it's the very reason they all want Siasha dead. After yet another violent battle for her life, she teams up with Zig, a mercenary, and they depart for unknown lands to find somewhere she can live in peace. But is the pair any match for the lost magic and vicious monstrosities that lie ahead?

Money Games is a riveting tale of one of the most successful buyout deals ever: the acquisition and turnaround of what used to be Korea's largest bank by the American firm Newbridge Capital. Full of intrigue and suspense, this insider's account is told by the chief architect of the deal itself, the celebrated author and private equity investor Weijian Shan. With billions of dollars at stake, and the nation's economic future on the line, Newbridge Capital sought to become the first foreign firm in history to take control of one of Korea's most beloved financial institutions.

For those looking for the real story behind the fictionalized movie account of the 47 Ronin story, this is the definitive, fascinating account of this unforgettable tale of a band of samurai who defied the Emperor to avenge the disgrace and death of their master, and faced certain death as a result. It led to one of the bloodiest episodes in Japanese history, and in the process, created a new set of heroes in Japan.

The Art of Expressing the Human Body, a title coined by Bruce Lee himself to describe his approach to martial arts, documents the techniques he used so effectively to perfect his body for superior health and muscularity.

A probing work of narrative history that reveals the hidden story of immigrant detention in the United States, deepening urgent national conversations around migration.

In his 1992 best-selling book The End of History and the Last Man, American political scientist Francis Fukuyama argued that the dominance of liberal democracy marked the end of humanity's political and ideological development. Thirty years later, with populism on the rise and the number of liberal democracies decreasing worldwide, Fukuyama revisits his classic thesis. A series of in-depth interviews between Fukuyama and editor Mathilde Fasting, After the End of History offers a wide-ranging analysis of liberal democracy today.

Weijian Shan's Out of the Gobi is a powerful memoir and commentary that will be one of the most important books on China of our time, one with the potential to re-shape how Americans view China, and how the Chinese view life in America. Shan, a former hard laborer who is now one of Asia's best-known financiers, is thoughtful, observant, eloquent, and brutally honest, making him well-positioned to tell the story of a life that is a microcosm of modern China, and of how, improbably, that life became intertwined with America.

In Osaka in 1973, the body of a murdered man is found in an abandoned building. Investigating the crime, Detective Sasagaki is unable to find the killer. Over the next 20 years, through the lens of a succession of characters, Higashino tells the story of two teens, Ryo and Yukiho, whose lives are most affected by the crime, and the obsessed detective, Sasagaki, who continues to investigate the murder, looking for the elusive truth.

When the murder of a woman is reported to the Shanghai police while Inspector Chen is on vacation, Sergeant Yu is forced to take charge of the investigation. The victim, Yin Lige, a novelist known for her banned book, has been found dead in her tiny, humble room off the stairwell of a converted multi-family house. It seems that only a neighbor could have committed the crime, for the building is kept locked at night. But there is no apparent motive. Sergeant Yu tries to unravel the reclusive woman's past and begins to realize it may have larger political implications.

Nothing had worked. Not threats or negotiations, not shutting down the betting parlors or opium dens, not throwing Chinese offenders into prison. Not even executing them. The New York DA was running out of ideas, and more people were dying every day as the weapons of choice evolved from hatchets to automatic weapons and even bombs. Welcome to New York City's Chinatown in 1925.

A couple in their 30s live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife - the days have more light and color.

Call it "Zen and the Art of Farming" or a "Little Green Book", Masanobu Fukuoka's manifesto about farming, eating, and the limits of human knowledge presents a radical challenge to the global systems we rely on for our food. At the same time, it is a spiritual memoir of a man whose innovative system of cultivating the earth reflects a deep faith in the wholeness and balance of the natural world. As Wendell Berry writes in his preface, the book "is valuable to us because it is at once practical and philosophical."

A young "national model worker," renowned for her adherence to the principles of the Communist Party, turns up dead in a Shanghai canal. As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career-perhaps even his life-to see justice done.

It was no walk in the park, but Zig and Siasha have finally gotten accustomed to their new surroundings and are enjoying their tranquil lives funded by their bloody battles with monstrosities. One day, Siasha decides to join a short-term adventuring party, and Zig, temporarily relieved of his bodyguard duties, finds himself with a bit of free time. But he's not idle for long. Isana—a second-class adventurer and acquaintance of Zig's—asks for his help investigating the recent kidnappings of children from her tribe.