Showing results by narrator "Matthew Wolf" in All Categories

When Finlay Ashowan joins the staff of the King and Queen of Daxaria, he’s an enigma. No one knows where he comes from or how he came to be where he is, which suits Fin just fine. He’s satisfied simply serving as the royal cook, keeping nosy passersby out of his kitchen, and concocting some truly uncanny meals. But Fin’s secret identity doesn’t stay hidden for long. After all, it’s not every day a house witch and his kitten familiar, Kraken, take to meddling in imperial affairs.

Having somehow convinced Lady Annika Jenoure to marry him, all Finlay Ashowan wants to do is settle down, cook some good meals, and enjoy a quiet life in Daxaria. But fate has different plans. Fin’s father, Aidan Helmer, fire witch and servant of King Matthias of Troivack, has arrived in the kingdom with devastating news: Annika’s brother Charles has been taken prisoner, and the only way his life will be spared is if Annika or Fin goes to plead his case. Given that an attack from Troivack is imminent, there’s no way some trickery isn’t involved in this plot.

As a wielder of domestic magic, Finlay Ashowan likes to keep his affairs as neat and orderly as his kitchen. But between his work for the King and Queen of Daxaria and a new (secret) relationship with Lady Annika Jenoure, his life is anything but tidy. For one thing, if Annika and Fin are to continue their romance, they’ll need to sort out the pesky issue of Fin’s being a commoner—before Annika is forced into a political marriage that interferes with her own carefully laid plans. For another, pressure is mounting as the war with Troivack draws ever closer.

Lady Katarina Ashowan is used to getting into trouble, but her latest muddle takes the cake. A moment's weakness in her attraction to Eric Reyes, crown prince of Daxaria, has landed her in an unexpected marriage with the man . . . just as her father, Lord Finlay Ashowan, arrives in Troivack to check on his headstrong daughter. As if figuring out how to acclimate her father to her scandalous elopement isn't bad enough, there are rumors of dangerous magical plots afoot at court—with Kat seemingly at the center of them all.

Katarina Ashowan was not made for courtly life. Sure, her father is the famous house witch of Daxaria so she was raised among majestic castles, proper manners, and royal expectations. But Kat is also a mutated witch whose power aligns predominantly with fire. She’s more comfortable riding horses or learning to fight than she is making polite conversation and wearing fancy dresses. Which is why her upcoming assignment—serving her best friend, Alina, the soon-to-be crowned Troivackian queen—is anything but ideal.

Lady Katarina Ashowan has never quite fit the mold of a noblewoman—and it's not only because she's a mutated fire witch. Though she's the closest friend and confidant of Alina, the soon-to-be-coronated queen of Troivack, Kat would much rather play cards with questionable characters or steal out at night to go riding than bandy niceties with suitors and deal with affairs of state. So as soon as Alina is officially crowned, the young witch plans to put away her dresses and get into some real adventure, training with a master swordsman.

It’s been twenty years since Finlay Ashowan, the fabled house witch of Daxaria, first cooked up supernatural hijinks in the castle at Austice. Since then, much has changed: the royal family now resides elsewhere, a tentative peace has been established with Troivack, and the crown princess, Alina, is ready to pick the perfect nobleman to be her husband. But Alina’s quest for her ideal consort is proving rather difficult.

It’s March 1918, and World War I is raging in Europe. In the trenches in northern France, a group of British officers, led by the war-weary Captain Stanhope, ready themselves for a major German attack while facing their worst fears. R.C. Sherriff drew on his own experiences in World War One to create the play, which premiered in 1928 and is now considered one of the preeminent works about the horrors of war.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

An award-winning writer re-imagines the life of Jesus, from the points of view of four people closest to him before his death. This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down.

The first full-length narrative biography of Led Zeppelin's John Bonham, considered by many to be one of the greatest drummers in rock history, and a genuine wild man of epic (and sadly fatal) proportions.

An L.A. Theatre Works-commissioned adaptation of the classic Agatha Christie “whodunit”. Adapted from the novel by Kate McAll. In Christie’s clever and beautifully crafted tale, Detective Hercule Poirot receives an urgent letter from Paul Renauld summoning him to France. Upon their arrival, Poirot and his companion, Arthur Hastings, find they are too late. Plus, to complicate things further, certain facts just don’t add up.

For countless millennia, no man or beast has ever succeeded in breaching the stone gateway into Girdlegard. Until now.... Abandoned as a child, Tungdil the blacksmith is the only dwarf in a kingdom of men. But when he is sent out into the world to deliver a message and reacquaint himself with his people, the young foundling finds himself thrust into a battle for which he has not been trained.

With the Beatles, John Lennon surpasses his youthful dreams, achieving a level of superstardom that defies classification. “We were the best bloody band there was,” he says. “There was nobody to touch us.” Nobody except the original nowhere man, Mark David Chapman. Chapman once worshipped his idols from afar - but now harbors grudges against those, like Lennon, whom he feels betrayed him. He’s convinced Lennon has misled fans with his message of hope and peace. And Chapman’s not staying away any longer.

For countless millennia, the dwarves of the have defended the stone gateway into Girdlegard. Many and varied foes have hurled themselves against the portal and died attempting to breach it. No man or beast has ever succeeded. Until now...Abandoned as a child, Tungdil the blacksmith labors contentedly in the land of Ionandar, the only dwarf in a kingdom of men. Although he does not want for friends, Tungdil is very much aware that he is alone - indeed, he has not so much as set eyes on another dwarf. But all that is about to change.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence". Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

Starring James Marsters, this classic comedy of manners from 1773 is still widely performed and studied. Love, lies, and dysfunctional families. Sound like your last family gathering? Try this one on for laughs. Two randy young gents, Charles and George, set out to woo the alluring and upper-crust Kate and Constance. But inexperienced Charles is shy and clumsy around upper-class ladies, so it’s the barmaid who catches his eye. But is she really who she seems?

Shakespeare’s timeless story of revenge, corruption, and murder is considered one of the greatest works in the English language. Prince Hamlet sets out to avenge his beloved father's death at the hand of his uncle Claudius - but Hamlet's spiral into grief and madness will have permanent and immutable consequences for the Kingdom of Denmark. Composed over 400 years ago, Hamlet remains one of the theater’s most studied and performed works, and is presented here in a stunning, sound-rich, full-cast recording.

Forget George and the dragon. Forget Sir Lancelot and tales of knightly exploits. This is dirty, bloody work. This is violent, visceral action. This is a mercenary knight as you've never seen one before. Twenty-eight florins a month is a huge price to pay for a man to stand between you and the Wild. Twenty-eight florins a month is nowhere near enough when a wyvern's jaws snap shut on your helmet in the hot stink of battle, and the beast starts to rip the head from your shoulders.

Lucas Rurik is no stranger to navigating the tricky territory between humans and those touched by the rift. After all, as the last surviving member of the Raven Guild, protecting the peace is his job. But that doesn’t mean it’s easy. As much as Lucas would like to be out hunting for Dr. Callie Mitchell—a deranged scientist with a bad habit of experimenting on the rift-fused—his friends at the Rift-Crime Unit require his expertise on a perilous case.