Inspector Montalbano Mysteries

When Inspector Montalbano falls under the charms of beautiful gallery owner Marian, his longtime relationship with Livia comes under threat. Meanwhile, he is also troubled by a strange dream as three crimes demand his attention: the robbery and assault of a wealthy merchant's young wife, stolen works of art, and a search for arms traffickers that leads him deep into the countryside, where the investigation takes a tragic turn.

Feeling his age as his birthday rolls round once again, Inspector Montalbano decides to cheer himself up by dealing with a young driver's road rage in his own unique way. But his joy is short-lived, as at police headquarters he receives an angry phone call from a supermarket boss; there's been a robbery at his store, and Montalbano's colleague is treating him as a suspect. On arrival at the scene, Montalbano quickly agrees with Inspector Augello that this was no ordinary break-in.

Montalbano investigates a robbery at a supermarket, a standard case that takes a spin when manager Guido Borsellino is later found hanging in his office. Was it a suicide? Inspector Montalbano and the coroner have their doubts, and further investigation leads to the director of a powerful local company. Meanwhile, a girl is found brutally murdered in Giovanni Strangio's apartment - Giovanni has a flawless alibi, and it's no coincidence that Michel Strangio, president of the province, is his father.

Inspector Montalbano enjoys simple pleasures - delicious food, walks along the water, the occasional smoke - yet these are just the backdrop to his duties as a detective. His latest case is the killing of the wealthy Cosimo Barletta. Thought to be a widower living out a quiet life by the sea, Cosimo's sudden death by gunshot to the neck opens up his past to scrutiny. What Montalbano uncovers is Cosimo's trove of salacious photographs, used to extort young women, and a history full of greed and corruption.

One family across two generations. A marriage marred by trauma and infidelity. Lives marked by death, divorce and a shattered family. A dark secret at the heart of a tragedy. Now the Pengelly family reunites around the sickbed of David, a beloved husband and father, to confront the emotions and the secrets that have divided them over the years.

On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house: his body slumped on the dining room floor, his morning coffee spilt across the table, and a single gunshot wound at the base of his skull.

A missing daughter. A desperate father. A journey to save them both. Sofia Mounir’s world is not her own. Her mother is sick, her father broken, the London they live in is dying of greed and self-obsession. So she flees, to Raqqa: heart of the caliphate, foundation stone of a just world that she will help to build. From violence and sacrifice will grow something beautiful, and she will be part of it. Her faith will be equal to everything asked of her. Until it isn’t. Until it becomes clear that not all her new brothers’ and sisters’ intentions are as pure as her own.

On a gloomy morning in Vigàta, a call from Fazio rouses Inspector Montalbano from a nightmare. A man called Giugiù Nicotra has been found dead in the skeletal workings of a construction site, a place now entombed by a sea of mud from recent days of rain and floods. Shot in the back, he had fled into a water supply system tunnel. The investigation gets off to a slow start, but all the evidence points to the world of construction and public contracts, a world just as slimy and impenetrable as mud.

It's been raining for days in Vigàta, and the persistent downpours have led to violent floods overtaking the Inspector's beloved hometown, sweeping across the land and leaving only a sea of mud behind. It is on one of these endless grey days that a man - a Mr Giuglù Nicotra - is found dead. His body discovered in a large sewage tunnel, half naked and with a bullet in his back.

After a hectic morning involving two rather irritating cases of mistaken identity, Inspector Montalbano finally arrives in his office ready find out what's troubling Vigàta this week. What he discovers is unnerving. A woman on her way home from work has been held up at gunpoint, chloroformed and kidnapped, but then released just hours later - unharmed and with all her possessions - into the open countryside. Later that day, Montalbano hears from Enzo, the owner of his favourite restaurant, that his niece has recently been the victim of the exact same crime.

The day gets off to a bad start for Montalbano: while trying to break up a fight on Marinella beach, he hits the wrong man and is stopped by the Carabinieri. When he finally gets to the office, the inspector learns about a strange abduction: a woman was abducted, drugged, and then released unharmed a few hours later. A few days later, the same thing happens again, but this time the woman abducted is the niece of Enzo, the owner of Montalbano's favorite trattoria. The only link between the two events is that both women are 30 years old and work in a bank.

In Inspector Montalbano’s coastal town of Vigàta, a surge of migrants have been coming in by boat, and all the town’s hands are on deck to help the arrivals. At the heart of the scene are the police - on the lookout for the people smugglers responsible - and long night shifts are rendering Inspector Montalbano and his officers exhausted. Then one night, while Montalbano is enduring yet another gruelling stint at the port, a separate crime is committed - unexplained, unexpected, and unpleasant. Elena, the dressmaker at the town’s famous tailors, has been found dead....

A wave of refugees has arrived on the Sicilian coast, and Inspector Montalbano and his team have been stationed at port, alongside countless volunteers, to receive and assist the newcomers. Meanwhile, Livia has promised their presence at a friend's wedding, and the inspector, agreeing to get a new suit tailored, meets the charming master seamstress Elena Biasini. But while on duty at the dock one late night, tragedy strikes, and Elena is found gruesomely murdered. Between managing the growing crowds at port, Montalbano works to weave together the loose threads of the unsolved crimes.

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigàta in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963 - always on the same day, March 27; and always the same shot, the outside wall of a country house. Montalbano hears the story and, intrigued by the mystery of it, begins to investigate its meaning.

Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigàta at that time. Meanwhile, Montalbano is grappling with a double mystery, one that emerges from the past and another that leads him into the future.

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly, he climbs out the window and into the downstairs apartment, but from one danger to another. In the dark he sees a body lying on the bed. Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all.

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly, he climbs out the window and into the downstairs apartment, but from one danger to another. In the dark he sees a body lying on the bed. Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all.

Mimi Augello is visiting his lover when the woman’s husband unexpectedly returns to the apartment; he climbs out the window and into the downstairs apartment, but one danger leads to another. In the dark he sees a body lying on the bed. Shortly after, another body is found, and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors. Are the two deaths connected? Inspector Montalbano finds all of Catalanotti’s dossiers and plays and the notes on the characters....

Two deaths, the suicide of a newly laid-off worker and an unscrupulous businessman found murdered, lead Inspector Montalbano to inspect the Halcyon, a nearly abandoned mysterious ship with no passengers.

Two deaths - the suicide of a recently fired worker and the murder of an unscrupulous businessman - lead Inspector Montalbano to the Halcyon, a mysterious ship that visits Vigàta's port each day. With very few crewmen, no passengers and a stern large enough to land a helicopter, it piques the Inspector's interest straight away. And whilst all this is going on, a rare trip to Genoa to visit Livia ends with the Vigàta police department in disarray, and Inspector Montalbano's position as the head of the commissariat in jeopardy. It will be up to Montalbano to fix the damage done.