Riley Spartz

Television reporter Riley Spartz is recovering from a heartbreaking, headline-making catastrophe of her own when a longtime police source drops two homicide files in her lap in the back of a dark movie theater. Both cold cases involve women named Susan strangled on the same day, one year apart.

In this sequel to Stalking Susan, TV reporter Riley Spartz pursues a curious story of a bride left at the altar and finds herself caught in a dangerous missing-person case. When Riley Spartz sees a want ad reading “Wedding Dress for Sale: Never Worn,” her news instincts tell her that the backstory might make an intriguing television sweeps piece. The groom, Mark, last seen at the rehearsal dinner, never showed up for the wedding, humiliating his bride, Madeline—and her high-strung, high-society mother—in front of 300 guests.

TV reporter Riley Spartz publicly clashes with local gossip writer Adam Lorenzo and throws a drink in his face after he implies in his newspaper column that she cheated on her dead husband. When the gossip is found shot to death, she is shocked to be charged with murder. Though the victim was widely despised, police seem unwilling to look any further for suspects, and Riley must use her skills to secretly investigate the case before it's too late and she winds up in jail.

Channel 3's news director sends Riley on a dog rescue story sure to win over Minneapolis-St. Paul's viewers. But when the Twin City's latest murder victim is someone from Riley's past, she can't stay away. Kate Warner was her college roommate's sister, and the killer's signature - a chalk outline of a winged angel - links him to a string of homicides across the Midwest. Unearthing his agenda leads Riley to the legendary Black Angel statue in an Iowa cemetery - and may lead to a twisted trap designed just for her by the angel killer himself.

A young boy's freak accident leads Riley Spartz to investigate a homicide in the closed religious society of the Amish. No women near the small Minnesota town have been reported missing and because the victim's face is damaged, she can't be identified without the help of a forensic artist. When she finally is recognized as Sarah Yoder, a young Amish woman, the police have difficulty investigating the case because the Amish believe in forgiveness rather than prosecution, and no one in the community is talking.