Tracee A. Hanna
AUTHOR

Tracee A. Hanna

Literature & Fiction Fantasy
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Tracee A. Hanna is a native of Saint Louis, Missouri. She is a loving mother of two and a world traveler who loves to cook. Her tempestuous stories serve to entertain and enlighten readers on a variety of issues women face in today's world - romantic, erotic, realistic. Bestselling author and featured author in a New York Times bestselling anthology, Tracee A. Hanna is a life-long lover of books. Alas, a drunk driver changed her life forever and therefore she started writing as a way to preserve her sanity while she recovered from a car accident. As her world fell apart she invented better realities which satiated her heart and occupied her mind. Writing tales was cathartic during the most trying time of her life. Little did she know, her very first short story submission would be published by Simon and Schuster. Ms. Hanna’s debut short story, The Masquerade Party, is featured in New York Times bestselling Anthology Caramel Flava, edited by Zane, published by Simon and Schuster-Atria- Strebor, and listed in The Library of Congress. Her short story, Chocolate Cream was included in the anthology, Honey Flava, edited by Zane, published by Simon and Schuster. She went on to write the best-selling book, Ultimate Freak-fest Fantasy, and the sequel, Footprints on the Headboard. Her novels, Naked Confessions and A Little Bit of Sinning, were well received. Tracee A. Hanna also vies to share her life’s lessons and experiences, therefore, she delved into the self-help genre. She presented the compendium, Guide to Recognizing Haters, which shines the light on haters who hide in plain sight, posing as loved ones. Her newest guidebook, Love: From the Safest Distance Possible, unveils some of the most important lessons in life and love that people learn the hard way, including lessons of her own. Ms. Hanna firmly believes every aspect of her life has been worth living and she cannot wait for the next chapter to unfold. Although, she has no explanation for the sometimes explicit and erotic nature of her imagination, she would not change a word she has shared with the world.
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