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A sweeping history of one of the nation’s most important African American churches and a profound story of courage and grace amid the fight for racial justice.

Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, Blackness in museums, Blackness in feminist art movements, as well as Blackness in the curriculum, Alayo unveils an overlooked but integral part of our collective art history.

A groundbreaking look at how Black visionaries—from Wall Street to Lagos and beyond—are reimagining capitalism to benefit the needs of Black people and, ultimately, everyone.

The spaces revealed through the practice of time manipulation in Black cultures lend themselves to storytelling, a time-hopping process that integrates memory and community. Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

Why do so many Black Americans—whether privileged or poor, urban or suburban, young or old—live in a state of chronic anxiety, fear, and shame? Rock My Soul: Black People and Self-Esteem breaks through collective denial and dares to imagine a more liberatory framework for understanding “self and identity in a world where loss is commonplace.” With visionary insight, hooks exposes the underlying reality that it has been difficult—if not impossible—for our nation to create a culture that promotes and sustains healthy self-esteem.

With a blend of reportage, historical data, and pop culture, Black Genius touches on timely issues of race, class, and creativity. Tre’s life and career put him in a unique position to become a cultural observer, diving into predominantly-Black cities, communities, and schools with an ever-watchful eye of what was happening around Black opportunity, mobility, politics, and institutions. In this collection Tre pinpoints four key aspects of Black American genius—innovation, family, celebration, and community as the recipe to coming out on top.

The Chancellor’s Mansion was built by William Townsend McCoun, a public servant and abolitionist in New York City. The once-grand house on a hill in Oyster Bay, Long Island, had been abandoned for years. Many would have torn the property down and built something new on the land. But Jamie and Frantz Arty realized the house had more to give. The couple purchased the home, moved in, and began period-specific renovations at the height of the pandemic, along with their parents and three children—including newborn twins.

The Five Blessings of Ifá explores how Black communities across the diaspora draw strength from ancestral wisdom, family, community care, and mutual aid, using the principles of Ifá—a West African spiritual tradition—as a guiding framework. Gabrielle Felder provides a blueprint for living a more fulfilled and abundant life through the blessings of Aiku (longevity), Aje (wealth), Aya and Oko (relationships), Omo (children), and Isegun (victory over negative forces), providing practical examples of how Black folks have built resilience and learned to thrive in the face of oppression.

A Simon & Schuster audiobook. Simon & Schuster has a great book for every listener.

Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.

In August 1955, a fourteen-year-old African American, Emmett Till, was visiting family in Mississippi when he was kidnapped from his bed in the middle of the night by two White men and brutally murdered. His crime: allegedly whistling at a White woman in a convenience store. The killers were eventually acquitted.

Under the guise of writing about a single subject, Greg Tate’s essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics—from the rise of hip-hop; the art of JeanMichel Basquiat; the music of Miles Davis, James Brown, Jimi Hendrix, Bad Brains, and many others; to the crisis of the Black intellectual and the irony of the GOP recruiting Black Americans— Tate writes in a brave and distinctive voice that is angry, joyous, anxious, and funny.

In January 1959, Art Copleston was escorted out of his college accounting class by three police officers. In a motel room, blinds drawn, he sat in front of a state senator and the legal counsel for the Florida Legislative Investigation Committee, nicknamed the “Johns Committee.” His crime? Being a suspected homosexual. And the government of Florida would use any tactic at their disposal—legal or not—to get Copleston to admit it.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain.

Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

As the civil rights movement blazed through America, more than 300,000 Black troops were drafted and sent to fight in the Vietnam War. These soldiers, often from disadvantaged backgrounds and subjected to the brutalities of racism back home, found themselves thrust onto the frontlines of a war many saw as unjust. On the homefront, Black antiwar activists faced another battle: Opposition to the Vietnam War, vilified by key allies in the media and government as anti-American, jeopardized the fight for civil rights.

In this latest book in Beacon’s award-winning ReVisioning History series, Professors C. Riley Snorton and Darius Bost unearth the often overlooked history of the Black queer community in the United States. Arguing that both gender and sexual expression have been an intimate and intricate part of Black freedom struggle, Snorton and Bost present historical contributions of Black queer, trans, and gender non-conforming Americans from slavery to the present day to highlight how the fight against racial injustice has always been linked to that of sexual and gender justice.

John Edgar Wideman, renowned for his award-winning fiction and memoirs, first made waves in American literature with his sharp, insightful commentary. Now, for the first time, his extensive body of long-form journalism and essays, personally curated by Wideman himself and spanning nearly five decades of his remarkable career, showcases his intellectual depth and lasting influence.

A white man hosts a wedding party for his enslaved servant and finds himself charged with a criminal offense; an overseer ends up dead after getting drunk with a slave; a slaveholder courts a Black woman owned by his neighbor and starts a family with her. A Terrible Intimacy recounts six criminal cases in one Virginia county in the years preceding the Civil War. Witnesses of both races describe a startling range of relationships between white and Black.

A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.