Mostrando resultados por narrador "Julienne Irons" en Todas las categorías

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Supernatural Bounty Hunter isn’t the sort of thing you see on LinkedIn. But with a rare type of magic like mine, I don’t have many options. So dangerous or not, the job is mine. And it was going fine, until an old as sin vampire stole my mark, and with it, my pay day.

When Lilith lyapo wakes from a centuries-long sleep, she finds herself aboard the vast spaceship of the Oankali. She discovers that the Oankali—a seemingly benevolent alien race—intervened in the fate of the humanity hundreds of years ago, saving everyone who survived a nuclear war from a dying, ruined Earth and then putting them into a deep sleep. After learning all they could about Earth and its beings, the Oankali healed the planet, cured cancer, increased human strength, and they now want Lilith to lead her people back to Earth—but salvation comes at a price.

Sharina Harris presents Book 2 in the Soul of the Slayer series.

Noah Blue's finally got her foot in the door. After clawing her way to the top of the charts with her webcomic, she's garnered enough attention to earn a full-time position at a comic company relaunching their cult classic comic: Queen Leisah. Queen Leisah is predicted to be an instant bestseller with movie deals already in the making. There's nowhere to go but up . . . as soon as she gets one person out of her way.

Reproductive Justice is a first-of-its-kind primer that provides a comprehensive yet succinct description of the field. Written by two legendary scholar-activists, Reproductive Justice introduces students to an intersectional analysis of race, class, and gender politics. Loretta J. Ross and Rickie Solinger put the lives and lived experience of women of color at the center of the book and use a human rights analysis to show how the discussion around reproductive justice differs significantly from the pro-choice/anti-abortion debates that have long dominated the headlines.

Half-angel Trinity and her bonded gargoyle protector, Zayne, have been working with demons to stop the apocalypse while avoiding falling in love. The Harbinger is coming…but who or what is it? All of humankind may fall if Trinity and Zayne can’t win the race against time as sinister forces gather.

Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot

Brogan and Lula Gauge have spent a lifetime traveling Route 66, hunting the monsters that attacked them and left Brogan an earthbound spirit and Lula a near-vampire. They never wanted to catch the attention of Cupid, the god of connections and destruction. They never expected the god to want to strike a deal with them, either. Cupid's deal brought Brogan back to life, but now they owe the god a favor. They must find the spell book of the gods. A book of magic so powerful, it could destroy the world.

Immortality sucks. Just ask Imogen Gray: Over two-hundred thousand years old and teetering on the edge of total insanity. Strong as a shifter, faster than a vampire, Imogen's walked the earth forever, always alone, never growing, never changing. Never learning, either. Her smart mouth and quick temper get her into trouble far too often. When that happens, she gets hurt—and it can take a long time to heal from severed limbs and disembowelment. She's so tired of it all.

The relationships that Joyce worked hard to build begin to crumble as new revelations unfold. As Joyce tries to navigate her professional and personal life, Eden is faced with something even worse than before. Something that is stronger than a reaper and may be impossible to stop. Someone who is the beginning and may very well be the end. An entity who everyone should fear—God.

Immortality sucks. Just ask Imogen Gray—over two hundred thousand years old and teetering on the edge of total insanity. All throughout history, she's been hunted by an ancient creature who finds her and rips her to pieces every time she dares to access her deepest powers. But Imogen always regenerates. Slowly. Painfully.

Joyce thought her prayers were finally answered when her client killed her. Yes, she knows, it's morbid. But, so is being a lawyer. Now dead, Joyce thought it was blue skies, angel wings, mimosas, and Jesus. Well, she was embarrassingly wrong. The insufferable, but good-looking Grim Reaper needs a favor. He needs her to represent him in the newly formed Reaper's Court. That is, of course, if she wants to go to heaven rather than to hell, which is exactly where she was heading.

Seven years ago, Austin Dash's dangerously jealous wife, Naomi, nearly stabbed him to death, an act that landed her in prison. Freed from her influence, Austin filed for divorce and took their young son to Atlanta for a fresh start. He established his own business and met the loving, gentle-hearted Brooke. Swept up in a charmed romance, they marry and prepare to welcome a new baby into their lives. But memories of Naomi haunt Austin's nightmares . . . And now, she's back.

For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush, Charlize's cousin, goes missing, Raquel starts to pay attention—especially when her own mom comes down with a mysterious illness that seems linked to the disappearances. Raquel and Charlize team up to investigate, but they soon discover that everything is tied to a terrifying urban legend called the Echo Game.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

Blocked creative ideas. Everybody has one, an inner critic that tells you that others have more talent, you’re just faking it, and that you’ll never have those great creative ideas that seem just out of reach. This inner critic is a subconscious deterrent that stands between the seeds of great creative ideas and the fruits of achievement. It afflicts us with a mental block as deadlines approach, makes us so afraid of being judged that we hold ourselves back and don’t share our expertise, and forces us to question our ability to learn ideas and technologies quickly.