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At the edge of Chicago, nestled on the shores of Lake Michigan, is a waystation for the dead. Every night, the newly departed travel through the city to the Station, guided by its lighthouse. There, they reckon with their lives before stepping aboard a boat to go beyond. Nera has spent decades watching her father – the ferryman of the dead – sail across the lake, every night just like the last. But tonight something is wrong. The Station's lighthouse has started to flicker out.

Sara Sidorova lies dying. As she hovers between life and death, she receives a visitation from Amba, the tiger god who will devour creation if he is released from the chains that bind him. Amba gives Sara Sidorova an extraordinary gift: a glimpse into the future. Years later, her granddaughter Irenda will grow up in a wartorn country where survival means obedience. When a devastating attack robs her of her mother, she travels to Hrana City. There, her grandmother agrees to teach her the ultimate secret: how to tame death. But it won't be easy…

When George Allenby is put in charge of building a lake in the grounds of an imposing Irish manor house, he intends to do the job as swiftly as possible and return to Belfast. Allenby is still wrestling with his time as an officer during the First World War, burdened by the many things he could have done differently.

Daedalus of Crete is many things: The greatest architect in the world. The constructor of the Labyrinth that imprisoned the Minotaur. And the grieving father of Icarus, who plunged into the sea as father and son flew from the grasp of the tyrannical King Minos. Now, Daedalus seeks to reunite with Icarus in the Underworld, even as he revisits his own memories of Crete, hoping to understand what went so terribly wrong at the end of his son's life.

Most people have been devoured by the eldritch creatures, but Sara and her family have been fighting for survival, armed with their knowledge of folklore and pagan rituals - the only weapon that seems to work against these monsters. And then a young woman, Parsley, comes out of nowhere into Sara's life. Found in their garden, they have no idea where she is from. Sara and Parsley begin to fall in love, but disaster strikes when Sara’s brother Noah is taken by the creatures. They set out to find him, across a landscape of merciless terror, haunted by death.

Nizzara has always been able to perceive spirits better than the average caster. When she enters a deadly tournament to end her betrothal, she's determined to win without succumbing to the addictive spirit magic she channels or taking a life in the duel ring. Finding herself outmatched, Nizzara must face her fear of power and team up with Dagen – an enemy who is half-ghost and all charm – to survive the tournament. Dagen, the last King of Zarr, was killed by Nizzara’s father ten years ago.

Innsbruck, 1485. Helena Scheuberin should be doing what every other young wife is doing: keeping house, supporting her husband, and bearing his children, but as an outspoken, strong woman, she sometimes has difficulty fitting in. Then she draws the unwanted attention of a malign priest who is just starting his campaign to root out “witches” from among the women of her town, and when her husband’s footman dies, she finds herself accused not only of murder but of witchcraft.

Es gibt Mächte, die selbst Götter fürchten – und eine Liebe, die den Tod herausfordert. Mische hat das ultimative Opfer gebracht, um die zu retten, die sie liebt. Damit hat sie die Welt in ewige Nacht gestürzt. Nun ist sie in den Fängen der Götter, während Asar, getrieben von Rache und Verzweiflung, nach ihr sucht. Als eine Göttin ihnen einen letzten Weg zur Erlösung – und zueinander – eröffnet, bleibt ihnen keine Wahl. [BK1] Sie müssen die Macht des Todesgottes an sich reißen, damit Asar das Unmögliche erreichen kann: wahre Göttlichkeit.

Goat Valley Campground has killed generations of Kate's family. Passed down through the family the land has become old and it calls to creatures of horror and folklore who make it their home and their hunting ground. As the campground manager, Kate has drawn up rules to try and protect her campers – if the man with the skull cup offers you a drink, accept it or you will die a gruesome death; don’t buy ice from the children with no wagon; and of course, never ever follow the lights. Still, not every camper survives their stay.

Joni Lark wants to create the melodies that get stuck in your head…and your heart. Her hometown has always given her surf, sand, and inspiration. But when her parents decide to close the family music venue, Joni’s life begins to fall off key – she couldn’t possibly write another song. Until a melody comes to her, half-formed, and with an imagined voice that she can’t forget. But when the very real, very aggravating man behind the voice shows up in Vienna Shores – Joni can no longer deny their inexplicable telepathic connection.

Dorothy Gale doesn’t know where she came from. She has only the vaguest memory of her life before landing in the dull, gray world of the vast Kansas prairie.

Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

Mission Lead Olivia O’Connor and her team from the Artemis Corporation, along with their military liaison, are in the final preparations for a undertaking that will alter the course of human history: the first faster than light test flight that finally opening up the expanse of the universe. But their journey between dimensions is one they never trained for.

Single mother Jenna arrives on the tranquil shores of Athelsea fueled by the desperate hope to find Chloe, her teenage daughter who’s disappeared from their London home. She has no idea why–all she knows is that Chloe had changed in the previous two weeks, haunted by something, or someone, and the ferry ticket here is the only clue she has.

I thought I'd lost every one of my dreams ten years ago, but I got a new chance when I entered the Trials. With every renewed hope, though, has come more hardship and the Night Bringer has made it very clear that he will not allow me keep any happiness. When shadow rebels attack the Crystal Court, injuring a good friend of mine in the process, I know the Night Bringer is behind it. He's beginning a campaign to destroy my beloved court and my friends alike.

This edition of Shelley's second novel, transcribed and introduced by Deanna Koretsky, explores the work both as a complex portrayal of taboo desires and as an intergenerational story of reckoning with the horrors of racism and patriarchy. Mathilda is often understood as biographical, but this edition also highlights the issues of justice, gender, and rights.

A former First World War field hospital, the spooky old mansion at Devil's Neck attracts spirit-seekers from far and wide. Illusionist-turned-sleuth Joseph Spector knows the house of old. With stories spreading of a phantom soldier making mischief, he joins a party of visitors in search of the truth. But the house, located on a lonely causeway, is quickly cut off by floods. The stranded visitors are soon being killed off one by one.

Twenty-seven-year-old Yeon-hwa has inherited a neighborhood bakery from her grandmother. Curiously, her grandmother’s will spells out two conditions: Yeon-hwa must keep the shop going for at least another month and only open it to customers from 10 PM until midnight. Yeon-hwa is hesitant at first; her grandmother was always distant, raising Yeon-hwa after her parents died in a car accident. But she agrees to the terms, hoping that running the bakery will help her to finally understand her grandmother after all these years.

Il n'en reste plus que sept : Toubib, Gobelin, Qu'un-Œil, Otto, Hagop, Murgen et la Dame, rebaptisée Madame. Jamais dans l'histoire de la légendaire Compagnie noire les effectifs n'étaient tombés si bas. Toubib, archiviste aujourd'hui capitaine, entreprend un retour aux sources, à Kathovar, mythique berceau de la Compagnie. Mais des milliers de kilomètres de jungle et de régions inexplorées la séparent de cet endroit où elle n'a pas mis les pieds depuis des siècles. Pourtant, on ne l'a pas oubliée. Nombreux sont ceux qui l'y attendent...

History meets fantasy in A. Rushby's tale of sisterhood, betrayal and reclamation revolving around three Anatomical Venuses—ultra-realistic wax models of women—that come to life at night to murder men who have wronged them.