Denise Magnus

Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.

It's their usual Thursday girls' night in, and best friends Skye, Elena, and London are enjoying hanging out at Skye's house in New Mexico, eating junk food, drinking wine, and playing with Skye's little children, Carter and Abigail. Until the intruders arrive. Hearing the horrific screams from Elena and Skye, London hides the children, tiptoes out to see what has happened . . . and disappears. After Carter raises the alarm, Detective Alyssa Wyatt is called in to investigate a bloodbath that appears to have no motive, no evidence, and worse still—no sign of London.

When Phillip is abducted, his family's hidden secrets and the town's dark mysteries come to light. Josie must confront the prejudices of their small community and uncover the sinister truth to bring her son home. A tale of courage and resilience, this story dives deep into family bonds and the shadows lurking in a seemingly peaceful town.

Lia Doe came to Mystic Bayou for one simple reason: to get her job done. Namely, to build a housing complex for all the new residents flocking to town since word of its supernatural population got out. But from the moment Lia arrives, it’s clear that nothing about the job is going to be simple.

Charlotte McBee knows she’s in for a challenge when she accepts a job as midwife for a dragon and a phoenix shifter. Being a fairy herself, it isn’t the supernatural world that scares her. It’s the thought of delivering a giant metal dragon’s egg, which has her gritting her teeth in pain for poor Jillian, the anxious mother-to-be. While preparing for the big event, a handsome town resident catches her eye. Leonard is kind, charming, and a little bit mysterious. He’s also suffering from a highly unusual condition brought on by an ancient fairy curse.

In weeks after the September 11 attacks, 18-year-old Mansoor Adayfi was kidnapped by Afghan militia and sold to US forces for bounty money. After months of interrogations, he was sent to the US military prison at Guantánamo Bay, Cuba, as one of its first prisoners. Like the nearly 800 other men imprisoned at Guantanamo, Adayfi didn’t know why he was imprisoned or for how long. He had never seen a skyscraper and couldn’t imagine what the Twin Towers of the World Trade Center looked like, much less how they were destroyed.

Frazzled mum Alice Ray likes to think she’s on top everything - she has four bags-for-life in the boot of her car for heaven's sake. But after spectacularly embarrassing herself at work, she finally gives in to her sister’s pleas to take a much-needed break. But this is not the luxury spa holiday Alice hoped for - instead, she finds herself in Denmark, in the middle of nowhere, on a ‘How to be a Viking’ getaway. Can the two sisters finally learn to get along, or will learning to embrace their inner warriors just make them better at fighting?

James Dommek, Jr., an Alaska Native writer and musician, sheds new light on a real-life mystery that pits Native American folklore against the US justice system. In the vast Alaskan Arctic, legend has it there once lived a mythic tribe—Iñukuns—that only existed in rumors and whispers. This changed forever when an actor-turned-fugitive, Teddy Kyle Smith, had an encounter that brought Iñukuns from myth to reality. Smith was an aspiring actor with a promising career until it all came quickly crashing down with a gunshot, a manhunt, bloodshed, and other frightful events.

A snowmelt has sent floodwaters down to the fields of the Red River Valley, dragging the body of an unidentified Native woman into the town of Ada. The only evidence the medical examiner recovers is a torn piece of paper inside her bra: a hymnal written in English and Ojibwe. Cash Blackbear, a 19-year-old Ojibwe woman, sometimes helps Sheriff Wheaton, her guardian, on his investigations. Now she knows her search for justice for this anonymous victim will take her to the White Earth Reservation, a place she once called home.

Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this "haunted" house was recently the stage for a two-act murder-suicide tragedy.