Isaiah Coleridge is a mob enforcer in Alaska - he's tough, seen a lot, and dished out more. But when he forcibly ends the money-making scheme of a made man, he gets in the kind of trouble that can lead to a bullet behind the ear. Saved by the grace of his boss and exiled to upstate New York, Isaiah begins a new life, a quiet life without gunshots or explosions. Except a teenage girl disappears, and Isaiah isn't one to let that slip by. And delving into the underworld to track this missing girl will get him exactly the kind of notice he was warned to avoid.

If you love mysteries with action, suspense and a touch of humor and romance, then the David Wolf series is for you.

Every town needs a hero, and Detective Cal Farrell fits the bill. He stopped an active shooter six months earlier, and now he’s become the darling of the Alexandria press. The problem is that Cal remembers nothing from that day. He’s working with a psychiatrist to recover his memories, but hasn’t had much luck. Then, on one of his morning runs, he is once again the first on scene for a grisly discovery—a body hanging impossibly high on a tree. Soon there’s another victim, killed by a blade and dumped in a ravine.

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

The start of a big, commercial, crackling, suspense filled series featuring a sexy, tough-gal DEA agent, Kay Hamilton - perfect for fans of Karin Slaughter, Patricia Cornwell, and Sara Paretsky.

After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

Welcome to Mae Pruett’s Los Angeles, where “Nobody talks. But everybody whispers.” As a “black-bag” publicist tasked not with letting the good news out but keeping the bad news in, Mae works for one of LA’s most powerful and sought-after crisis PR firms, at the center of a sprawling web of lawyers, PR flaks, and private security firms she calls “The Beast.” They protect the rich and powerful and depraved by any means necessary.

The year is 1895. London is scared. A killer haunts the city's streets. The poor are hungry. Crime bosses are taking control. The police force is stretched to the breaking point. The rich turn to Sherlock Holmes, but the celebrated private detective rarely visits the densely populated streets of South London, where the crimes are sleazier and the people are poorer. In the dark corner of Southwark, victims turn to a man who despises Holmes, his wealthy clientele, and his showy forensic approach to crime: Arrowood.

Coming from scandalous Florida treasure hunters and drug smugglers, Sloan McPherson is forging her own path, for herself and for her daughter, out from under her family’s shadow. An auxiliary officer for Lauderdale Shores PD, she’s the go-to diver for evidence recovery. Then Sloan finds a fresh kill floating in a canal - a woman whose murky history collides with Sloan’s. Their troubling ties are making Sloan less a potential witness than a suspect. And her colleagues aren’t the only ones following every move she makes. So is the killer.

In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes. Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying passengers in a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River. Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, 10-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash has charmed conversations with a mysterious figure he calls the "River Man".

Roland Ford - once a cop, then a marine, now a private investigator - is good at finding people. But when he’s asked to locate an Air Force veteran who’s escaped from a mental institution, he realizes he’s been drawn into something deep and dark. What he doesn’t know is why a shroud of secrecy hangs over the disappearance of Clay Hickman - and why he’s getting a different story from everyone involved. In a flash, what began as just a job becomes a life-or-death obsession for Ford.

Max Rupert has left his position as a Minneapolis homicide detective to live in solitude. Mourning the tragic death of his wife, he's also racked by guilt—he alone knows what happened to her killer. But then the former local sheriff, Lyle Voight, arrives with a desperate plea: Lyle’s daughter Sandy and his six-year-old grandson Pip have disappeared. Lyle’s certain Sandy's ex-husband Reed is behind it, but the new sheriff is refusing to investigate. When Max reluctantly looks into their disappearance, he too becomes convinced something has gone very wrong.

For San Francisco’s newest medical examiner, Dr. Jessie Teska, it was supposed to be a fresh start. A new job in a new city. A way to escape her own dark past. Instead, she faces a chilling discovery when an opioid-overdose case contains hints of something more sinister. Jessie’s superiors urge her to close the case, but as more bodies land on her autopsy table, she uncovers a constellation of deaths that point to an elaborate plot involving drug dealers and Bitcoin brokers.

Isaiah Coleridge is a mob enforcer in Alaska - he's tough, seen a lot, and dished out more. But when he forcibly ends the money-making scheme of a made man, he gets in the kind of trouble that can lead to a bullet behind the ear. Saved by the grace of his boss and exiled to upstate New York, Isaiah begins a new life, a quiet life without gunshots or explosions. Except a teenage girl disappears, and Isaiah isn't one to let that slip by. And delving into the underworld to track this missing girl will get him exactly the kind of notice he was warned to avoid.

Brothers Macbeth and Drederick Tooms should have it made as fair-haired scions of an impossibly rich and powerful family of industrialists. Alas, life is complicated in mid-1950s USA when you're child heirs to the throne of Sword Enterprises, a corporation that has enshrined Machiavelli's The Prince as its operating manual. Consider also those long, cruel winters at the Mountain Leopard Boarding School for Assassins in the Himalayas, or that Dad may be a supervillain, while an uncle occasionally slaughters his nephews and nieces for sport.

Strange things exist on the periphery of our existence, haunting us from the darkness looming beyond our firelight. Black magic, weird cults, and worse things loom in the shadows. The Children of Old Leech have been with us from time immemorial. And they love us.... Donald Miller, geologist and academic, has walked along the edge of a chasm for most of his nearly 80 years, leading a charmed life between endearing absent-mindedness and sanity-shattering realization. Now, all things must converge.

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

Laird Barron’s fourth collection gathers a dozen stories set against the backdrops of the Alaskan wilderness, far-future dystopias, and giallo-fueled nightmare vistas. Combining hard-boiled noir, psychological horror, and the occult, Swift to Chase continues three-time Shirley Jackson Award winner Barron’s harrowing inquiry into the darkness of the human heart.