In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

In Consolations II, anxiety might be more mercifully understood as the preparation for being hurt, fixed beliefs are recognised as the very places where we do not wish to understand, guilt is a friend compassionately waiting for us to catch up and routine becomes a form of ritual and worship. Each piece in this life-affirming book is an invitation to slow down, shift our perspective and find comfort.

Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim and using her charms to make ends meet. But they share a secret: once, they were snakes, basking under a full moon in Tang dynasty China. A thousand years later, their mysterious history is the only thing still binding them together.

Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft and contend with the works of writers overrepresented in textbooks and anthologies and those often underrepresented.

From the former Poet Laureate of the United States and New York Times bestselling author of Aimless Love comes a wondrous new collection of poems focused on the joys and mysteries of daily life.

A group of low-ranking real-estate salesmen are trying to survive in a cut-throat office culture. But when two of them devise a plot to redress the company's wrongs, the resulting turmoil increases the pressure to unbearable levels. An L.A. Theatre Works full-cast performance.

Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book Fear of Flying launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just out of reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year.

Somewhere in the Pacific, 1943. Kate Campbell is a nurse who bravely flies back and forth from the front to rescue wounded soldiers, amid long days, harsh conditions and often dangerous weather. Driven by a deep personal need to help in the war effort, she is conflicted when an injury results in her reassignment to the relative comfort of the English countryside. Love has never been part of her plan, but despite herself, she falls for an officer with three bullet wounds, startling blue eyes and a wicked sense of humor.

Sensual, macabre, joyous and liberating, The Flowers of Evil, or Les Fleurs du Mal, is a beautifully debauched reflection on dreams, sin, life, and death. With subjects ranging from travel to drugs, sex to faith, sleep to contemplation, Baudelaire finds new beauty in the most sinister and corrupt of situations. His morbid and nightmarish Romanticism was completely unique: cynical and bleak, but also inspiring. The book was highly controversial upon its release and Napoleon III’s government prosecuted Baudelaire for "an insult to public decency".

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Through its unforgettable characters and immersive storytelling, The Intermediaries charts the relationships between nascent sexual science, queer civil rights, and the fight against fascism. It tells riveting stories of LGBTQ pioneers and offers a cautionary tale in the face of today's oppressive anti-trans legislation.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

In The Rose, award-winning poet Ariana Reines navigates the intersection of power and surrender. Drawing on the history of "romance" as the troubadours knew it and the titular flower's ancient allegories for sexuality and mystery, Reines plunges into feminine archetypes to explore masculine pain: "I have always liked helpless / & terrible men because they break my mind."

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie?

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

Catalia "Cat" Fisa is a powerful clairvoyant known as the Kingmaker. This smart-mouthed soothsayer has no interest in her powers and would much rather fly under the radar, far from the clutches of her homicidal mother. But when an ambitious warlord captures her, she may not have a choice. Griffin is intent on bringing peace to his newly conquered realm in the magic-deprived south. When he discovers Cat is the Kingmaker, he abducts her.

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional recreation of an ancient Greek myth and a wholly original coming-of-age story set in the present.

Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails, while her relatives urge her to settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

In the wake of a catastrophic two-year relationship, Melissa Febos decided to take a break: For three months she would abstain from dating, relationships, and sex. Her friends were amused. Did she really think three months was a long time? But to Febos, it was. Ever since her teens, she had been in one relationship after another with men and women. As she puts it, she could trace a “daisy chain of romances” from her adolescence to her midthirties. Finally, she would carve out time to focus on herself and examine the patterns that had produced her midlife disaster.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.

Konstantin Duhovny is a haunted man. His father died when he was ten, and ghosts have been hovering around him ever since. Kostya can’t exactly see the ghosts, but he can taste their favorite foods. Flavors of meals he’s never eaten will flood his mouth, a sign that a spirit is present. Kostya has kept these aftertastes a secret for most of his life, but one night, he decides to act on what he’s tasting. And everything changes.

Jamie Canning has never been able to figure out how he lost his closest friend. Four years ago, his tattooed, wisecracking, rule-breaking roommate cut him off without an explanation. So what if things got a little weird on the last night of hockey camp the summer they were 18? It was just a little drunken foolishness. Nobody died.