British Fiction

Born at the time of Waterloo in the wild countryside of Shropshire, England, Prudence Sarn is a passionate girl, cursed with a harelip - her “precious bane”. She is cursed for it, too, by the superstitious people among whom she lives. Prue loves two things: the remote countryside of her birthplace and, hopelessly, Kester Woodseaves, the weaver. The tale of how Kester gradually discerns Prue’s true beauty is set against the tragic drama of Prue’s brother, Gideon, a man who is out of harmony with the natural world and whose recklessness may ensnare them all in tragedy.

Change is afoot at Kings Lake Central police station. A most unexpected new detective inspector takes up his post this Monday morning, and the oldest detective in the place takes a momentous decision. Around them, other officers are considering their own situations, and even the building itself seems to be facing an uncertain future. But life and death go on, nevertheless, and by lunchtime someone will make a grim discovery on the Norfolk saltmarshes. A stranger seems to have suffered a slow and agonizing death out there.

Two weeks of rest and recuperation - that's what the doctor ordered. Detective Sergeant DC Smith could listen to some music, make some of his own, and maybe even catch up on his reading; he is almost looking forward to it. And then there is a knock on the door. It's only his next-door neighbor, but it is the beginning of a sequence of events that will bring him face to face with some of the darkest episodes and the most dangerous people from his own past.

London, 1884. A culprit is on the run after a fatal poisoning in Bermondsey. It seems like a simple case for Penny Green to report on, until a series of macabre photographs is discovered. As the poisonings continue, Scotland Yard is convinced they have their suspect. It's not long before they're outwitted, and no one is safe. Penny and Inspector James Blakely must avoid the red herrings and track down the manipulative poisoner. But could there be more than one?

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

When old Monty discovers a dead body in his drawing room, it's up to Inspector Jess Campbell to get to the bottom of the mystery. Monty is a recluse, holed up in his crumbling manor house being generally unpleasant to everyone, even those relatives he actually likes. When his family and locals claim they've never seen the murder victim before, Campbell smells a lie. With the help of Superintendent Ian Carter, she will have to dig deep into the murky past of Monty and his family, all the way to the shocking truth.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

She thought him dead. Now only he can save their daughter. When Lady Catherine de Bourgh told Elizabeth Bennet: “And this is your real opinion! This is your final resolve! Very well. I shall now know how to act. Do not imagine, Miss Bennet, that your ambition will ever be gratified. I came to try you. I hoped to find you reasonable; but, depend upon it, I will carry my point,” no one knew how vindictive and manipulative her ladyship might prove, but Darcy and Elizabeth were about to discover the bitter truth for themselves. This is a story of true love conquering even the most dire ...

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

British private investigator, Thomas Kincaid, thinks he's seen it all...until a gorgeous, soaking-wet American shows up and demands he help her find a stolen family heirloom. Having had his heart crushed once before by a beautiful woman, Kincaid has no intention of tempting fate a second time. But Joanna Thorncroft isn't about to take no for an answer. Joanna has to find her mother's ring and discover the secrets it contains. Secrets that have brought her all the way across the Atlantic and onto the doorstep of a sinfully handsome detective.

The Hangman's third victim twists in the wind outside Inspector Hilary Casgrain’s new home. It's not the ‘Welcome To Elk Ridge’ message she was expecting. Hilary Casgrain just moved halfway across the country for a fresh start. She’s desperate to trade the shootings, corruption, and gangs of the city for small-town law enforcement. And she’s convinced that a steady diet of nothing more serious than drunken tourists and fender benders is just what she needs to get her life back on track. But a serial killer spoils Hilary’s dreams of a low-key career change. Her arrival in Elk ...

A body is discovered inside of the smoldering ruins of Key House. The crumbling Cotswold manor has long been empty, but rumor has it that the owner, Gervase Crown, was seen lurking around just before the fire. Inspector Jess Campbell and Superintendent Ian Carter pin Gervase as a prime suspect, but was he the murderer, or the target? It seems that his sudden reappearance has stirred up animosity long thought forgotten.

DS George Cross has always wondered why his mother left him when he was a child. Now she is back in his life, he suddenly has answers. But this unexpected reunion is not anything he's used to dealing with. When a disturbing case lands on his desk, he is almost thankful for the return to normality. The body of a monk is found savagely beaten to death in a woodland near Bristol. Nothing is known about Brother Dominic's past, which makes investigating difficult. How can Cross unpick a crime when they don't know anything about the victim? And why would someone want to harm a monk?

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

The H.M.S. Leopard pulled into the bay of Pulo Batang looking more like a shabby merchant ship that a man-of-war. The crew had endured a calamitous voyage plagued by gaol-fever, pursued by the Dutch Waakzaamheid, and struck by an iceberg. Suffice it to say, Jack Aubrey was ready for home.

Mary-Kate Grant has followed every rule to the letter to pursue her dream of working in TV. Ripping a page from the "hard work pays off" playbook, she takes an assistant level job at a Chicago sports network to break into the industry. MK is completely focused on one thing: her career. Love? A hindrance. But MK's plans are run through the shredder when she finds herself working for William Cumberland, a British media mogul who made his fortune with Connectivity, a social media site.

In this piercing story of innocence betrayed set in the 30s, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London. There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon.

Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet, and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future duchess of Worthington.

Newly appointed as land agent to the youthful Lord Croft, Matthew Rowsley finds plenty to keep him busy as he attends to his lordship's neglected country estate. But he's distracted from his tasks by the disappearance of a young housemaid. Has Maggie really eloped with a young man, as her mother attests - or is the truth rather more sinister? What's been going on behind the scenes at the grand country estate...and where has his lordship disappeared to?