British Literature

Award-winning author William Kent Krueger has gained an immense fan base for his Cork O’Connor series. In Ordinary Grace, Krueger looks back to 1961 to tell the story of Frank Drum, a boy on the cusp of manhood. A typical 13-year-old with a strong, loving family, Frank is devastated when a tragedy forces him to face the unthinkable - and to take on a maturity beyond his years.

Here at last is a history of England that is designed to entertain as well as inform and that will delight the armchair traveler, the tourist, or just about anyone interested in history. No people have engendered quite so much acclaim or earned so much censure as the English: extolled as the Athenians of modern times, yet hammered for their self-satisfaction and hypocrisy. But their history has been a spectacular one.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

George Eliot's most ambitious novel is a masterly evocation of diverse lives and changing fortunes in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfillment leads her into a disastrous marriage to the pedantic scholar Casaubon; and the charming but tactless Dr Lydgate, whose marriage to the spendthrift beauty Rosamund and pioneering medical methods threaten to undermine his career.

I'm writing this letter because it's highly doubtful I'll ever garner the courage to say this to your face. So, here goes. We're totally wrong for each other. You're the proper single mum with a good head on your shoulders. I'm just the carefree British doctor passing through town and temporarily living in your converted garage until I head back to England. But here's the thing... for some bloody reason, I can't stop thinking about you in very inappropriate ways.

Following Jane from her childhood as an orphan in Northern England through her experience as a governess at Thornfield Hall, Charlotte Brontë's Gothic classic is an early exploration of women's independence in the mid-19th century and the pervasive societal challenges women had to endure. At Thornfield, Jane meets the complex and mysterious Mr. Rochester, with whom she shares a complicated relationship that ultimately forces her to reconcile the conflicting passions of romantic love and religious piety.

Orphaned cousins Jane and Lucilla, both 19, receive the exciting news that their guardian is at last allowing them to leave boarding school. But their rosy future is thwarted when they find he has made some bad investments and fled, leaving them with a cottage in the English countryside and a modest bank account.

Directed by the skillful hand of Megan Follows (Directors Guild Award winner) and featuring the voices of Golden Globe® winner Sandra Oh, Emmy Award® Winner Catherine O’Hara, and Emmy Award® Winner Victor Garber, Anne Shirley’s (Emmy Award® winner Michela Luci) adventures come to life in a fresh adaptation of a timeless tale. Immerse yourself in the breathtaking beauty of Canada’s Prince Edward Island with the magic of an original score and immersive sound design.

In this piercing story of innocence betrayed set in the 30s, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London. There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal.

Jack Aubrey, Post Captain in the British Royal Navy, is suffused with happiness. The Shannon's engagement with the U.S. Chesapeake off the New England coast has resulted in victory, just another in a long string of them for Aubrey, nicknamed Lucky Jack for his tendency to win big. But Jack is less sure-footed by land than by sea.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Claire Barclay finds a home in England after 25 years of travelling. She has money, a tour guide business, and ambitions. She is shocked by the murder in her quiet village, but is not going to give up on the haven she has finally found. With the help of her sister, the barracuda barrister, her new dog, new friends, and the unexpected stimulus of a new man in her life, she deals with suspicion, confusion, and threats.

When a body is discovered floating in a Thames river lock one dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to Chiltern Hills. The dead man is Connor Swann, son-in-law of two of London's most renowned opera personalities. And prints on the corpse's neck suggest that Swann was strangled.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

Jane Austen fan Amelia Bennett sneaks away from a dull tour of an English country manor, only to run into a man more dashing than Mr. Darcy himself. About to lose his ancestral home to family debts, charming aristocrat Tom Calder invites his American guest to join him in drinking his way through the estate’s priceless wine collection. But when they wake in his bed the next morning, they’re convinced that in their drunken haze they witnessed a murder. Problem is, the body has vanished and no one believes them.

London 1884. Electricity pioneer Simon Borthwick lights up Victorian London with a stunning illuminations display - then shoots himself in a hansom cab. Plucky Fleet Street reporter Penny Green witnesses the inventor's death and suspects the clue to his suicide lies in a mysterious letter he left behind. But can she persuade Inspector James Blakely of Scotland Yard that a crime has been committed? Borthwick isn't the only person who died that day, and Penny soon encounters a shadowy world which the police can't get close to.

The H.M.S. Leopard pulled into the bay of Pulo Batang looking more like a shabby merchant ship that a man-of-war. The crew had endured a calamitous voyage plagued by gaol-fever, pursued by the Dutch Waakzaamheid, and struck by an iceberg. Suffice it to say, Jack Aubrey was ready for home.

Patrick O'Brian transports you to the high seas of the Napoleonic era when the French demagogue is making a desperate attempt to control the European world. While Napoleon pursues the British across Europe, rumors fly about him forging a secret link with the forces of Islam. Soon an ominous horde of Muslim mercenaries gather.

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.