Civil War Fiction

She Seeks Herself In "She Seeks Herself," readers are taken on an unforgettable journey through time, exploring the depths of the human soul and its relentless quest for enlightenment. This spellbinding novel weaves together themes of spirituality, reincarnation, and historical drama, creating a tapestry of interconnected lives and profound self-discovery. The journey begins with a lowly spider, whose humble existence sets the stage for a series of transformative lifetimes. Stand alongside Elijah Turner, a Civil War soldier who faces the brutality of battle and the eternal struggle between ...

In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee and her mother, Eliza, who hasn't spoken in more than a year, arrive at the Trans-Allegh­eny Lunatic Asylum in West Virginia, delivered to the hospital's entrance by a war vet­eran who has forced himself into their lives. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives.

"The war keeps us together." Plain-faced Toan is an American general's translator, and slim, model-handsome Minh is the general's driver. Toan spends long drives staring at Minh: he's never seen another Vietnamese guy with such a stylish haircut and chiseled face. Minh returns his interest, sometimes. Even if a refined, good-looking guy like Minh is way out of simple Toan's reach. "I wish I could be myself." Minh has a secret. His father kicked him out of the house when he found him with another boy. And Minh has another secret: he's a communist spy, counting down the days until the attack ...

No one can talk to the dead...can they? Free man of color Benjamin January gets caught up in a strange, spiritual world that might lead to his own demise, as he hunts for a missing teenager in this gripping, atmospheric historical mystery. New Orleans, 1840. Freshly home from a dangerous journey, the last thing Benjamin January wants to do is leave his wife and young sons again. But when old friends Henri and Chloë Viellard ask for his help tracking down a missing girl in distant New York, he can’t say no.

The Battle for Galveston 1862. The island city of Galveston, a vital port where blockade runners bring key supplies into the Confederacy from abroad, is suddenly occupied by the Union, blockaded by navy vessels, cut off from the Texas mainland by the enemy. Jamie Russell, an artillery officer in the Valverde Battery and veteran of battles in New Mexico, has a personal stake in the safety of the city - his sister Emma and their Aunt May are trapped there. But Jamie also has the ear of General Magruder in Houston.

Carrie and her little brother, Jay, find a wounded soldier on their land after a battle which later became known as "The Battle Above the Clouds." Adam, a Union soldier, has been shot twice in the arm. Though Carrie is reluctant to take Adam to their cave where her family hides their livestock from both armies, she cannot turn her back on him. But her Aunt Lavinia, bitter over what Yankees have done to their land, urges Carrie to allow Adam to die. Carrie refuses, but cannot remove the bullets.

Between the two armies, at the confluence of the two rivers, sits a rich prize, a vast plantation run by young, beautiful Mrs. Hawkland. At any moment Union or Confederate forces could seize her land and set fire to her home to prevent the enemy from doing so first. Confederate officer Jamie Russell comes to her plantation by chance, only to find that that she is no stranger; his dreams of their brief but passionate encounter fill his nights as war fills his days.

A Southern gambler hunts a killer in the thick of the first great battle of the Civil War. It's July 1861, and both the Union and Confederate armies expect to win the war within 24 hours. For Harrison Raines, a Southern dandy ensconced in DC society, it's time to choose a side. Though Raines loves Virginia, he hates slavery with a passion. And joining either army would mean leaving Washington and deserting the beautiful Caitlin Howard.

In October 1863, Ian Steele, having taken on the identity of Captain Samuel Forbes, is fighting the Pashtun on the north-west frontier in India. Half a world away, the real Samuel Forbes is a lieutenant in the third New York Volunteers and is facing the Confederates at the Battle of Mission Ridge in Tennessee. Neither is aware their lives will change beyond recognition in the year to come. In London, Ella, the love of Ian's life, is unhappily married to Count Nikolai Kasatkin.

During the Civil War, the eyes of the nation usually stayed fixed to the Eastern theater, but one of the bright spots in the West for the Confederacy was Irish immigrant Patrick Cleburne, whose successes earned him the nickname "Stonewall of the West". Where so many Confederates were failing, Cleburne's strategic tactics and bold defensive fighting earned him fame and recognition throughout the South, even leading Lee to call him "a meteor shining from a clouded sky."

“Clarke and Preuss merge almost seamlessly, in one of the best shared-world projects . . . and one of the best ever combinations of mystery and science fiction.” —Chicago Sun-Times The concluding volume in a series of science-fiction thrillers evolving from the works of Arthur C.Clarke, grandmaster of science fiction and author of 2001: A Space Odyssey. Her code name is Sparta. Her beauty veils a mysterious past and abilities of superhuman dimension—the product of advanced biotechnology. World-renowned professor J.Q.R. Forster’s expedition to Jupiter’s moon has not proven ...

The incidents of the book are real ones, drawn in part from the writer's personal experiences and observations as a soldier of the Union during that war. He is also indebted to many comrades for reminiscences of battle and prison life. The perilous escape of Jed and Dick, from Andersonville down the Flint and Apalachicola Rivers, to the Gulf of Mexico, is in substance the narrative of a comrade whom the writer knew at Andersonville, and afterwards met when the war had closed. The descriptions of the prison are especially truthful, for in them the author briefly tells what he saw.

Badger Kershaw was becoming a familiar figure on the frontier after the War between the States. Riding an Appaloosa with Lobo, his dog-wolf hybrid, often by his side, he was feared by most outlaws on the dodge on whom there was a bounty. It was not a savory profession, perhaps, but Kershaw was honest about what he did. Frontier lawmen for the most part were accustomed to dealing with Kershaw. When the fugitive was willing to surrender, Kershaw would bring in an outlaw alive, but it was not an option he encountered very often.

When a car accident leaves photographer Burke Crenshaw in need of temporary full-time care, he finds himself back in the one place no forty-year-old chooses to be--his childhood bedroom. There, in the Vermont home where he grew up, Burke begins the long process of recuperation, and watches as his widowed father finds happiness in a new relationship that's a constant reminder of everything Burke wants and lacks. Exploring local history, Burke discovers an intriguing series of letters from a Civil War soldier to his fianc.

When Grace Wheaton's former professor calls to warn her that there have been a rash of thefts at various historical sites, Grace isn't surprised, because Marshfield Manor has been targeted, too. She wonders if it has something to do with the film crew roaming the grounds, digitally immortalizing the manor, but then she gets distracted by an incident much more dire: the shooting of one guest and the murder of another.

Rose Hampton finds herself struggling to survive, when her plane crashes in the midst of a lightning storm. Her wildest dreams come true, when she’s sent back in time to her great-great grandfather’s plantation. Desperate and afraid, she finds herself breaking all of society’s rules.

For two days in the year 1862, the bloodiest battle of the American Civil War held theatre in Southern Tennessee - a patch of land called Shiloh. Thousands of soldiers on both sides of the conflict lost their lives, and tens of thousands more were badly injured. For twin brothers Henry and William, infantry soldiers in the Confederate Army, the battle held more than the horrors of war. It was a portal to something beyond mankind, where demons tread and angels fly, where the spilling of blood brings not only death, but eternal damnation.

Contained here is Julius Caesar's account of his activities following the Gallic Wars, in three books that detail his retaliation to a political conspiracy in Rome, leading to conflicts against his own countrymen and rival general Pompey. It is uniquely presented in Caesar's first-person perspective (the original Latin is in the third-person perspective). This production is based on a translation of the work by W.A. McDevitte and W.S. Bohn published in New York in 1869.

A seaside village, an English country house, a family of wealthy eccentrics, a determined detective - all the ingredients are here for a cozy Agatha Christie-style whodunit. But wait. Edward "Mitch" Mitchell is no Hercule Poirot, and The Back Passage is no Murder of Roger Ackroyd. Mitch is a handsome, insatiable 22-year-old hunk who never lets a clue stand in the way of a steamy encounter, whether it's with the local constabulary, the house secretary, or his school chum and fellow athlete Boy Morgan, who becomes his Watson when they're not busy boffing each other.

Dawoud is on the run from his murky past, aiming to discover where he belongs. He tries to assimilate into different groups along his journey through North Africa and Israel, changing his clothes, his religious affiliations, and even his name to fit in, but the safety and peace he seeks remain elusive. It seems prejudice is everywhere, holding him back, when all he really wants is to create a simple life he can call his own. A chameleon, Dawoud—or David, Adal, or Dawit, depending on where and when you meet him—is not lost in this whirl of identities. In fact, he is defined by it.