English Theater

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

How do master storytellers compel us? There have been many attempts to understand what makes a good story, but few have used a scientific approach. In The Science of Storytelling, Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can tell better stories, revealing, among other things, how storytellers - and also our brains - create worlds by being attuned to moments of unexpected change.

In the distant past, a time of magic and swordplay, there lived Harold, the mightiest lich of all, a master of arcane sciences, and a challenger of gods. After reaching the pinnacle of his power and finding it surprisingly bland, Harold waged a cataclysmic war against the gods, aiming to shatter the very system that confined him.

Perry returns to Franklin City to find his home under the control of a being of unimaginable power. To stop the mad god’s cruel games, Perry has to win… if he can even remember he’s playing. And even as Perry struggles to save his city, an unstoppable force from the dawn of the age of capes grows in power, laying their plans to extinguish humanity from the face of the Earth. Join Paradox as he walks the fine line between Madness and Sanity, Hero and Villain… Life and Death.

After the collapse of the known world, Rowan Wilder opened his eyes and found himself on the first floor of the Tower. With a flawless memory and a mere eight cards to his name, he must venture out and prepare himself for the coming calamity.

Things are not well within the Lodrak Empire. An entire city goes up in smoke and ash, and an entire province is slowly being consumed by an ever-expanding cloud of death. But while the humans rally to contain the fallout of this disaster, they are much quicker to pin the blame for it on their elven neighbors to the north. With centuries' worth of strife and bad blood between the two nations flaring up, all out war is rapidly becoming an inevitability.

When Edward is swept into the world of Ivalis as a Dungeon Lord, the Dark's most powerful servant, he has no servitude in mind. He'll oppose the evil plans of the Dark god, Murmur, whatever it takes. Through only his wits and his guts to help him survive a weakened arrival, Edward must rise to power if he is to earn the right to live another day. But in the battle between Dark and Light, what can Edward choose if both sides are cruel, uncaring monsters?

Was murder part of the game? Seventeen-year-old Kat McDonough grew up with theater in her blood - and a penchant for make-believe. More than a decade older, Seth Mazzaglia was well-known in the community theater circle of Portsmouth, New Hampshire. He, too, had a rich inner life - and he soon had Kat convinced that they were soul mates. To intensify their bond, Seth lured Kat into a world of violent sex and role-playing, where she was his slave. Enter Lizzi Marriott, the new girl in town. And when she accepts an invitation to Kat and Seth's apartment....

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Ah, Nyil, with its magic, its monsters, and its petty gods. A divine spat leaves French medic Viv stranded in the middle of an arcane disaster zone crawling with undead horrors. Thankfully, there are strange allies to be found, not least the mysterious interface that helps humans survive in this merciless world. Viv will have to progress fast to survive this calamity and find civilisation. She will also need a bit of luck. Unless, of course, she becomes the calamity herself. After all, luck is such a fickle thing.

Sorry... Really? Thrust? Anyway, Danny Kendrick was a down-on-his luck performer who always struggled to find his place. He certainly never wanted to be a hero. He just hoped to earn a living doing what he loved. That all changes when he pisses off the wrong guy and gets sucked into a fantasy realm straight out of a Renaissance Fair. Getting used to a new world is tough. It's even tougher when you're surrounded by axe-wielding barbarians, super hot elf assassins, strange magic, and a jaded System that doesn't appear interested in being charged with yet another companion.

From the bestselling author of Christmas in Snow Falls comes a heartwarming read that’s perfect for fans of Jenny Hale, Sheila Roberts, Debbie Macomber, and Jill Shalvis. After years of chasing her dreams on Broadway, struggling actress Amy Jenkins returns to her small hometown. What starts as a simple favor turns into a chance for Amy to rediscover her passion for performing and find a new love in the most unexpected place. As Amy reconnects with her past, she meets Tim Smith, the rugged and charming handyman who helps bring her theatrical vision to life. Despite her initial dismissal, ...

As Qube and her companions reach the end of the now thoroughly broken game, they must come to grips with the nature of their reality, and the world beyond. Interested parties from the real world clash with our heroes as they scramble to defeat the Evil Emperor in time and reveal the secrets they’ve been keeping from one another. In an increasingly relevant dilemma, these video game characters, born of AI, must decide what it means to be free.

On March 17, 2005, Spamalot debuted on Broadway to rapturous reviews for its star-studded creative team, including creators Eric Idle and John Du Prez, director Mike Nichols, and stars Hank Azaria, David Hyde Pierce, Sara Ramirez, Tim Curry, and more. But long before the show was the toast of Broadway and the winner of three Tony Awards, it was an idea threatening to fizzle before it could find its way into existence. Now, Eric Idle shares original journal entries and raw email exchanges, revealing the sometimes bumpy, always entertaining, path to the show’s unforgettable run.

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

When Sophie Steinbeck finds out just before her wedding that her fiancé has cheated yet again, she desperately wants to call it off. But because her future father-in-law is her dad’s cutthroat boss, she doesn’t want to be the one to do it. Her savior comes in the form of a professional objector, whose purpose is to show up at weddings and proclaim the words no couple (usually) wants to hear at their wedding: “I object!”

No one does glamour, severity, girlish charm, or tight-lipped witticism better than Dame Maggie Smith. Michael Coveney's biography shines a light on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades.

For more than 150 years I've served the Kingdom of Sena. Through four Kings and a Queen. Two wars and a rebellion. I've founded and taught at a magic school. I've fought against beast waves and dungeon breaks. But now? Now, the one close friend I had left has passed. So, I'm done with their politics and their economics. The short and busy lives of humans are more burden than benefit on the weary soul of this half-elf.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a listener “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen.

Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject: the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.