English Theater

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

As Qube and her companions reach the end of the now thoroughly broken game, they must come to grips with the nature of their reality, and the world beyond. Interested parties from the real world clash with our heroes as they scramble to defeat the Evil Emperor in time and reveal the secrets they’ve been keeping from one another. In an increasingly relevant dilemma, these video game characters, born of AI, must decide what it means to be free.

Hi there! I'm Magical Girl Crystal Genocide, one of the twelve magical girls, and sworn protectors of Earth! We were like a superhero squad, but with more sparkles! We fought day and night to keep the baddies at bay and the Earth safe. But, one day, our best wasn't good enough. So, we huddled up for a superhero brainstorm and decided to pool our powers for this mega, super-duper save-the-day plan. We kinda goofed. Big time. Instead of saving the day, we accidentally wiped out a quarter of the Milky Way.

Join in the hot, steamy exhibitionism with sexy Josh Lance, a new comer to the public scene – as he explores the heady world of the gay adult cinema scene. Join Josh as he enjoys his very first foray into the incredibly sexy scene, and very quickly builds up to incredibly hot gay, interracial multiple action... 21,000 words of incredibly hot, steamy words of interracial, gay, public exhibitionist action. 1/. Keen to explore his bisexual side and encouraged by his partner, Ray, Josh Lance ventures into the sexy gay world of the Aphrodite’s Adult Cinema. Dressed to kill and eager to ...

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

In the distant past, a time of magic and swordplay, there lived Harold, the mightiest lich of all, a master of arcane sciences, and a challenger of gods. After reaching the pinnacle of his power and finding it surprisingly bland, Harold waged a cataclysmic war against the gods, aiming to shatter the very system that confined him. He took a nap, but he is awake once more.

Qube was designed to die.... As the cheerful childhood NPC companion who helps the [Player] learn the world during the start of the game, it was only natural that the big bad would kill her at the end of the tutorial, kick-starting the [Player] on a quest for vengeance. The only thing is, no one told her that.... And this particular [Player] doesn’t like to play by the rules. Being a chaos-loving gremlin, he glitches her out of her programming loop and drags her on various adventures. They'll grapple with friendly sharktopuses, evil emperors, and what it means to be a person.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

From Broadway debuts to landmark productions. Score a front row seat to hear hundreds of stories about the most important stages in the world, seen through the eyes of the producers, actors, stage hands, writers, musicians, company managers, dressers, designers, directors, ushers, and door men who bring The Great White Way to life each night. You'll never look at Broadway the same way again.

When Admiral William Halsey selected Destroyer Squadron 21 to lead his victorious ships into Tokyo Bay to accept the Japanese surrender, it was the most battle-hardened US naval squadron of the war. But it was not the squadron of ships that had accumulated such an inspiring résumé; it was the people serving aboard them. Through diaries, personal interviews with survivors, and letters written to and by the crews during the war, preeminent historian of the Pacific theater John Wukovits brings to life the human story of the squadron and its men.

Lee is a quiet and unassuming office worker who leads a life of solitude, comfort, and routine. Day in and day out, he shuts off his brain, keeps his head down, and goes about doing his job and minding his own business. That is, he does until a drunken god shows up randomly one day and whisks him off into another world, demanding that Lee serve as his pawn in a game between the gods. Now, trapped in a completely different world full of danger, magic, and creatures, Lee has to figure out how to stay alive long enough to make it back home.

When Edward is swept into the world of Ivalis as a Dungeon Lord, the Dark's most powerful servant, he has no servitude in mind. He'll oppose the evil plans of the Dark god, Murmur, whatever it takes. Through only his wits and his guts to help him survive a weakened arrival, Edward must rise to power if he is to earn the right to live another day. But in the battle between Dark and Light, what can Edward choose if both sides are cruel, uncaring monsters?

Adair Finch, the most powerful warlock in the world, is back in business! But first he must complete his pact with a mischief spirit by finding her a human body. Seemingly no easy task, as the mischief spirit is beyond picky about her future body. But on his way to Oakland, Finch stumbles upon the dead body of a social media star—both a solution and a major problem.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

When Kers is reborn as a dungeon core, he finds himself stuck in the most improbable of places: a cloud. High in the sky and far away from the usual solid resources, Kers must face the obvious question: How is a dungeon to build itself without wood or stone? Luckily, Kers has the sarcastic (and sometimes helpful) fairy Selena to help him get his bearings. Together, the pair delight in exploring Kers’ weird existence, creating novel mobs, and enticing adventures to plumb the lofty heights of his floors.

Anthony is free! And he brought friends back to the Colony in the form of the monstrous bear Sarah, and the devious worm, Jim. But things aren't all going the way of our antrepid antventurer. Enemies abound, and the Colony has drawn to much attention. When the Legionem Abyssi, led by Commander Titus, come knocking on his door, will Anthony be able to repel the greatest army beneath the ground?

Ryan doesn’t remember much about his life before becoming a dungeon core. Only that he had a bit of a disagreement with the church—something to do with a beheading? Now reborn, Ryan begins to arm his darkness dungeon with devious traps, bestial zombies and ill-named skeletal creations, without doing anything too evil. Well, mostly. Some adventurers just deserve a stalactite to the head.

Hell’s Kitchen debuted on Broadway in 2024—and the show has been electrifying audiences ever since. With plenty of awards attention, the musical has drawn sold-out crowds to the Shubert Theatre for Alicia Keys’ relatable, raw and refreshingly fun production that shows us where dreams begin. Based on Keys’ own experiences of growing up in New York City's Hell’s Kitchen neighborhood, your journey starts with Ali, a 17-year-old girl full of fire, searching for freedom, passion, and her place in the world.

Divided into four sections - Status, Spontaneity, Narrative Skills, and Masks and Trance - and arranged more or less in the order a group might approach them, the audiobook sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an audiobook of ideas and a fascinating exploration of the nature of spontaneous creativity.

A gunslinger with four affinities is a myth. It's the kind of story whispered in frontier saloons one drink before closing and around campfires in the dead of night. For the heroes and villains in those tales, that impossible power is a boon, a gift. For Mr. Jones, it's a curse. Of course, that's not his real name. He's had many. Changing names is necessary when you possess a power that every lawman and outlaw would kill to obtain. To survive, you keep your head down, kill when you must, and never stay in one place too long.