Indigenous Science

For centuries, Filipino lifeways were presented to outsiders through the distorted lens of colonization—and the oppression, exploitation, and denigration suffered by Filipino ancestors are well-documented. Here, Carl Lorenz Cervantez draws from Filipino folklore, language, and culture to reorient toward an Indigenous worldview: one that rejects being seen as a passive object in history. That reclaims Filipino identity, storytelling, and liberation on Filipino terms.

In the first book to focus on relations between Indians and emigrants on the Overland Trails, Michael L. Tate shows that such encounters were far more often characterized by cooperation than by conflict. Having combed hundreds of unpublished sources and Indian oral traditions, Tate finds Indians and Anglo-Americans continuously trading goods and news with each other, and Indians providing various forms of assistance to overlanders.

From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

Our eyes have been drawn away from the skies to our screens. We no longer look to the stars to forecast the weather, predict the seasons or plant our gardens. Most of us cannot even see the Milky Way. But First Nations Elders around the world still maintain this knowledge, and there is much we can learn from them. Guided by six First Nations Elders, Duane Hamacher takes us on a journey across space and time to reveal the wisdom of the first astronomers.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Since the publication of her prize-winning memoir, Craft for a Dry Lake, writer and artist Kim Mahood has been returning to the Tanami desert country in far north-western Australia where, as a child, she lived with her family on a remote cattle station. The land is timeless, but much has changed: the station has been handed back to its traditional owners, the mining companies have arrived and Aboriginal art has flourished.

For our ancestors, collective intelligence was a normal part of life. We see it today as the mysterious force that enables flocks of birds, swarms of bees, and schools of fish to function together in perfect synchrony, communicating and cooperating at some undetectable level. At its most subtle, it’s an instantaneous knowing, shared by members of a group, of the wisest course of action that will benefit all.

Tiki is a God who in the dim long ago helped to build the world, and the whose carved image is now supporting the middle pillar of the house. His eyes of pawa-shell, which once commanded in the Ten Heavens and were full of fire and wisdom, glisten out of the silent twilight; they stare far, far into the Darkness, which Hine-nui-te-po is slowly spreading over the world; Hine-nui-te-po, the Great Mother of Night, who at one time was young and beautiful, and gave Life to Nature.

The words of the individuals included in this book offer just a glimpse of the results of the effort of one group of people to educate people who were in many cases not seeking the knowledge being offered. These are tales of lessons learned, languages lost, traditions replaced, & charity corrupted.

In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight into the ongoing legacy of colonialism. She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing, and representation.

We are all treaty people. But what are the everyday impacts of treaties, and how can we effectively work toward reconciliation if we’re worried our words and actions will unintentionally cause harm? Hereditary chief and leading Indigenous relations trainer Bob Joseph is your guide to respecting cultural differences and improving your personal relationships and business interactions with Indigenous Peoples.

High on a cliff in Hawaii in 1807, an irrepressibly curious native boy dives into the sea and swims to an American merchant ship anchored offshore, embarking on an extraordinary adventure that will change history.

Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was 15. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney.

Hidden in the mountains, the indigenous peoples of Mexico have kept alive the spiritual path of the ancient Toltecs, one of the most powerful Mesoamerican spiritual traditions alive today. Tracing their lineage to a time before the Aztec, the Toltecs recognize Earth as a living being, share a profound communion with their land, and demonstrate unusual powers of perception.

In Loving Country, co-authors Bruce Pascoe and Vicky Shukurolgou show travellers how to see the country as herself, to know her whole and old story and to find the way to fall in love with her, our home. Listeners are encouraged to discover sacred Australia by reconsidering the accepted history and hearing diverse stories of her Indigenous people. The intention of this audiobook is to foster communication and understanding between all peoples and country, to encourage environmental and social change.

Invisible No More is a collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism. At the same time, the authors detail ways that listeners might imagine the world differently, presenting stories of Native community building that offer benefits for all.

Alaska Natives is not merely a collection of facts and dates; it's a captivating narrative that explores the Alaska Native cultures and their journey into the modern era. Discover the pathways on the Bering Land Bridge, share in the contemporary celebrations that honor their heritage, and witness the continuity of traditions that are intertwined with tales of resilience, artistry, and their incredible connection with the land.

First Nations peoples and Native Americans in North America have long believed in the power of spirit animals or totems. They believed that these animals had lessons to teach and healing or inspirational powers. Wayne Arthurson delves into the world of spirit animals and shows the meanings of these animals to Native peoples and how nature has made its mark on their world.

In a landmark essay, Stan Grant writes indigenous people back into the economic and multicultural history of Australia. This is the fascinating story of how fringe dwellers fought not just to survive but to prosper. Their legacy is the extraordinary flowering of indigenous success - cultural, sporting, intellectual and social - that we see today. Yet this flourishing coexists with the boys of Don Dale and the many others like them who live in the shadows of the nation.

This number-one internationally best-selling and award-winning memoir about overcoming trauma, prejudice, and addiction by a Métis-Cree author as he struggles to find a way back to himself and his Indigenous culture is “an illuminating, inside account of homelessness, a study of survival and freedom” (Amanda Lindhout, best-selling coauthor of A House in the Sky).