Psychological Crime Thrillers

Maddie and Ian’s love story began with a chance encounter at a party overseas; he was serving in the British army, and she was a travel writer visiting her best friend, Jo. Now, almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian’s PTSD; her concerns for the safety of their young son; and the couple’s tangled and tumultuous past with Jo.

New York book editor Maris Matherly-Reed knows a best seller when she sees one - even if it is just a tantalizing partial manuscript submitted by a writer identified only as P.M.E., with the return address of an obscure island off the Georgia coast. Maris is intrigued enough to search for him.

You probably already know my name. Lucy Chase, the woman who doesn’t remember murdering her best friend. Even though they couldn’t find enough evidence to charge me, I know you all think I did it. That’s OK. I realise being found wandering the streets the next day covered in her blood wasn't a great look. Believe me, I’m as frustrated as you are. I’d love to know if I’m a murderer – it’s the sort of thing you really should know about yourself, isn’t it? And now, thanks to true-crime podcast Listen for the Lie, I finally have the chance to find out.

It starts as a prank - a way to blow off steam after a long summer at Camp Horseshoe. Among the teen counselors, tensions and hormones are running high. No wonder the others agree when Jo-Beth Chancellor suggests they scare Monica O'Neal a little.... or a lot. Monica has it coming, and no one will really get hurt. What could go wrong? Everything.

They say every marriage has its secrets. But no one sees what happens behind closed doors. And sometimes those doors should never be opened.... Sal and Charlie are married. They love each other. But they aren't happy. Sal cannot leave, no matter what Charlie does - no matter how much it hurts.

There's Bella, stay-at-home mum of Teddy. She suffered postpartum psychosis after Teddy's birth. There's Chrissy, divorce lawyer, married to Russell. They're having some problems with their sex life. There's Electra, mother to twins, who is struggling with her son's behaviour. There's Skye, a single mother, who used a sperm donor to have her baby. Then there's Jen. She was supposed to be a mother, but it hasn't worked out like she expected.

As the anniversary of the murders approaches, Faith Winters is released from the psychiatric hospital and yanked back to the last spot on earth she wants to be - her hometown where the slayings took place. Wracked by the lingering echoes of survivor's guilt, Faith spirals into a black hole of alcoholism and wanton self-destruction. Finding no solace at the bottom of a bottle, Faith decides to track down her sister's killer - only to discover that she's the one being hunted. How can one woman uncover the truth when everyone's a suspect - including herself?

Flynn was only a teenager when her parents were killed in a terrible accident. Too young to lose her parents, too young to take on responsibility for her younger sister Kaiya, too young to protect Kaiya from the harshness of their new lives in the following years. Desperate to help her sister, Flynn reaches out to Willa Tomlinson, a grief counsellor renowned for helping her patients cope with profound loss. Under Willa’s influence and care, Kaiya finally seems to turn a corner, joining the climate action collective that Willa leads.

Tabitha is not a murderer. When a body is discovered in Okeham, England, Tabitha is shocked to find herself being placed in handcuffs. It must be a mistake. She’d only recently moved back to her childhood hometown, not even getting a chance to reacquaint herself with the neighbors. How could she possibly be a murder suspect? As Tabitha is shepherded through the system, her entire life is picked apart and scrutinized - her history of depression and medications, her decision to move back to a town she supposedly hated, and her past relationship with the victim, her former teacher.

For fans of Gone Girl and The Girl on the Train, an electrifying thriller that will take you into the dark spaces that exist between a husband and a wife. When the police started asking questions, Jean Taylor turned into a different woman. One who enabled her and her husband to carry on, when more bad things began to happen... But that woman’s husband died last week. And Jean doesn’t have to be her anymore. There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing.

Beth has always known there was something strange about her daughter, Hannah. The lack of emotion, the disturbing behavior, the apparent delight in hurting others.... Luke comes from the perfect family, with the perfect parents. But one day, he disappears without a trace, and his girlfriend, Clara, is desperate to discover what has happened to him. As Clara digs into the past, she realizes no family is truly perfect and uncovers a link between Luke's long-lost sister and a strange girl named Hannah. Now Luke's life is in danger because of the lies once told and the secrets once kept.

When Phillip is abducted, his family's hidden secrets and the town's dark mysteries come to light. Josie must confront the prejudices of their small community and uncover the sinister truth to bring her son home. A tale of courage and resilience, this story dives deep into family bonds and the shadows lurking in a seemingly peaceful town.

It all begins on a Monday, when four people board an elevator in a Manhattan office tower. Each presses a button for their floor, but the elevator proceeds, non-stop, to the top. Once there, it stops for a few seconds, and then plummets. Right to the bottom of the shaft. It appears to be a horrific, random tragedy. But then, on Tuesday, it happens again, in a different Manhattan skyscraper. And when Wednesday brings yet another high-rise catastrophe, one of the most vertical cities in the world - and the nation’s capital of media, finance, and entertainment - is plunged into chaos.

Emma Carpenter lives in isolation with her golden retriever Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house’s owner, Jules. One day, she reads a poorly written—but gruesome—horror novel by the author H. G. Kane, and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night.

Books ten to twelve in the gripping, fast-paced crime fiction series featuring DCI Whitney Walker and forensic psychologist Dr. Georgina Cavendish.

The night that throws a wrecking ball into Abby’s life starts out perfectly at first. There’s still a hint of summer sun in the purple-streaked sky. Abby and her best friend, Sienna, look on fondly as their two husbands laugh under the garden gazebo. None of them know it’s the last time they will be together again. What starts out as just a little fun has devastating consequences for the couples. Alone with Sienna’s husband, Greg, Abby finds him unexpectedly charming. Caught up in the moment, she reveals a secret she swore never to tell.

Selena Murphy is commuting home on the train when she strikes up a conversation with a beautiful stranger in the next seat. The woman introduces herself as Martha and soon confesses that she’s been stuck in an affair with her boss. Selena, in turn, confesses that she suspects her husband is sleeping with the nanny. When the train arrives at Selena’s station, the two women part ways, presumably never to meet again.

I was dreading the Cunningham family reunion even before the first murder. Before the storm stranded us at the mountain resort. The thing is, us Cunninghams don't really get along. We've only got one thing in common: we've all killed someone. My brother, my step-sister, my wife, my father, my mother, my sister-in-law, my uncle, my step-father, my aunt. Even me. When they find the first body in the snow, it's clear that only a Cunningham could have committed the crime—and it's up to me to prove it. There are plenty of killers in my family. But only one murderer.

Ciara and Oliver meet in a supermarket queue in Dublin and start dating the same week COVID-19 reaches Irish shores. When lockdown threatens to keep them apart, Oliver suggests they move in together. Ciara sees a unique opportunity for a relationship to flourish without the scrutiny of family and friends. Oliver sees a chance to hide who - and what - he really is.

An airport killer targeting pilots expands his scope. Alex Cross Must Die. “Drop whatever you’re doing, Detective Cross, and head to Reagan Airport,” DC Metro Police dispatch says. “A jet just crashed and exploded on the runway. The chief and the FBI want you and John Sampson there pronto.”