Miriam Margolyes, Alison Steadman and Nigel Planer star in Sue Limb's comedy parodying the arty and adulterous adventures of the Bloomsbury Group. A stellar cast, including Roger Lloyd-Pack, Morwenna Banks, Jonathan Coy and John Sessions, join in this affectionate send-up of the infamous Bloomsbury literary group, who dominated the English cultural scene in the early 20th century.

All eight series of the comedy drama series set in a Donegal town in the 1950s and '60s. Ireland in the '50s, and the days of mass tourism and indoor plumbing have not yet come to rural Co. Donegal. But in the small, sleepy town of Ballylenon, change is coming, and trouble is brewing. A power struggle is under way for control of the town, with two rival forces aligned against each other.

John Fuller-Carp, the Machiavellian head of chambers at Forecourt Buildings, is determined to become a QC and will perform almost any moral contortion to achieve his goal. When left-wing Ruth Quirke, rumoured to be a High Court judge's daughter, applies to join his chambers, Fuller-Carp's imagination goes into overdrive and promotion seems inevitable. However, his attempts to project a 'New Labour' image cut no ice with Ruth, and the two are soon at each other's throats.

In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits.

Barney and Cathy. Evan and Fiona. David and Alice. Three couples who have beaten the odds and stayed married - but is that simply because they haven’t got around to divorcing yet? In these three series, we follow this group of friends throughout weekends away and tricky date nights, weddings and funerals, Christmas celebrations and counselling sessions - all of which give them plenty of opportunity for flirting, fighting, competitiveness and reprehensible behaviour. We listen in to their innermost thoughts, feelings and motivations as they break the fourth wall.

Joanna Lumley and Roger Allam play a married couple who met in the Summer of Love and have stayed together ever since. Children of the '60s, they are still free spirits, drawn together by their love for music and one another. We follow their conversations from the café to the kitchen table, taking in everyday chores, dealing with problems with long-held friendships and tackling their frustrations with each other.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for 40 years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills.

Sherlock Holmes is the greatest detective in literary history. For the first time since the death of Sir Arthur Conan Doyle, a new Holmes story has been sanctioned by his estate, whetting the appetites of fans everywhere. Information about the book will be revealed as deliberately as Holmes himself would unravel a knotty case, but bestselling novelist and Holmes expert Anthony Horowitz is sure to bring a compelling, atmospheric story to life.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.