Here's George Carlin's seventh comedy album. Recorded live on October 3, 1976, at the Chandler Pavilion in Los Angeles, California. This was Carlin's last album for five years.

The original cover of this album would have told you pretty much all you need to know about its subject matter: drugs. Carlin's fifth album, it was recorded on July 20, 1974, at the Paramount Theater in Oakland, California.

Classic Carlin all the way. His eighth comedy album after a five year break. Unlike earlier releases, A Place For My Stuff contains a number of studio tracks in addition to live performances, and he pokes fun at the format and candor of community radio, commercials, and television with aplomb.

Here's George Carlin's 11th comedy album, recorded at the Park Theater in Union City, New Jersey, for an HBO special.

FM & AM found Carlin officially poking fun at, while incorporating, his early material, performed in the lounges of America and on The Ed Sullivan Show. It also marked Carlin's metamorphosis from straight-laced to hippie, as he intentionally embraced the growing counterculture. The recording is divided into two separate manifestations of humor, making it a sort of comedy concept album.

What clever insights about growing up on the Upper West Side of New York City in the 1950s! Everything from gang culture to school life! This is George Carlin's fourth album. It was recorded on March 2 and 3, 1973, at the Circle Star Theater in San Carlos, California.

This fourth HBO special by George Carlin was recorded on April 18 and 19, 1984 and features mostly new material. The opening features Carlin in Catholic school with a short version of "Class Clown" and animation shorts. The ending features Carlin playing piano to an original song called "Armadillo Blues".

Comedian George Carlin's definitive monologue was delivered on this 1972 album, his third, in the form of Seven Dirty Words You Can Never Say on Television. The FCC and Supreme Court held the routine as the epitome of tastelessness, threatening to yank the license of any station that dare play it over public airwaves. So you know it has to be funny. Buy it today and shock your parents!

George Carlin's ninth HBO special, it was recorded in 1996 at the Beacon Theater in New York City, his first of many performances there. Carlin said it featured the best writing and performing he'd done in 36 years.

George Carlin's eighth HBO special, taped on April 24 and 25, 1992, at the Paramount Theater, on the grounds of Madison Square Garden in New York City. Topics include the recently ended Persian Gulf War, similarities and differences among average Americans, language used at airports and more.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.