Every summer, revelers sneak into the abandoned town of Eden, Colorado, to celebrate an infamous crime: the Devil's Night Massacre, committed over a century ago by an outlaw nicknamed Bloody Marian. Penny Wright knows the gruesome legends better than most. She’s seen the ghosts that haunt the ruins firsthand, and she shares a history with Eden that she hoped to escape. Now it’s Penny's job, funded by a corporate sponsor, to make this Devil’s Night the biggest ever.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

It’s the day of his ex-wife’s wedding when Dan makes the winding mountain journey to a remote cabin for an escape from the life that another man has stepped into. Less than 48 hours into his reprieve, the forest tranquility is shattered when he looks through a telescope and witnesses the violent abduction of a young woman. Dan springs into action, but there’s no evidence of an abduction nor reports of a missing woman. That is, until Dan sees the missing person’s poster for Ivy Trent.

St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows.

For five generations, Evelyn's family has lived in the same small brick house, shadowed by the mansion across the street. Her Nana filled her childhood with stories about Byrne House: tales of missing children, of lovers gone mad. The mansion loomed every night in her dreams. Even now, at 17, Evelyn watches the sprawling Victorian from her second-floor bedroom, unable to explain her obsession with a house she's never been inside.

Blackwood mansion looms, surrounded by nightmare pines, atop the hill over the small town of New Haven. Ben Bookman, bestselling novelist and heir to the Blackwood estate, spent a weekend at the ancestral home to finish writing his latest horror novel, The Scarecrow. Now, on the eve of the book’s release, the terrible story within begins to unfold in real life.

Bertram Stone is a former Texas Ranger running from the changes of an ever-evolving world. Horses were being replaced by cars. Laws were changing how Bertram could deliver justice. Wanting to live out his golden years in peace, Stone flees to the quiet town of Hamilton, Texas, where he becomes the local sheriff. In a small town where the law rarely needs enforcing, everything is going according to his plan—until a great evil plunges Hamilton into horror.

Newly reissued from the "modern-day Algernon Blackwood" comes five terrifying collected horror novellas.

Emmie's spring break just started. Her idyllic getaway by the ocean is everything she dreamed of. Solitude. Friends. Sunshine. A chance to get away from her psychic past. But things take a chilling turn when she’s confronted by the ghost of a murdered girl. As the restless spirit haunts her every step, Emmie soon realizes that delving into the past is attracting unwelcome attention. A mysterious presence stalks her, their intentions sinister and unknown. The darkness within Shine House is suffocating, and Emmie is holding the last candle for the family that was brutally slain there.

At sixteen, Sadie Young had a brush with death, and as a result she became more sensitive to the supernatural. Rather than embrace this gift, she spent years running from it, and from the darkness that once preyed upon her. Now twenty-five and working as a librarian, Sadie is called upon by a desperate family friend to look into a strange series of events. A teenaged girl has entered a reputedly haunted house in town and has gone mad. Committed, the girl attempts suicide and claims to be terrorized at all hours by a horrific specter known as "Mother Maggot."

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

Someone is stalking Audrey Young. And she has no idea why. Complicating matters is her landlord and new neighbor, Josiah Haven. She doesn’t usually go for the big, surly lumberjack type. But there’s something about that broody man. He intimidates her a little, but she kind of likes it. She could totally handle the mess that is her life, except the strange feeling of being watched is just the beginning. Next thing Audrey knows, she’s a target, and she doesn’t know who’s behind it or why. For Josiah Haven, none of that makes her his problem.

A beautiful forest. A terrifying legend. It’s 1986. Two strangers, hundreds of miles apart, grapple with disturbing incidents in a one-of-a-kind quaking aspen forest.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.