It’s a local legend. No one is sure if this “Camp Slaughter” place is real or not. But a group of college kids renting out a cabin deep in the woods of Pennsylvania will soon realize the truth. They’ll realize the danger, too. Or rather, the cannibal out in the woods will bring the danger to them...

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

Who better to repel a body-snatching alien invasion than a group of teenage horror nerds? Billy and Tom are best friends, but each knows that at the end of the school year they'll be moving in different directions. But why not go out with a bang and throw one last video night? They can invite some girls over, order a pizza, then maybe try and fight the alien infection that's taken hold over their suburban town. It's The Breakfast Club meets The Night of the Creeps in this slime-drenched '80s horror romp.

Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town.

The book you are about to listen to is an account of the tragedy that occurred at the reopening of Bonkin's Bonanza one day in the summer of 1989. Some came looking for fun, like Candy Barton and her best friend, Leigh.

Five strangers drawn together at a roadside bar on the outskirts of Las Vegas. One rampaging monster, escaped from a secret facility, absorbing victims and accumulating biomass as it moves north from Arizona. The miles between them rapidly dwindling. No, this is not the world’s best math problem, it’s Exponential. The rollicking, brutal, gory, and strangely poignant horror novel from Adam Cesare. Criminals and screw-ups need to face down science run amok in this literary tribute to films like Tremors and The Blob.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

Marcus grew up believing his father killed his mother—then blamed it on the boogeyman under the bed. Always leave the lights on, his father warned, or the boogeyman will get you. Marcus still heeds the superstition, especially when he invites his new girlfriend over. Is Marcus haunted by a creature or has he just inherited his father’s murderous delusions? The night will tell.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

Six strangers arrive at the home of preeminent puzzle master Alexei Vasiliev for the reading of his will. Among them are the deceased's widow, who'd already begun divorce proceedings, a virologist troubled by actions in his past, and a convicted murderer on day release. The potential beneficiaries will split Vasiliev's $150M fortune if they participate in his last great work. The choice is simple: leave the house with nothing or continue in the hope of solving the six interconnecting escape rooms within this house.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

New York Times best-selling author Joe Schreiber pens a funny, action-packed novel that is equal parts Ferris Bueller’s Day Off and La Femme Nikita. It’s prom night, and Perry is looking forward to playing a gig with his band in New York City. But when his mother makes him take their quiet and geeky Lithuanian exchange student to the dance, he finds himself on a reckless ride through Manhattan—in his dad’s red Jaguar—with a trained assassin.

Following the death of his 10-year-old son, physician Peter Croft embarks on a desperate, seemingly random search for a missing child, risking his sanity, even his life in a grief-induced quest. His journey propels him into the darkest reaches of human suffering and pits him squarely against an adversary whose own obsession defies all reason.

U.S. Marshal Jameson Arkeley, the country’s foremost authority on vampires, taught police investigator and vampire fighter Laura Caxton everything she knows about monsters. After a bloody war visited upon Gettysburg by an army of vampires, Arkeley gave up his own life to save others—except he didn’t exactly die.

It is a world like our own in every respect, save one. In the 1950s, random acts of possession begin to occur. Ordinary men, women, and children are the targets of entities that seem to spring from the depths of the collective unconscious, pop-cultural avatars some call demons. As a boy, Del Pierce is possessed by the Hellion, an entity whose mischief-making can be deadly. With the help of Del's family and a caring psychiatrist, the demon is exorcised... or is it?

The living dead are more alive than ever! Zombies have become more than an iconic monster for the 21st century: They are now a phenomenon constantly revealing as much about ourselves - and our fascination with death, resurrection, and survival - as our love for the supernatural or post-apocalyptic speculation. Our most imaginative literary minds have been devoured by these incredible creatures and produced exciting, insightful, and unflinching new works of zombie fiction.

In 1968, after the first zombie outbreak, Wanda Mayhall and her three young daughters discover the body of a teenage mother during a snowstorm. Wrapped in the woman's arms is a baby - stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda, and he begins to move.The family hides the child - whom they name Stony - rather than turn him over to authorities who would destroy him. Against all scientific reason, the undead boy begins to grow....

The only sign of life for miles is an empty BMW. Inside the expensive car he finds clothes that fit perfectly, shoes for his tattered feet, a Rolex, and an auto registration in the name of Daniel Hayes, resident of Malibu, California. None of it is familiar. How did he get here? Who is he? Who was he? While he searches for answers, the world searches for him - beginning with the cops that kick in the door of his dingy motel with guns drawn. Lost and alone, the man who might be Daniel Hayes flees into the night. All he remembers is a woman’s face, so he sets off for the only place he might find her.

Modern gods and goddesses, remote, revered - and like the pantheon of heroes and heroines of ancient myth - possessing great power tempered with flaws. Now, find within this anthology great tales by gifted and award-winning authors who move superheroes from the four-color panels of comic books to the fantastic pages of fiction, stories that will remind anyone who ever wanted to wear a cape or don a cowl of the extraordinary powers of the imagination!

In this collection of 13 fabulously chilling stories from 13 true masters of suspense, including five New York Times best sellers and a number of Edgar Award nominees, all edited by none other than R. L. Stine, nothing is what it seems. From cannibalistic children, to an unwitting date with a vampire, to a crush on a boy who just might be a werewolf, no scary stone is left unturned. A must-have for all fans of the genre!

All the official reports say they are dead—extinct since the late ’80s, when a fed named Arkeley nailed the last vampire in a fight that nearly killed him. But Arkeley knows what most people don’t: there is one left. In an abandoned asylum she is rotting, plotting, and biding her time in a way that only the undead can. When state trooper Laura Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment.

All ATF Agent Jack Donovan wants out of life is to do his job and work on his strained relationship with his daughter Jessie after a nasty divorce. But in a ruthless act of revenge by a charismatic madman, Jessie is kidnapped and buried alive, with barely enough oxygen to sustain her. Now the only man who can save her, the only man who knows where to find her, has just been shot dead - and the clock is ticking... So what's a father to do?

He performs his profane ceremony in a wooded Minneapolis park, anointing his victims, then setting the bodies ablaze. He has already claimed three lives, and he won't stop there. Only this time there is a witness. But she isn't talking. Enter Kate Conlan, former FBI agent turned victim/witness advocate. Not even she can tell if the reluctant witness is a potential victim or something more troubling still.

Alexis, Nick, and Ruby have very different backgrounds: Alexis has spent her life covering for her mom's mental illness, Nick's bravado hides his fear of not being good enough, and Ruby just wants to pursue her eccentric interests in a world that doesn't understand her. When the three teens join Portland County Sheriff's Search and Rescue, they are teamed up to search for a autistic man lost in the woods. What they find instead is a dead body. In a friendship that will be forged in danger, fear, and courage, the three team up to find the girl's killer.

One woman's story as she blogs about - and fights back against - the zombie apocalypse.

Allison Hewitt and her five colleagues at the Brooks and Peabody Bookstore are trapped together when the zombie outbreak hits. Allison reaches out for help through her blog, writing on her laptop. It may also be her only chance to reach her mother. But as the reality of their situation sinks in, Allison's blog becomes a harrowing account of her edge-of-the-seat adventures.

Tim Rackley, a deputy U.S. marshal, watches helplessly as his daughter's killer walks free on a legal technicality. He is suddenly forced to explore his own deadly options, a quest that leads him into the welcoming fold of "The Commission".

Quinn Maybrook and her father have moved to tiny, boring Kettle Springs, to find a fresh start. But what they don’t know is that ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.

Aaron Fortin is new in town. He drives a brand-new Acura—a gift from his parents for uprooting him in the middle of senior year. Showing up on his first day at the local public school in that nice of a car? He knows he’ll never blend in, and he doesn’t care to try. The car, the new-kid mystique, he can use all that.... Crystal Giordano carpools to the same school in her friend Trevor’s beat-up van. In the van along with Crystal and Trevor are Paul, Harmony, and Gayle. Crystal’s technically part of their misfit group, but most of the time, she feels like she’s the only one who doesn’t fit.

It’s a local legend. No one is sure if this “Camp Slaughter” place is real or not. But a group of college kids renting out a cabin deep in the woods of Pennsylvania will soon realize the truth. They’ll realize the danger, too. Or rather, the cannibal out in the woods will bring the danger to them...

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Decades after playing the titular killer in the eighties horror franchise Night of the Reaper, Howard Browning has been reduced to signing autographs for his dwindling fanbase at genre conventions. When the studio announces a series reboot, the aging thespian is crushed to learn he's being replaced in the iconic role by heartthrob Trevor Mane, a former sitcom child-star who's fresh out of rehab. But as Howard fights to reclaim his legacy, the sinister alter ego consumes his unraveling mind, pushing him to the brink of violence.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Massive nights, picturesque days: There is nothing Claire doesn't love about her summer job in Mission, Massachusetts. Claire is just trying to keep her head down and start a new life after burning out in the city, but those kids out in the woods seem like they throw awesome ragers.... It's only once she's in too deep that Claire discovers the real tourist trade that keeps the town afloat. It's then that her soul-searching in Mission becomes a fight for her life.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.

An alcoholic teacher and father’s world spirals out of control when a former student is killed and he is left with her dog and the dark presence that follows it. Matt Matheny teaches during the day, drinks at night, and barely hides his functioning alcoholism from his veterinarian ex-wife, Lucy, and his six-year-old son, Mikey. His world spirals out of control when a former student is killed, and he's left with her dog, Conehead. But something isn't right with Conehead.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.