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Narrated by:
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Ángel Morón
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By:
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Juan Tallón
About this listen
¿Nuestra vida está marcada por el apellido que llevamos? Una novela sobre realidades paralelas.
Antonio es un empresario gallego con una ambición desmedida. Cuando por fin asume la dirección de la fábrica de ataúdes fundada por su padre, hasta entonces reacio a ceder el testigo, da un cambio radical al negocio. Quiere situarlo en lo más alto y pone la vista en el sector del lujo. Eso lo lleva de viaje por Houston y Ciudad de México, donde alcanza el éxito con el que ha vivido siempre obsesionado. Pero apenas lo toca, sus sueños se desvanecen de una injusta e inexplicable manera, capaz de hacer perder la cabeza al más juicioso. A su regreso a España va a percibir paulatina, dramática e irremediablemente que todo ha cambiado, y sin solución. Casi nada es como era cuando lo dejó quince días antes: ni la familia, ni la casa, ni los amigos, ni el trabajo, ni la ciudad, ni el mundo, ni siquiera él mismo. Nada tiene sentido, todo escapa a lo posible. ¿Qué ha pasado? ¿Cómo, en qué instante o circunstancia se distorsionó la realidad?
Juan Tallón se adentra en una historia que aborda la experiencia de la extrañeza, esa sensación tan repetida a lo largo de la vida, y lo hace a través de un personaje contradictorio, implacable, violento, a ratos tierno, sin demasiados límites morales, que no encaja en el mundo, que no entiende –como en algún momento nos ocurre a todos– muchas de las cosas que suceden a su alrededor, a las que, sin embargo, tendrá que desafiar para salir adelante. Dueño de un pasado tormentoso, enfrentado a un padre que lo aborrece, víctima incluso de un apellido atroz, Antonio es el vivo ejemplo de cómo resistir al vapuleo de las grandes adversidades y satisfacer cualquier ambición, siempre y cuando uno esté dispuesto a hacer todo lo que haga falta.
©2024 Juan Tallón (P)2024 Editorial AnagramaCritic reviews
Un escritor satírico y mordaz
-- Santos Sanz Villanueva, Zenda
Una escritura camaleónica
-- José María Pérez-Muelas, La Verdad
Que Tallón es un maestro en la modulación de los personajes por sus propias palabras, por sus detalles humorísticos, su locuacidad fuera de lugar incluso en circunstancias dramáticas ya lo sabíamos por su maravillosa novela anterior, Rewind, pero en Obra maestra este método alcanza una destreza aún mayor.
-- Carlos Pardo, Babelia
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