When a home aide arrives to assist a rambunctious family at a crossroads, simmering tensions boil over in this “witty, exuberant debut” (People) that is an “absolute delight from start to finish” (Sarah Haywood, New York Times best-selling author) perfect for fans of Where’d You Go, Bernadette and Evvie Drake Starts Over.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief.

Since his debut novel, the modern classic The Ghosts of Belfast, was published a decade ago, Stuart Neville has published eight other critically acclaimed novels and achieved international recognition as one of crime fictions great living writers. Now for the first time Neville offers listeners a collection of his short fiction - 12 chilling stories that traverse and blend the genres of noir, horror, and speculative fiction and which bring the history and lore of Neville's native Northern Ireland to glittering life.

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'

When Nigel Baxter, a middle-aged married banker with an unremarkable past, is found dead in the bath of a plush hotel suite, his wrists slit, it looks as if he's taken his own life. At first. But when Detective Inspector Daniel Riley is assigned to the case, he soon realises all isn't as it first appears to be. When a postmortem shows Baxter was poisoned, Riley suspects foul play. And then there's the odd addition of a teddy bear left at the crime scene....

This is not the happy family you think. The fire crackles, my son smiles, the man jokes whilst I pour drinks. But my husband has disappeared. The man is a stranger. My skin crawls every time he brushes my hand. He says if I don’t play along, he has photos that will destroy my family. What happened the night before my husband disappeared - the night I don’t remember?

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

I’m Lucy, and I have a secret I have a beautiful home that I’m desperate to escape. But that’s not my secret. I tell my friends I’ve never wanted children when I always have. But that’s not my secret. My husband is a celebrated surgeon who tries to control me. But that’s not my secret. Adele knows. Once upon a time, I knew everything about her and she knew everything about me. Best friends forever. But now our secret is beginning to surface. I can trust her more than anyone. We made a pact. And she’s never do anything to hurt me. Would she?

Ross Ransome is at the top of his profession; one of the most successful, and certainly one of the richest, plastic surgeons in the business. Such a man would expect his wife to be perfect - and why not? After all, he has spent enough hours in surgery to get her that way. But when his wife falls ill she turns her back on conventional medicine, and her arid marriage, and seeks help from the world of alternative medicine and a charismatic therapist who promises not just medical salvation. For Ransome, this is the ultimate betrayal.

All 26 fiendish tales from the best-selling series, A-Z of Horror, by Iain Rob Wright. From neighbourhood yetis to military robots, this terrifying collection has it all and will leave you sleeping with the lights on!

Ali and Christopher Tolfrey's one-year-old daughter, Eden, is abducted whilst in the care of Ali’s best-friend. Snatched in broad daylight from Bushy Park on a trip to the swings, Eden disappears without a trace. Brooke Simmons regains consciousness, dazed from a blow to the head, to find Eden, her best friend's child, missing. Someone has taken Eden, and Brooke knows who. But it's a secret she can't share with Ali or the police without revealing the web of deceit she's spun.

Returning early from a disastrous date night with my husband, I know something is wrong the moment the wheels crunch the gravel drive of our home. Inside, the TV is on and a half-eaten meal waits on the table. My heart stops when I find our little girl is alone in the house and our babysitter, Sasha, is missing....

Paul Henderson leads a normal life. A deputy headteacher at a good school, a loving relationship with girlfriend Jenna and a baby on the way. Everything seems perfect. Until Paul receives a message from his ex-fiancé, Nicole. Beautiful, ambitious and fierce, Nicole is everything Jenna is not. Now it seems Nicole is back, and she has a score to settle. But Paul can’t understand how Nicole is back. Because he’s pretty sure he killed her with his own bare hands. Which means someone else knows the truth about what happened that night. And they’ll stop at nothing to make Paul pay.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

As the only survivor of a horrific car crash, Lila Amberson believes she's on the road to recovery after being released from the hospital. Her memories of the accident are blurred though and a series of unsettling incidents leave her fearing for her safety. Does she have survivor's guilt or is something more sinister at play? Jack Foley's reeling from the shock of losing his sister in the crash, so when he first meets Lila, he lashes out, blaming her for Stephanie's death. But when she gives him a locket that she believes belonged to his sister, it presents more questions than answers.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

Angela was just a baby when she was abandoned, and a children's home is no place to grow up. When manager Ray takes girls off to his 'den' in the garden, they always come back crying.... So, when wealthy couple James and Rosemary come to choose a child to adopt, Angela is desperate to escape. Years later, Angela starts to search for her birth mother, Evelyn, hoping to heal the scars of her childhood. But strange and sinister events start to unfold. And Evelyn fears she may not survive her daughter's return.

The Snakes exposes the damage wreaked by parents on children as observed by a new member of the family, Dan, a mixed-race man from Peckham who marries Bea, the daughter who refuses to take any of her father’s filthy money. But when Bea’s brother, Alex (who runs a shabby hotel in Paligny, France), dies suddenly in unexplained circumstances, the confusion and suspicion which arise bring other dark family secrets - and violence - to the surface. And none of the family, even the good members, go untouched.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.