Neighbors Gwen, Aimee, and Lisa share more than playdates and coffee mornings on their tranquil street in East Bethesda. They confide their deepest secrets, navigate the challenges of motherhood together, and provide a support system that seems unbreakable. But when Gwen's husband is found murdered after one of their weekly Friday night dinners, the peaceful quiet of their cul-de-sac shatters. The seemingly idyllic world of the three close-knit mom friends becomes a web of deception, betrayal, and revenge.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

Ashley Bowers is shocked by the sudden death of her sister, whom she hasn't seen or heard from in years. Grieving for the bond they once shared and wallowing in the knowledge that any chance of reconciliation is gone forever is one thing. Welcoming her sister's thirteen-year-old daughter—a girl Ashley has never even met—into the home she shares with her husband and two children is another.

Jane and Dan have been married for nineteen years, but Jane isn’t sure they’re going to make it to twenty. The mother of two feels unneeded by her teenagers, and her writing career has screeched to an unsuccessful halt. Her one published novel sold under five hundred copies. Worse? She’s pretty sure Dan is cheating on her. When the couple goes to the renowned upscale restaurant La Fin du Monde to celebrate their anniversary, Jane thinks it’s as good a place as any to tell Dan she wants a divorce.

Taking over her parents’ estate-sale business is not the life’s work that Emma Lewis bargained for. Yes, she grew up helping them empty people’s nests, but nothing prepared her for her biggest and stickiest “get”—the grand, beautiful house of ill repute masquerading as a decidedly beddable B and B. Should Emma turn down potential clients in need of decluttering just because they are shady, escort-y, and proud of it?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

We all have things in our life that we should know by now, but don’t. Absences in our knowledge and skillset that are frankly shameful in an adult. Things that would be too embarrassing to ask anyone to explain – except our very best friend. Listen in as Mel and Sue tackle their ignorance head on, asking each other to explain something that they still don’t know - but absolutely, as adults, should - from how to parallel park to fully understanding bread (why has it got all those holes in it? What, honestly, is yeast?).

It’s spring of 2020 and Rachel Bloomstein—mother of three, recent divorcée, and Brooklynite—is stuck inside. But her newly awakened sexual desire and lust for a new life refuse to be contained. Leaning on her best friend Lulu to show her the ropes, Rachel dips a toe in the online dating world, leading to park dates with younger men, flirtations with beautiful women, and actual, in-person sex. None of them, individually, are perfect . . . hence her rotation. But what if one person could perfectly cater to all her emotional needs?

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

Based on an 1895 disaster that went down in history when it was captured in a series of surreal, extraordinary photographs, The Paris Express is a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.”

A tech billionaire and the flight attendant he’s marrying. A TV superhero who used to be married to the flight attendant. A Manhattan book editor and the sensitivity associate who got him fired. A twenty-three-year-old wild child prodigy who’s perhaps the savior of American literature. A vengeful Arkansas sheriff who sells a vitamin-enriched, ten-pounds-off-today demulsifier. A Wall Street bro who raps on TikTok. Two dentists—possibly stalking each other. What do these people have in common? Invited or not, they’re all headed to the most anticipated destination wedding ever.

Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka’s physical life is limited, her quick, mischievous mind has no boundaries: She takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention (“In another life, I’d like to work as a high-class prostitute”). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor.

Jane and Dan have been married for nineteen years, but Jane isn’t sure they’re going to make it to twenty. The mother of two feels unneeded by her teenagers, and her writing career has screeched to an unsuccessful halt. Her one published novel sold under five hundred copies. Worse? She’s pretty sure Dan is cheating on her. When the couple goes to the renowned upscale restaurant La Fin du Monde to celebrate their anniversary, Jane thinks it’s as good a place as any to tell Dan she wants a divorce.

Lauren Christensen is a thirtysomething editor in New York City when she meets her future husband, Gabe, a writer with whom she falls in love right away. Her beloved grandfather is dying, but the young couple is bringing new life into the family: Lauren and Gabe joyfully discover she is pregnant with their daughter, Simone. As Lauren faces the prospect of becoming a parent, she learns to let go of the fear of abandonment and need for control, but just weeks after their wedding, they learn that their worst nightmare has come true: Simone is dying in the womb.

Allison Brody is thirty-two and newly arrived on the East Coast after just managing to flee her movie producer boyfriend. She has some money, saved up from years of writing and waitressing, and so she spends it, buying a small house on the beach. But then a Category 3 hurricane makes landfall and scatters her home up and down the shore, leaving Allison adrift.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.

“Ask anyone non-Northern, they’ll only know Donny as punchline of a joke or place they changed trains once ont way to London.” But Doncaster’s also the home of Rach, Shaz, and Kel, bezzies since childhood and Donny lasses through and through. Never mind that Rach is skeptical of Shaz’s bolder plots; or that Shaz, who comes from a rougher end of town, feels left behind when the others begin plotting a course to uni; or that Kel sometimes feels split in two trying to keep the peace―the girls are inseparable, their friendship as indestructible as they are.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits. A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel.

Near the topmost deck of an interstellar generation ship, Dorothy Gentleman wakes up in a body that isn’t hers—just as someone else is found murdered. As one of the ship’s detectives, Dorothy usually delights in unraveling the schemes on board the Fairweather, but when she finds that someone is not only killing bodies but purposefully deleting minds from the Library, she realizes something even more sinister is afoot.

Cassie Black works at a funeral home. She's used to all manner of dead bodies. What she's not used to is them waking up. Which they seem to be doing on a disturbingly regular basis lately. Just when Cassie believes she has the problem under control, the recently-deceased Busby Tenpenny insists he's been murdered and claims Cassie might be responsible thanks to a wicked brand of magic she's been exposed to. The only way for Cassie to get her life back to normal is to tame her magic and uncover Mr. Tenpenny's true killer.

It’s the 1970s, and from hippie London to Warhol’s Factory in New York, reluctant aristocrat Loulou de la Falaise is desperately seeking adventure. Having escaped an early, unhappy marriage, she arrives on a whim in Paris—the champagne-soaked heart of the fashion world, where the rigid old world of haute couture and the fast-paced new world of ready-to-wear are vying for supremacy. Glamour, sex, and cocaine nights fuel the Paris fashion scene. Its crown prince is the soulful and intensely gifted Yves Saint Laurent.