
How Can I Help?
Stories and Reflections on Service
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Narrated by:
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Paul Brion
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By:
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Paul Gorman
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Ram Dass
Not a day goes by without our being called upon to help one another - at home, at work, on the street, on the phone.... We do what we can. Yet so much comes up to complicate this natural response: "Will I have what it takes?" "How much is enough?" "How can I deal with suffering?" "And what really helps, anyway?"
In this practical helper's companion, the authors explore a path through these confusions and provide support and inspiration for us in our efforts as members of the helping professions, as volunteers, as community activists, or simply as friends and family trying to meet each other's needs. Here, too, are deeply moving personal accounts: A housewife brings zoo animals to lift the spirits of nursing home residents; a nun tends the wounded on the first night of the Nicaraguan revolution; a police officer talks a desperate father out of leaping from a roof with his child; a nurse allows an infant to spend its last moments of life in her arms rather than on a hospital machine.
From many such stories and the authors' reflections, we can find strength, clarity, and wisdom for those times when we are called on to care for one another. How Can I Help? reminds us just how much we have to give and how doing so can lead to some of the most joyous moments of our lives.
©1985 Ram Dass and Paul Gorman (P)2019 TantorListeners also enjoyed...




















Critic reviews
"A treasury of compassion, made all the more valuable by its many examples of how individuals can interact for the better with people and, indeed, the world around them." (Norman Cousins, author of Anatomy of an Illness)
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Please Read!
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I will read this again if I start to forget.
Will read again!
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Similarly, the transition back from the stories to the author's narration lacks clear boundaries, leaving the listener to discern the shift on their own.
Further complicating matters is the narrator's performance. There's no discernible shift in voice to differentiate between the author's narration and the various characters within the third-person stories, not even when switching between male and female perspectives. Moreover, within the stories, dialogue between multiple characters is delivered in the same voice, making it difficult to follow who is speaking. It felt akin to listening to a stage play performed by a single individual reading all the parts.
While the performance wasn't completely devoid of inflection or emotion, the lack of vocal distinction between narrative elements and characters significantly hindered comprehension. It took a considerable portion of the book for me to even realize the stories were not the author's own. The first instance of a gender switch within a first-person story was particularly jarring and required a mental pause to understand what was happening.
Production Problems Plague Otherwise Engaging Content
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concepts are still good of course. Narration is lacking gusto
narration lacks feeling
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Bravo!
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what's the point?
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Terrible Narration
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