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Isolation

By: David Moody
Narrated by: Christopher Lawson
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Publisher's summary

A collection of stunning zombie/ survival horror stories from David Moody, author of the Autumn and Hater series novels (optioned for film by Guillermo del Toro).

Keith’s in his early 20s. No girlfriend, no hobbies, no future. He spends his days working in an office and his evenings, weekends, and just about all his free time looking after his alcoholic dad. And then, the zombie apocalypse changes everything.

Suddenly, Keith’s free. For the first time in a long time, he’s got nothing to worry about (apart from several hundred thousand reanimated corpses heading his way). And then, he meets Anna, and everything changes again. Cocky, cool, confident...she’s everything Keith isn’t. Holed up together in an isolated bungalow, besieged by the living dead, will they survive, or will they tear each other apart before the dead get anywhere near?

A collection of apocalyptic stories from David Moody, best-selling author of Autumn, Hater, and The Cost of Living.

“A gory thrillfest from start to finish.” (Wayne Simmons, author of The Girl in the Basement and Plastic Jesus)

“An absolute masterclass in devastatingly dramatic character arcs.” (DLS Reviews)

“A unique peek into the world of the zombie apocalypse.” (The Next Best Book Blog)

“Moody has the power to make the most mundane and ordinary characters interesting and believable, and is reminiscent of Stephen King at his finest.” (Shadowlocked)

"Moody is as imaginative as Barker, as compulsory as King, and as addictive as Palahniuk." (Scream, a horror magazine)

©2014 David Moody (P)2020 David Moody
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What listeners say about Isolation

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Very good book

This is my second David Moody book. At first I was a little confused. I didn’t realize at first it was taking place in England. The story was great!

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  • Overall
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it's okay

it was just okay. There wasn't any part that really drew me in. I liked the narrator.

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Needed a British narrator

I liked the story, although it didn’t have me on the edge of my seat.

The one thing that was ‘off’ was the use of British vernacular and the narrator being North American. The use of words like ‘crisps’ and phrases like ‘taking the piss’ are very obviously British.

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