When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Inside the vehicle at fault, Jennifer Ashby survives with barely a scratch. In the wreckage of the second, the occupants are not so lucky. Jennifer’s good character helps her escape jail, but she is traumatised. Desperate for a change, and with her marriage buckling under the stress, she convinces her husband Jon to move to the beautiful but wild Daintree region, far away from family and friends. As Jon spends long hours at his new job and Jennifer makes plans to absolve her lingering guilt, cracks begin to form in their idyllic new life. Will the shadow of their past continue to haunt them?

When a brother-and-sister team uncover dangerous information hidden in an antique, they have no one to turn to but themselves in the first installment in a suspenseful new series by legendary, number one New York Times best-selling author Fern Michaels.

I just met my new son-in-law . . . And he’s my ex-husband. They’re here. I watch them arrive from the kitchen window. My pregnant daughter and her new husband. They’ve barely known each other six months. I greet him with a tight smile that he recognizes as fake. Luke is no good for my beautiful, fragile Cerys. He’ll break her heart. I know that because he broke mine — when he was married to me. I don’t know what he’s after. But I’m going to make it my business to find out.

I thought moving to this quiet cul-de-sac was the fresh start my husband and I needed, escaping the noise of our cramped flat in Hounslow. I left India and all that was familiar for a new life with him in England. But my husband works all hours, leaving me alone in a house that doesn’t feel like a home. Our neighbours notice the bruises on my arms. They draw the obvious conclusions. They seem kind, but they’re hiding something. I just can’t shake the feeling that someone is always watching me . . . waiting. My husband’s working late. Again. That’s when I see it.

We live in a close-knit community. Thirty houses surrounding a square of garden that is perfect for our kids. We congregate here on major holidays, each family bringing a plate and sharing food and conversation. It’s in the garden that I first met her. The woman who would worm her way into my family and piece by piece tear it apart.

When Julia Henry's daughters disappear, she uncovers a web of secrets rooted in their birth mother's past. Every mother's nightmare becomes Julia Henry's reality when her daughters, Jewel and Opal, vanish without a trace. The secret to their abduction might lie buried in a dark past, tangled in a web of secrets and deceit of their birth mother. As Julia digs deeper, she uncovers secrets that stretch to her own doorstep, challenging everything she knows about her life. In a race against time, Julia must navigate a maze of lies to rescue her daughters.

The first victim is attacked in her home. Tied to her bed. Forced to watch every unspeakable act of cruelty - but unable to scream. The second murder is even more twisted. Signed, sealed, and delivered with a message for the police, stuffed in the victim's throat. A fractured nursery rhyme that ends with a warning: "There will be more". For detective Jack Murphy, it's more than a threat. It's a personal invitation to play.

Rookie cop Laura Mori catches her first investigation when the fiery crash of a sports car lights up the night sky. The fire burns the car and the body within it beyond recognition, but the police are able to identify the vehicle as belonging to Kent Jameson, a celebrity author and benefactor of their small town of Sunrise Lake, Oregon. Kent Jameson fears that the body is that of his 17-year-old daughter, Lucy, who stormed out of the house that night after an argument.

My husband and I are fighting for our lives in hospital after a terrible car accident. But despite my pain, all I can think about is what our families will find behind our front door. The scarf that has been all over the news, belonging to a dead young woman with honey-coloured hair. I have to speak to the police before my husband can. I’m drifting in and out of consciousness, but when I hear my wife talking to the police, accusing me of the murder of an innocent woman, a cold fear grips me. I know I’ve got a temper.

Then: Linda has it all: a gorgeous home, a devoted husband, two loving daughters. But she throws it all away to chase an impossible dream. Now: Linda is alone and penniless, living in a shabby rented flat. With nothing to lose, she signs up to a dating app for the over 50s. But the one man who responds to her profile, a man calling himself Tony Fortin, is not who he says he is. Linda recognises him immediately. He’s Marcus, her second husband. But that’s impossible. Marcus died eight months ago. He drowned off the coast of Corfu.