OK, Mr. Field
A Novel
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Narrated by:
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Nicholas Guy Smith
About this listen
A mesmerizing debut novel about a concert pianist who fears he is losing his mind
Mr. Field wants a new life, a life cleansed of the old one’s disappointments. A concert pianist on the London scene, his career is upended when the train he is travelling on crashes into the wall at the end of a tunnel. The accident splinters his left wrist, jeopardizing his musical ambitions. On a whim, he uses his compensation pay-out to buy a house he has seen only once in a newspaper photograph, a replica of Le Corbusier's Villa Savoye on a stretch of coast outside Cape Town. Together with his wife, Mim, Mr. Field sets out in the hope that the house will make him happier, or at least less unhappy.
But as time passes, the house - which Le Corbusier designed as "a machine for living" - begins to have a disturbing effect on Mr. Field. Its narrow windows educate him in the pleasures of frustrated desire. Its sequence of spaces, which seem to lead toward and away from their destinations at once, mirror his sense of being increasingly cut off from the world and from other people. When his wife inexplicably leaves him, Mr. Field can barely summon the will to search for her. Alone in the decaying house, he finds himself unglued from reality and possessed by a longing for a perverse kind of intimacy.
OK, Mr. Field is a strange and beguiling novel that dwells in the silences between words, in the gaps in conversation, and in the unbridgeable distance between any two people. Through her restless intelligence and precise, musical prose, Katharine Kilalea confidently guides us into new fictional territory.
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Critic reviews
“Dazzling.... Luminous.... As with much of Beckett’s writing, OK, Mr. Field is often bleakly comic. But at moments it is also tender (without being sentimental), depicting the strange dream-like inner life of someone who is terribly lonely.... OK, Mr. Field introduces a striking new voice in fiction.” (The Economist)
“Enthralling.... Kilalea’s impressionistic prose invites comparison to the attentive introspection of Woolf, the existential erosion of Beckett and the reveries of Proust.... This is an unforgettable voyage, slip sliding away into the unknown and unknowable.” (Seattle Times)
"Kilalea's striking, singular debut.... is a disorienting and enthralling descent into one man's particular malaise." (Publishers Weekly, starred review)
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A British copywriter stays for a week at his composer friend Oskar’s elegant, ultramodern apartment in a glum Eastern European city. The instructions are simple: feed the cats, don’t touch the piano, and make sure nothing harms the priceless wooden floors. Content for the first time in ages, he accidentally spills some wine. Over the course of a week, both the apartment and the narrator’s sanity fall apart in this original and “weirdly addictive” ( Daily Mail) novel.
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Five out of Five!
- By Pamela Harvey on 10-14-12
By: Will Wiles
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The Stories of Vladimir Nabokov
- By: Vladimir Nabokov
- Narrated by: Arthur Morey
- Length: 31 hrs and 38 mins
- Unabridged
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From Vladimir Nabokov, the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, comes a magnificent collection of stories. Written between the 1920s and the 1950s, these 68 tales — 14 of which have been translated into English for the first time - display all the shades of Nabokov’s imagination.
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A Kaleidoscope of Nabokov Bábochkas
- By Darwin8u on 01-11-15
By: Vladimir Nabokov
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The Boy Who Drew Monsters
- By: Keith Donohue
- Narrated by: Bronson Pinchot
- Length: 9 hrs and 53 mins
- Unabridged
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Ever since he nearly drowned in the ocean three years earlier, 10-year-old Jack Peter Keenan has been deathly afraid to venture outdoors. Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire.
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troubled boy, troubled waters
- By Debra B on 10-29-14
By: Keith Donohue
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The Invisible Circus
- By: Jennifer Egan
- Narrated by: Madeleine Lambert
- Length: 11 hrs and 21 mins
- Unabridged
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In Pulitzer Prize-winner Jennifer Egan's highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O'Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith's life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith's lost generation.
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Too bad zero was not a choice...
- By IVAL on 04-28-13
By: Jennifer Egan
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Haunted Ground
- By: Erin Hart
- Narrated by: Jennifer McMahon
- Length: 12 hrs and 17 mins
- Unabridged
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When farmers cutting turf in an Irish peat bog make a grisly discovery, the perfectly intact body of a young woman with long red hair, archaeologist Cormac O'Callaghan and pathologist Nora Gavin are thrown together by their shared scientific interest in human remains. Because of the preservative effect of the bog, it is difficult to tell whether the body has lain there for two decades, two centuries, or two millennia.
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Mysteries old and mysteries new
- By Linda on 11-25-03
By: Erin Hart
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Named of the Dragon
- By: Susanna Kearsley
- Narrated by: Katherine Kellgren
- Length: 9 hrs and 48 mins
- Unabridged
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The charm of spending the Christmas holidays in South Wales, with its crumbling castles and ancient myths, seems the perfect distraction from the nightmares that have plagued literary agent Lyn Ravenshaw since the loss of her baby five years ago. Instead she meets an emotionally fragile young widow who's convinced that Lyn's recurring dreams have drawn her to Castle Farm for an important purpose - and she's running out of time.
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Not Kearsley's best
- By Sindy on 06-27-16
By: Susanna Kearsley
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The Unit
- By: Ninni Holmqvist
- Narrated by: Suzanne Toren
- Length: 8 hrs and 46 mins
- Unabridged
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When Dorrit Wegner turned fifty, the government transferred her to a state-of-the-art facility where she can live out her days in comfort. Her apartment is furnished to her tastes, her meals expertly served, and all at the very reasonable non-negotiable price of one cardiopulmonary system. Once an outsider without family, derided by a society bent on productivity, Dorrit finds within The Unit the company of kindred spirits and a dignity conferred by 'use' in medical tests.
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Makes you think
- By Sylvia on 01-30-11
By: Ninni Holmqvist
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Light Years
- By: James Salter
- Narrated by: Mark Boyett
- Length: 10 hrs and 18 mins
- Unabridged
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This exquisite, resonant novel by PEN/Faulkner winner James Salter is a brilliant portrait of a marriage by a contemporary American master. It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach.
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Unfathomable Font of Blue: Life's Serial Goodbyes
- By W Perry Hall on 04-18-19
By: James Salter
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The Keys to the Street
- By: Ruth Rendell
- Narrated by: Simon Russell Beale
- Length: 11 hrs and 20 mins
- Unabridged
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Mary Jago had donated her own bone marrow to save the life of someone she didn’t know. And this generous act led directly to the bitter break-up of her affair with Alistair. For him, it was as though her beauty had been plundered. But the man whose life she had saved would change Mary’s life in a way she could never have imagined.
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Mystery with humor and insight
- By Ida Hagman on 10-02-12
By: Ruth Rendell
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Revenge
- Eleven Dark Tales
- By: Yoko Ogawa
- Narrated by: Kaleo Griffith, Johanna Parker
- Length: 4 hrs and 24 mins
- Unabridged
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An aspiring writer moves into a new apartment and discovers that her landlady has murdered her husband. Elsewhere, an accomplished surgeon is approached by a cabaret singer, whose beautiful appearance belies the grotesque condition of her heart. And while the surgeon's jealous lover vows to kill him, a violent envy also stirs in the soul of a lonely craftsman. Desire meets with impulse and erupts, attracting the attention of the surgeon's neighbor - who is drawn to a decaying residence that is now home to instruments of human torture.
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Maybe, more Gray then Dark?
- By Jim "The Impatient" on 10-28-14
By: Yoko Ogawa
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The Wild Hunt
- By: Emma Seckel
- Narrated by: Ruth Urquhart
- Length: 8 hrs and 50 mins
- Unabridged
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Leigh Welles has not set foot in on the island in years, but when she finds herself called home from a disappointing life on the Scottish mainland by her father's unexpected death, she is determined to forget the sorrows of the past and start fresh. Fellow islander Iain MacTavish, a RAF veteran with his eyes on the sky and his head in the past, is also in desperate need of a new beginning. A young widower, Iain struggles to return to the normal life he knew before the war. But this October is anything but normal. This October, the sluagh are restless.
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one of my favorite books ever
- By Cait on 11-02-24
By: Emma Seckel
What listeners say about OK, Mr. Field
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Jonas Blomberg Ghini
- 09-28-18
A lack of consequences
The first third of the book was quite enjoyable, and I particularly liked the passage about Mr. Field attempting to play his piano again. Funny stuff. But then, somewhere about half way through the book, it got dull, the story, that is (the prose remains of the same quality).
[Spoilers]
The main issue for me is the lack of consequences of his actions that Mr. Field chooses to make. Mim just leaves, without any explanation, making this consequence disjointed from the actions leading up to it. If we got to know her better, it could have been perfectly fine, but as it stands, we're left guessing among an infinite pool of possible reasons. So it is less a consequence, and more just an externally imposed event Mr. Field is not directly involved in. He steals a dog, and faces no consequences, he stalks the widow of the architect of his house, and faces no consequences, he drives recklessly, almost killing an old man, and faces no consequences.
Surely, his descent into maddening loneliness, maybe even depression is captured well, but being sad does not mean the world stops working outside of you.
Back to the driving for a second; he drives, aimlessly, left then right, then left again, but somehow ends up going in a circle. To the best of my knowledge, South Africa is not non-euclidean. But perhaps Mr. Field just mixes left and right.
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