If you got the idea that Pat Novak was a rather single-minded fellow, you'd be wrong. He appreciated liquor every bit as much as he appreciated women. He could be found most nights popping shots and wisecracks with his saloon-owner pal, Jocko Madigan (Tudor Owen). But, most of all, he appreciated the crisp greenness of a new 50-dollar bill. Operating out of the grim San Francisco waterfront, Novak didn't have much use for anyone and didn't much care who knew it.

Dashiell Hammett created the character Sam Spade for his crime story The Maltese Falcon. Spade was a hard-boiled detective with cold detachment, a keen eye for detail, and an unflinching determination to exact his own justice. For most people, Spade is most closely associated with actor Humphrey Bogart, who played him in the third and most famous film version of The Maltese Falcon. In 1946 one of radio's top producers, William Spier, brought Sam Spade to the airwaves in a radio show starring newcomer Howard Duff.

Thrill to the hardboiled adventures of Ellery Queen, Philip Marlow, Dragnet, The Man called X, Philo Vance, Rocky Fortune and so many more as heroes fight the bad guys. 100 great detective classics in one collection.

Raymond Chandler’s famous private eye, Philip Marlowe, comes to life in this 44-episode collection of season one of The Adventures of Philip Marlowe radio show, featuring the original cast recordings originally aired on the CBS Radio Network from 1948-1950. The Adventures of Philip Marlowe was a fan favorite for its no-nonsense, hard-boiled approach to crime solving and is presented here in 44 commercial-free episodes.

The detective character, Sam Spade, was created by Dashiell Hammett for his crime novel The Maltese Falcon. Spade was a hard-boiled detective with cold detachment, a keen eye for detail and unflinching determination to achieve his own justice. The character is most closely associated with Humphrey Bogart who played Sam Spade in the third and most famous film version of The Maltese Falcon. In 1946, one of radio’s top producers (William Spier) brought “Sam Spade” to CBS radio starring newcomer Howard Duff with Lurene Tuttle.

The world-weary private investigator Harry Nile is one step ahead of the mob, but one step behind the bill collectors. That's why he takes pretty much any case he can catch—from robbery to kidnapping to murder. Phil Harper stars as Harry in twenty-one mood-filled mysteries, aided and assisted by Pat French as Murphy, his secretary extraordinaire. This is classic radio noir for a new generation, created and produced by Jim French.

It's a rainy night in postwar Seattle. There's a crime to be solved, and an investigator is needed. But it's a dangerous profession! Sometimes the source of a scream is elusive, sometimes a surveillance job goes south, and sometimes someone's got their gun sight set on you! From out of the Pacific Northwest come 24 more adventures produced by Jim French. Phil Harper stars as Harry Nile, with Pat French as his all-knowing assistant Murphy. It's new-time radio drama produced in the classic style.

From the darkest, foggiest, most rain-swept streets of your imagination come The Great Radio Private Eyes! Detectives, investigators, shamuses all - here's a legion of radio's best-remembered gumshoes taking on all comers in a wide-ranging collection of thrill-packed cases of crime. They're all here! From Bulldog Drummond to Candy Matson, from the urbane world of The Falcon to the grubby dockside world of Pat Novak - get set for classic radio drama at its most compelling!

From the imaginative radio mind of writer/producer Jim French comes the tough-but-thoughtful private eye who roams the rain-swept streets of the Pacific Coast in search of crime, adventure, and enough dough to keep the office lights on for another month - Harry Nile! It's modern radio drama produced in the classic style, with stories set in the golden age of private-eye drama. Phil Harper stars as Harry in high-powered, hard-luck radio adventures! The 21 episodes featured here include the last show of the character's 1970s run, and the first 20 episodes of his glorious return in 1990.

He’s a smart tough guy…or a tough smart guy. Either way, he’s Pacific Northwestern private eye Harry Nile. From the imagination of Seattle-based writer-producer Jim French come 24 tense, exciting radio thrillers produced in the classic style by modern talent. Phil Harper is back as Nile, with Pat French as Murphy, in these hard-boiled cases for hard luck customers. Get set for radio excitement the way you like it best - with The Adventures of Harry Nile!

Imagine radio noir in the grand tradition - the mystery, excitement, and adventure of the medium's Golden Age. Now imagine that this has been combined with all of the technical polish that 21st century audio theatre techniques have to offer. That's The Adventures of Harry Nile. Produced by modern-radio legend Jim French, this collection features cases set in the 1940s. A hard-boiled but gentle-souled private investigator takes to the rain-swept streets of the Pacific Northwest.

The golden age of radio had incredible detective shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear their favorite Hollywood stars voicing fiction’s most famous gumshoes. This collection includes Dick Kollmar starring as ‘enemy to those who make him an enemy, friend to those who have no friend’ on Boston Blackie, Bob Bailey playing two different private eyes, George Valentine in Let George Do It and the man with the action-packed expense account in a 5-part adventure of Yours Truly, Johnny Dollar.

He began his career in the 19th century, thrived in the 20th, and lives on in the 21st! The world's most famous consulting detective is as vigorous as ever in Jim French's productions of the Further Adventures of Sherlock Holmes! Crafted in the old-time radio tradition by a modern master of the art, here are 15 engrossing adventures inspired by the characters created by Sir Arthur Conan Doyle. John Patrick Lowrie is heard as Holmes, with Lawrence Albert as Watson.

From out of the rain-swept postwar night comes Harry Nile - a man who's seen it all, because he just can't look away. Here are 19 state-of-the-art radio noir dramas, produced by West Coast legend Jim French, and starring Larry Albert as the hard-boiled, straight-shooting Harry! This collection includes four more installments of the "War Comes To Harry Nile" storyline, a Christmas episode, two two-part adventures, and more. You'll hear Pat French, Jay Green, John Patrick Lowrie...and a whole bunch of killer cases.

Out of the rain and fog of the teeming Pacific Northwest he comes - the tough, methodical, incorruptible private eye Harry Nile. He's the foe of corruption, enemy of gangland, and the best friend you'll ever have when you're up against the wall. Harry gives as good as he gets in this collection of powerful radio adventures, produced, written, and directed by Jim French. Larry Albert takes over the role of Nile from the late Phil Harper, with Pat French back as the detective's assistant Murphy, for 16 cases of back streets and bad news.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.