When dissolute fisherman Abel Davenport discovers an ancient temple in the deep ocean, he under the influence of a long dead god. In his attempts to restore the god's cult, Abel unleashes a plague of twisted doppelgangers on Arkham. Horrified by the consequences, Davenport realizes that he alone cannot stop the monsters from resurrecting the Ancient One. Sometimes the only way to end one cult is to start another.

Countess Alessandra Zorzi, international adventurer and thief, arrives in Arkham pursuing an ancient body freshly exhumed from a mound in Oklahoma. Before she can steal it, another party beats her to it. During the resulting gunfight at the Miskatonic Museum, the countess makes eye contact with the petrified corpse and begins an adventure of discovery outside her wildest experiences. Now, caught between her mysterious client, the police, and a society of necrophagic connoisseurs, she finds herself on the trail of a resurrected mummy as well as the star-born terror gestating within it.

Aspiring painter Alden Oakes is invited to join a mysterious art commune in Arkham: the New Colony. When celebrated Spanish surrealist Juan Hugo Balthazarr visits the colony, Alden and the other artists quickly fall under his charismatic spell. Balthazarr throws a string of decadent parties for Arkham’s social elite, conjuring arcane illusions which blur the boundaries between nightmare and reality. Only slowly does Alden come to suspect that Balthazarr’s mock rituals are intended to break through those walls and free what lies beyond. Alden must act, but it might be too late.

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

Harran Blackwood was a Warrior-Priest of ruthless virtue. Now he's a man with a scorched reputation, prowling the back alleys of Greywater Fastness, content to fight the petty wars of racketeers for survival. But when a desperate message arrives from an old friend, Blackwood is forced to confront a past he thought long buried. Summoned to the isolated village of Wald, Blackwood sets off on a perilous trek to ensure the sins of his former life remain forgotten.

Dark Adventure Radio Theatre presents Robert E. Howard's tale of horrors in Eastern Europe in a 1930s-style radio drama. Charlie Tower seeks refuge from the horrors of the Great War in Berlin's most notorious nightclubs. There a chain of events is set in motion that will lead him across Europe to investigate the mysterious Black Stone. Is it merely a creation of superstitious peasants, or is it a nexus for hideous gods of the ancient world to set foot into ours?

On a misty cemetery world, three strangers are drawn together through mysterious circumstances. Each of them has a tale to tell of a narrow escape from death. Amid the toll of funerary bells and the creep and click of mortuary-servitors, the truth is confessed. But whose story can be trusted? Whose recollection is warped, even unto themselves?

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

For Ianthe, war is all too familiar. A former soldier in the Astra Militarum, she now serves Inquisitor Covenant as an agent of the Throne. Her first mission sees her investigating a cult called the Children of Eternity. Falling foul of the local Enforcers, Ianthe soon learns that war in the shadows is seldom straightforward and that the local, angry law-keepers are the least of her troubles.

Dark Adventure Radio Theatre: Masks of Nyarlathotep is an epic tale of globe-trotting adventure inspired by the works of H.P. Lovecraft, presented as a 1930s-style radio drama. Dark Adventure Radio Theatre presents the tale with an absurdly large cast of professional actors, exciting sound effects and thrilling original music by Troy Sterling Nies. Now, in partnership with Chaosium, we've adapted their most famed and beloved game supplement of all time - Masks of Nyarlathotep - into a fully dramatized super episode of Dark Adventure Radio Theatre.

The second collection of a witch's dozen of weird or horrific tales from Brian Lumley, author of the internationally best-selling Necroscope and Vampire World series.

The volcanic eruption that created the island of Surtsey in 1967 also revealed a long-hidden cache of documents that told the fantastic history of Theem'hdra as written by the sorcerer Teh Atht. Building on translations begun by the scholar Thelred Gustau—who vanished under mysterious, some say magical, circumstances—Brian Lumley brings the saga of the Primal Land to audiences of today. Here, the wizard Mylarkhrion—most powerful of the terrible magicians who walked the earth in those long-ago days—battles sorcerers jealous of his knowledge, power, and wealth.

Steven Jones, an entertainment producer from Chicago, journeys to London in search of new acts. There, he discovers the strange and disturbing wax museum of Rodgers and his inscrutable associate Orabona. Is the mad artist able to conjure up the world's most horrifying waxen effigies through his occult inspirations, or is there a darker secret lurking behind the wax and paint?

I took an oath to destroy them all. That not a single goblin would remain on this world. Trapped in the skeleton of an old dark elf ruin, deep beneath the trees and grass. I found her. The festering goddess that unleashed this plague upon the world. The one I would need to destroy, in order to complete my life’s mission. But she too, longs for the end. Despite my efforts to uphold my oath, I am thrust into a new world to start my slaughter once again. But the twisted creatures of my nightmares aren’t here.

On the streets of Boston, the world is divided into the ordinary Usuals, and the paranormal Unorthodox. And in the Department of Unorthodox Affairs, the Auditors are the magical elite, government-sanctioned witches with spells at their command and all the power and prestige that comes with it. Grimshaw Griswald Grimsby is…not one of those witches.

When Arkham Advertiser reporter Andy van Nortwick receives a mysterious film reel in the mail, with a simple note: "Maude Brion is very much alive!", he steps onto a path which will lead him to the brink of madness. Brion, the famous actress and film director, vanished a year ago on an ill-fated expedition into the Amazon rainforest, delving into the legend of the Spider Queen. Thrilled by the prospect of his big break, Nortwick swings the funds to launch a rescue mission. He gathers a team of explorers and a keen folklorist to bring back Brion and cement his reputation.

Aspiring painter Alden Oakes is invited to join a mysterious art commune in Arkham: the New Colony. When celebrated Spanish surrealist Juan Hugo Balthazarr visits the colony, Alden and the other artists quickly fall under his charismatic spell. Balthazarr throws a string of decadent parties for Arkham’s social elite, conjuring arcane illusions which blur the boundaries between nightmare and reality. Only slowly does Alden come to suspect that Balthazarr’s mock rituals are intended to break through those walls and free what lies beyond. Alden must act, but it might be too late.

When dissolute fisherman Abel Davenport discovers an ancient temple in the deep ocean, he under the influence of a long dead god. In his attempts to restore the god's cult, Abel unleashes a plague of twisted doppelgangers on Arkham. Horrified by the consequences, Davenport realizes that he alone cannot stop the monsters from resurrecting the Ancient One. Sometimes the only way to end one cult is to start another.

Countess Alessandra Zorzi, international adventurer and thief, arrives in Arkham pursuing an ancient body freshly exhumed from a mound in Oklahoma. Before she can steal it, another party beats her to it. During the resulting gunfight at the Miskatonic Museum, the countess makes eye contact with the petrified corpse and begins an adventure of discovery outside her wildest experiences. Now, caught between her mysterious client, the police, and a society of necrophagic connoisseurs, she finds herself on the trail of a resurrected mummy as well as the star-born terror gestating within it.

When Arkham Advertiser reporter Andy van Nortwick receives a mysterious film reel in the mail, with a simple note: "Maude Brion is very much alive!", he steps onto a path which will lead him to the brink of madness. Brion, the famous actress and film director, vanished a year ago on an ill-fated expedition into the Amazon rainforest, delving into the legend of the Spider Queen. Thrilled by the prospect of his big break, Nortwick swings the funds to launch a rescue mission. He gathers a team of explorers and a keen folklorist to bring back Brion and cement his reputation.

In the swirling sewers beneath Arkham, excavators uncover a crystalline formation that hints at dark events from the city's past. As the discovery makes headlines, so too does a series of bizarre murders. With no leads, the Arkham police are always one step behind. Acting on a hunch, down-on-his-luck former journalist Andy Van Nortwick reunites with adventurer Jake Williams and struggling filmmaker Maude Brion to unearth the truth. The trio know of the supernatural horrors that lurk beyond this world, and the reality haunts them.

In the swirling sewers beneath Arkham, excavators uncover a crystalline formation that hints at dark events from the city's past. As the discovery makes headlines, so too does a series of bizarre murders. With no leads, the Arkham police are always one step behind. Acting on a hunch, down-on-his-luck former journalist Andy Van Nortwick reunites with adventurer Jake Williams and struggling filmmaker Maude Brion to unearth the truth. The trio know of the supernatural horrors that lurk beyond this world, and the reality haunts them.

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

Celebrated treasure hunter Count Byron Khun de Prorok leads an expedition into the Libyan Desert in an attempt to find the lost tomb of Alexander the Great at the Temple of Jupiter Ammon. Can the Count succeed where countless others have failed, and recover one of history's greatest archeological finds? Or are some secrets buried with good reason, and those who seek them doomed to be met with madness and disaster?

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

The Cthulhu Mythos is one of the 20th century's most singularly recognizable literary creations. Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales.

LONDON, 1891. Elizabeth Whittle and William Grant enjoy scalping London’s bourgeoisie, taking on the personas of grand spiritist Cerulia Trent and her agent to connect the living and the dead. When a detective arrives, sniffing out fraud with a scientifically minded spiritualist society, the duo decides to take one last job before escaping to the continent. However, their final séance ends horrifically … and soon Lizzie isn’t Lizzie anymore.

Anyone familiar with H. P. Lovecraft's work knows of the Necronomicon, the black-magic grimoire he invented as a literary prop in his classic horror stories. There have been several attempts at creating this text, yet none stand up to Lovecraft's own descriptions of the Necronomicon...until now. Fans of Lovecraftian magic and occult fiction will delight in Donald Tyson's Necronomicon, based purely within Lovecraft's own fictional universe, the Cthulhu Mythos.

Horror is what Dan Law enjoys. He loves to read horror novels as a way to escape from his teaching job, from his loneliness, from the everyday dullness of life in Silver Lake. That’s what Dan lives for. When a new bookstore opens in town, every visitor receives a free book of their own. A book that tells their own personal story...a story they have to follow to the brutal end. As Silver Lake’s population descends into violent savagery, Dan finds he is no longer living for horror novels - he’s living inside one.

Neferata is besieged. To the east, the daemon prince Graunos gathers the legions of the Blood God, seeking to tear the Mortarch from her throne. To the south, Sigmar’s storm heralds the coming of the Anvils of the Heldenhammer, intent on pressing the God-King’s claim. All the while, an ancient enemy grows, hidden within Neferata’s lands. Never has her power seemed so fragile. But, within the dominion of bones, the Mortarch of Blood controls all, and even the champions of the Dark Gods will find themselves puppets in her schemes.