When concert pianist Vivienne Mourdant’s father dies, he leaves to her the care of a patient at Hurstwell Asylum. Vivienne had no idea the woman existed, and yet her portrait is shockingly familiar. When the asylum claims she was never a patient there, Vivienne is compelled to discover what happened to the figure she remembers from childhood dreams.

Focused on a career in medicine and not on romance, Willa Duvall is thrown slightly off course during the summer of 1865 when she discovers a never-opened love letter in a crack of her old writing desk. Compelled to find the passionate soul who penned it and the person who never received it, she takes a job as a nurse at the seaside Crestwicke Manor. Everyone at Crestwicke has feelings—mostly negative—about the man who wrote the letter, but he seems to have disappeared. With plenty of clues but few answers, Willa's search becomes even more complicated when she misplaces the letter.

Raina Bretton is a rag woman in London's East End when a handsome stranger appears in a dank alley and offers her a glittering smile and a chance for adventure. Rothburne Abbey has a unique position for her, one that will take her away from her hardscrabble life and give her a chance to be a lady. Things she could only dream of might be coming true. But some dreams turn out to be nightmares. Though Raina has traded squalor for silk and satin, something about the abbey is deeply unsettling.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most - and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina.

Newly returned from finishing school, Lady Juliette Thorndike is ready to debut in London society. Due to her years away, she hasn't spent much time with her parents, and sees them only as the flighty, dilettante couple the other nobles love. But when they disappear, she discovers she never really knew them at all. They've been living double lives as government spies-and they're only the latest in a long history of espionage that is the family's legacy.

As a young woman, Leah Penn-Leith fell hopelessly in love with Captain Fox Carnegie—the only irrational mark on her decidedly sensible life. Fox, unfortunately, did not return her regard. Their story should have ended there—Fox left for India and Leah returned home to Scotland to rear her much younger brothers. Twenty years later, Fox appears on Leah's doorstep—older, scarred, and world-weary—proposing a marriage of convenience between them.

In 1921, Marian Arnold, the heiress to a brewing baron’s empire, seeks solace in the glass butterfly house on her family’s Wisconsin estate as Prohibition and the deaths of her parents cast a long shadow over her shrinking world. When Marian’s sanctuary is invaded by nightmarish visions, she grapples with the line between hallucinations of things to come and malevolent forces at play in the present. With dead butterflies as the killer’s ominous signature, murders unfold at a steady pace. Marian, fearful she might be next, enlists the help of her childhood friend Felix.

Miss Gwendolyn Brinley accepted a temporary paid companion position for the Newport summer season, believing it would be a lark to spend the summer in America's most exclusive town. She suddenly finds her summer turning anything but amusing when her employer expects her to take over responsibilities as an assistant matchmaker. Tasked with the daunting prospect of attaining advantageous matches for her clients, Gwendolyn soon finds herself in the company of Mr. Walter Townsend, the catch of the Season, but a gentleman Gwendolyn finds beyond annoying.

The Home Office has asked Sir Bertrand Thorndike to head an investigation into stolen royal jewels. It's the perfect chance for Bertie to step out of his brother's long shadow. His superior, The Duke of Haverly, has a plan that makes him balk: in order to sell his cover, Bertie must play the part of a man looking for love, ready to reform his rakish ways. The duke is willing to let Bertie name his own investigative team, but his recommendation that the team include Philippa Cashel has Bertie on his guard. Does the duke-known for his behind-the-scenes machinations-have an ulterior motive?

As the beloved stepdaughter of the Earl of Castleton, Lady Mariah Lyons cherishes her home at Plumford Manor, but her idyllic world will be threatened when the estate passes to Cyril Lightbourne, a childhood friend she hasn’t seen or heard from in years. Once, Mariah dreamed their friendship would kindle into something more, but that was before she heard Cyril was courting the cruelhearted Lady Pearl. Now Mariah is willing to welcome him as a friend and pray he will be the heir her stepfather needs, but she’ll keep her heart locked safely away from anyone with such poor taste.

Hidden away in rural Devonshire, Phyllida Satterthwaite has always been considered more odd than beautiful. But in London, her oddity has made her a sensation. Far worse, it’s caught the eye of the sinister Duke of Moreland - a notorious art collector obsessed with acquiring one-of-a-kind treasures. To escape the duke’s clutches, she’s going to need a little help. Captain Arthur Heywood’s days of heroism are long past. Grievously injured in the Peninsular War, he can no longer walk unaided, let alone shoot a pistol. What use can he possibly be to a damsel in distress?

It's the most wonderful time of the year—for everyone except Starr Lewis. As if going home for the holidays jobless and single wasn't bad enough, she's dragged into a holiday season full of activities leading up to her sister's uber-romantic Christmas Eve wedding—to Starr's ex-boyfriend. But when her brother's best friend, Waylon Emmerson, attends their family Thanksgiving, she starts to wonder if maybe coming home for Christmas isn't so bad after all.

After eight years in India, Oxford's most eligible bachelor, Edmund Price, has come out of the shadows to run for Parliament and is in search of an Egyptologist to value a newly acquired collection. Expecting a renowned Oxford professor, Edmund instead finds himself entangled with Ami, the professor's determined daughter. As they delve into the treasures, their connection deepens, but trouble emerges when a golden griffin—rumored to bear the curse of Amentuk—surfaces, and they're left to wonder if the curse really is at play, or if something more nefarious is hiding among the shadows . . .

As a Victorian clergyman's daughter, Edith Worms has seen everything-until a mythical salamander tumbles out of the fireplace into her lap. When a letter arrives from estranged relatives, Edith is swept away to a crumbling gothic Abbey in the wilds of Yorkshire. Wormwood Abbey isn't just full of curious beasts and ancient family secrets: there's also a tall, dark, and entirely too handsome neighbor who is strangely reluctant for her to leave.

Much to her father's dismay, Miss Amelia Buxton aspires to become a spinster, just like her eccentric aunt. Growing up with parents who married for every reason but love, she has never seen a joyful marriage. When Amelia requests a summer trip to the legendary waters of Brighton, her father allows her the excursion, but with one requirement: She must return engaged, or agree to the proposal of the man of his choosing.

Seven years ago, a hidden betrayal scattered three young friends living in the shadow of the great Vanderbilt mansion. Now, when Biltmore Industries master weaver Lorna Blankenship is commissioned to create an original design for Cornelia Vanderbilt’s 1924 wedding, she panics knowing she doesn’t have the creativity needed. But there’s an elusive artisan in the Blue Ridge Mountains who could save her—if only she knew where to begin.

When Aurelie Harcourt's father dies in debtor's prison, he leaves her just two things: his wealthy family, whom she has never met, and his famous pen name, Nathaniel Droll. Her new family greets her with apathy and even resentment. Only the quiet houseguest, Silas Rotherham, welcomes her company. When Aurelie decides to complete her father's unfinished serial novel, she must keep her identity as Nathaniel Droll hidden while searching for the truth about her mother's disappearance - and perhaps even her father's death.

When concert pianist Vivienne Mourdant’s father dies, he leaves to her the care of a patient at Hurstwell Asylum. Vivienne had no idea the woman existed, and yet her portrait is shockingly familiar. When the asylum claims she was never a patient there, Vivienne is compelled to discover what happened to the figure she remembers from childhood dreams.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most - and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina.

A lonely young heiress becomes the poorest wealthy woman in Victorian England when her father dies without telling anyone where he hid his fortune. Can Tressa and the no-nonsense estate manager find the fortune before the greedy relatives get to it first? Tressa Harlowe's father did not trust banks, but neither did he trust his greedy extended family. He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it.

Raina Bretton is a rag woman in London's East End when a handsome stranger appears in a dank alley and offers her a glittering smile and a chance for adventure. Rothburne Abbey has a unique position for her, one that will take her away from her hardscrabble life and give her a chance to be a lady. Things she could only dream of might be coming true. But some dreams turn out to be nightmares. Though Raina has traded squalor for silk and satin, something about the abbey is deeply unsettling.

It is 1901 when clockmaker and brilliant tinker Sydney Forrester inherits Blakely House, the eclectic estate of an estranged uncle she's never met. The well-known but mysterious industrialist has left behind a stunning array of peculiar inventions—and a couple of nephews intent on removing this interloper from the estate. Convinced that Sydney has something to do with their uncle's death, the late master's nephews contest the will and work against their cousin at every turn.

When their father's death leaves them impoverished, Sarah Summers and her genteel sisters fear they will be forced to sell the house and separate to earn livelihoods as governesses or companions. Determined to stay together, Sarah convinces them to open their seaside home to guests to make ends meet and provide for their ailing mother. Instead of the elderly invalids they expect to receive, however, they find themselves hosting eligible gentlemen. Sarah is soon torn between a growing attraction to a mysterious Scottish widower and duty to her family.

Miss Clara Marie Stanton's family may be eccentric, but they certainly aren't insane. London, England, 1860: When Clara's ex-fiancé begins to spread rumors that her family suffers from hereditary insanity, it's all she can do to protect them from his desperate schemes, society's prejudice, and a lifetime in an asylum. Then Clara's grandfather Drosselmeyer brings on an apprentice with a mechanical leg, and all pretense of normalcy takes wing.

In 1921, Marian Arnold, the heiress to a brewing baron’s empire, seeks solace in the glass butterfly house on her family’s Wisconsin estate as Prohibition and the deaths of her parents cast a long shadow over her shrinking world. When Marian’s sanctuary is invaded by nightmarish visions, she grapples with the line between hallucinations of things to come and malevolent forces at play in the present. With dead butterflies as the killer’s ominous signature, murders unfold at a steady pace. Marian, fearful she might be next, enlists the help of her childhood friend Felix.