The Finality Problem (Dramatized Adaptation)
Warlock Holmes, Book 5
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By:
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G.S. Denning
About this listen
The famous duo has been split! Watson has been banished from Holmes's company. Despite the interference of his horrible wife, Mary, Watson tirelessly insinuates himself into every magical adventure he can.
Together, he and Holmes face a man with a twisted...everything, some very questionable juice-drinking Germans, Garrideb the Devourer and the estimable Irene Adler. Yet, nothing can prepare them for Moriarty's new form and the terrible moment they must face their Finality Problem at the edge of the Reichenbach Falls.
Performed by Scott McCormick, Eric Messner, Kimberly Gilbert, Patrick Bussink, Colleen Delany, John Kielty, Earl Fisher, Bradley Foster Smith, Christopher Graybill, Kay Eluvian, Jenna Sharpe, Chris Davenport, Todd Scofield, Stewart Crank, Wyn Delano, Peter Holdway, Joey Sourlis, Michael John Casey, Andrew Colford, Danny Gavigan, Mort Shelby, Rose Elizabeth Supan, Terence Aselford, Alex Hill-Knight, Torian Brackett, Lucy Symons, Jacob Yeh, Nora Achrati, Lolita Horne and Jillian Levine-Sisson.
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Two astronomers have detected a strange, pulsing signal from deep space. Within hours, the US government goes into lockdown, restricting airspace and scrubbing scientific data. Was the signal an intercepted communication revealing alarming plans for an enemy’s military strike? Or has humanity at long last found proof of extraterrestrial life?
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A great new twist on the “alien conspiracy” genre
- By Amazon Customer on 12-08-24
By: Eric Buchman, and others
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What listeners say about The Finality Problem (Dramatized Adaptation)
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- donielle ficca
- 07-28-22
Get the non-dramatized version of the book
I enjoy this series. The author has come up with some clever twists and turns to the original Sherlock Holmes to make it an fun, and interesting set of stories. The sound engineering on this dramatized version is BAD. I can only assume that they hired someone's son or niece to do the work as no actual audio engineer would do such a terrible job. They played LOUD, jaunty jazz while the narrator (whom I thought did a good job, what I could hear of it) was speaking about murder. If you must put music in there it should be quiet, a background to the narration and not drowning the words to unintelligibility.
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