The characters in Mary Miller's debut short story collection, Big World, are at once autonomous and lonesome, possessing both a longing to connect with those around them and a cynicism. Her writing is unapologetically honest and efficient, and the gut-wrenching directness of her prose is reminiscent of Mary Gaitskill and Courtney Eldridge - if Gaitskill's and Eldridge's stories were set in the South and reeked of spilled beer and cigarette smoke.

Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity of putting down roots.

In 1961, Sarah M. Broom’s mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. A book of great ambition, Sarah M. Broom’s The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America’s most mythologized cities.

Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle's death and has come to work at the powwow to honor his uncle's memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will perform in public for the very first time. There will be glorious communion and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss.

One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly - thus setting in motion the dissolution of their marriages and the joining of two families.

In late 2003, in his column in Entertainment Weekly, Stephen King called The Memory of Running "the best novel you won't read this year." This glowing endorsement of the audiobook resulted in Ron McLarty receiving a $2 million two-book deal from Viking Penguin. Also, Warner Brothers has shelled out big bucks for the movie rights to The Memory of Running, for which McLarty will write the script.

After 27 years of marriage and three children, Anna Oh - wife, mother, outsider artist - has fallen in love with Viveca, the wealthy Manhattan art dealer who orchestrated her success. They plan to wed in the Oh family’s hometown of Three Rivers in Connecticut. But the wedding provokes some very mixed reactions and opens a Pandora’s Box of toxic secrets - dark and painful truths that have festered below the surface of the Ohs' lives.

Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.

In The Beach Club, the juicy first novel by Elin Hilderbrand, a series of personal dramas are played out during one summer at a Nantucket Beach Club. It's about the love of summer, summer love, and the special feelings we all have for that special summer place—in this case, a hotel and an island.

They are five kids with five different fathers and an alcoholic mother who leaves them to fend for themselves for weeks at a time. Yet through it all, they have each other. Rosie, the youngest, is fawned over and shielded by her older sister, Regina. Their mother, Cookie, blows in and out of their lives "like a hurricane, blind and uncaring to everything in her path". But when Regina emancipates herself as a minor and escapes, her siblings are separated.

This magisterial collection of short works by Nobel Prize-winning author William Faulkner reminds listeners of his ability to compress his epic vision into narratives as hard and wounding as bullets. Among the 42 selections in this audiobook are such classics as "A Bear Hunt", "A Rose for Emily", "Two Soldiers", and "The Brooch".

There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.

When Beatrice Trixie Jordan replies to a personal ad, she meets Jacob Grace, a charming, effervescent 30-something free-spirit writer passionately seeking life. He possesses his own turns of phrase and ways of thinking and feeling that dissonantly harmonize with Trixie's off-center vision. As they rollercoaster through the joys and furies of their wrenching romance, they try to come to terms with the hurt brought about by both of their distant fathers who, in different ways, forsook them.

Addie Downs and Valerie Adler will be best friends forever. That’s what Addie believes after Valerie moves across the street when they’re both nine years old. But in their teenage years, Val is swept into the popular crowd. Flash-forward 15 years. Addie Downs lives alone in her parents’ house, caring for a troubled brother and trying to meet Prince Charming on the Internet. she opens her door to find her long-gone best friend standing there, a terrified look on her face and blood on the sleeve of her coat.

Luttie McFee's history has taught her to avoid attachments...to people, to places, and to almost everything. With her mother long dead and her father long gone to find his fortune in Las Vegas, 15-year-old Luttie lives in the god-forsaken town of Yankton, South Dakota, with her nine-year-old brother, Fate, and Floy Satterfield, the 300-pound ex-girlfriend of her father.

After grad school, Shay Dixon feels like she's had enough for awhile. Inspired by her spiritual adviser - a soul-soothing blues player named Nina Simon - Shay calls her estranged mother Nona for the first time in years, and shocks herself by asking if it would be okay to come home for a while.

There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.

When Beatrice Trixie Jordan replies to a personal ad, she meets Jacob Grace, a charming, effervescent 30-something free-spirit writer passionately seeking life. He possesses his own turns of phrase and ways of thinking and feeling that dissonantly harmonize with Trixie's off-center vision. As they rollercoaster through the joys and furies of their wrenching romance, they try to come to terms with the hurt brought about by both of their distant fathers who, in different ways, forsook them.

Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.

By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form.

In Lydia Kiesling's razor-sharp debut novel, The Golden State, we accompany Daphne, a young mother on the edge of a breakdown, as she flees her sensible but strained life in San Francisco for the high desert of Altavista with her toddler Honey. Bucking under the weight of being a single parent - her Turkish husband is unable to return to the United States because of a "processing error" - Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity.

In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness - and the allure - of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters.

In her tour-de-force first novel, Juliann Garey takes us inside the restless mind, ravaged heart, and anguished soul of Greyson Todd, a successful Hollywood studio executive who leaves his wife and young daughter and for a decade travels the world giving free reign to the bipolar disorder he's been forced to keep hidden for almost 20 years.

What if the one person you can't bear to be with is also the one person you can't bear to be without? Jamie McClintock is a free-spirited artist and single mother who has at last found peace and freedom sharing a farmhouse with an elderly man and his young grandson. But when the old man dies suddenly her idyllic country life comes to a halt as the old man's estranged son, Nate, returns to claim the house and his child.

Set in contemporary Louisville, Leesa Cross-Smith's mesmerizing first novel surrounding the death of a police officer is a requiem for marriage, friendship, and family, from an author Roxane Gay has called "a consummate storyteller". Evi - a classically-trained ballerina - was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon's adopted brother Dalton has moved in to help her raise six-month-old Noah.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

Margo is not like other girls. She lives in a derelict neighborhood called the Bone, in a cursed house, with her cursed mother, who hasn't spoken to her in over two years. She lives her days feeling invisible. It's not until she develops a friendship with her wheelchair-bound neighbor, Judah Grant, that things begin to change. When a neighborhood girl, seven-year-old Neveah Anthony, goes missing, Judah sets out to help Margo uncover what happened to her. What Margo finds changes her, and with a new perspective on life she's determined to find evil and punish it.

Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at a local diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.

Cecilia Ross is looking for a change. She has decided to take time off from her job as a successful motivational speaker and sell her home. She moves in to a beautiful old house in St. Paul, Minnesota, complete with a big front porch, a wild garden, a chef's kitchen - and three roommates. The four women are different ages, but all are feeling restless, and want to take a roadtrip to find the people and things they miss.

Everything about 15-year-old Cat's new town in rural Michigan is lonely and off-kilter until she meets her neighbor, the manic, beautiful, pill-popping Marlena. Cat, inexperienced and desperate for connection, is quickly lured into Marlena's orbit by little more than an arched eyebrow and a shake of white-blond hair. As the two girls turn the untamed landscape of their desolate small town into a kind of playground, Cat catalogues a litany of firsts - first drink, first cigarette, first kiss - while Marlena's habits harden and calcify.