The Lookback Window
A Novel
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Narrated by:
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Graham Halstead
About this listen
New York Times Editors’ Choice
Vanity Fair's 20 Favorite Books of 2023
Debutiful Best Book of the Year
Crimereads Best Debut of August
“Hertz has managed to tell a story of queer healing with all the narrative force of a thriller and the searing fury of an indictment.” —The New York Times Book Review
A fearless debut novel of resilience, transcendence, and the elusive promise of justice.
Brooklyn, 2019. Dylan has lived through the unfathomable: three years as a victim of sex trafficking as a teen. Now years later—long after a police investigation that went nowhere with the domestic life he built to survive—the Child Victims Act opens up a way forward: a one-year window to sue past abusers, but once the lookback window starts, Dylan seeks answers everywhere: in the druggy reveries of Fire Island to the love-drunk strangers of summer nights downtown and the lawyers who watch over the park, finally emerging from an erotic and violent spiral with a new clarity of purpose: a righteous determination to gaze, unflinching, upon the brutal men whose faces have haunted him for a decade, and to extract justice on his own terms.
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Critic reviews
"Hertz has managed to tell a story of queer healing with all the narrative force of a thriller and the searing fury of an indictment. It’s an achievement of language, of style, in which the process of finding one’s way back to the world is considered at least in part as an act of learning to 'speak the unspeakable.' It’s a matter, Hertz seems to say, of finding the right words.... At his best, Hertz sheds the trappings of traditional realism, adopting instead a swerving, almost psychedelic style that mirrors the abrupt and mercurial perceptions of a turbulent mind. He follows the worthy example of writers like Jean Rhys, Gary Indiana and Denis Johnson." —The New York Times Book Review
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Story
It's been said that all great literature boils down to one of two stories—a man takes a journey, or a stranger comes to town. While mystery writers have been successfully using both approaches for generations, there's something undeniably alluring in the nature of a stranger: the uninvited guest, the unacquainted neighbor, the fish out of water. In the newest collection of stories by the Mystery Writers of America, each author weaves a fresh tale surrounding the eerie feeling that comes when a stranger enters our midst, featuring stories by prolific mystery writers.
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The narrators are outstanding here.
- By Jennifer Baratta She/Her on 05-16-21
By: Michael Koryta
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Love and Theft
- A Novel
- By: Stan Parish
- Narrated by: Angelo Di Loreto
- Length: 7 hrs and 21 mins
- Unabridged
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When Alex and Diane meet, there are instant, undeniable sparks. Both are single parents living in wealthy suburbia: independent, highly competent, and seemingly settled in their comfortable lives. She runs a successful catering business. He's a detail-oriented, rough-hewn thief who robs banks, casinos, and jewelry stores. They're immediately drawn to each other, but neither realizes initially that their lives have overlapped once before, under dangerous circumstances. Soon their shared history and burgeoning relationship will threaten everything they love.
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At the top of my list of favorites
- By Victor V. Cachia on 09-29-20
By: Stan Parish
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Reprieve
- A Novel
- By: James Han Mattson
- Narrated by: JD Jackson
- Length: 12 hrs and 16 mins
- Unabridged
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On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize - a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.
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creepy escape room story
- By Barbara S on 11-18-21
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He Came in with It
- A Portrait of Motherhood and Madness
- By: Miriam Feldman
- Narrated by: Ann Richardson
- Length: 11 hrs and 4 mins
- Unabridged
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In an idyllic Los Angeles neighborhood, where generations enjoy deep roots in old homes, the O’Rourke family fits right in. Miriam and Craig are both artists and their four children carry on the legacy. When their teenage son, Nick, is diagnosed with schizophrenia, a tumultuous decade ensues in which the family careens off the conventional course. Like the 10 Biblical plagues, they are hit by one catastrophe after another: violence, evictions, arrests, a suicide attempt, a near-drowning - even cancer and a brain tumor - play against the backdrop of a wild teenage bacchanal.
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So Beautifully Written
- By Michael on 08-01-22
By: Miriam Feldman
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Three-Fifths
- By: John Vercher
- Narrated by: J. D. Jackson
- Length: 7 hrs and 13 mins
- Unabridged
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Pittsburgh, 1995. The son of a black father he’s never known and a white mother he sometimes wishes he didn’t, 22-year-old Bobby Saraceno is passing for white. Raised by his bigoted maternal grandfather, Bobby has hidden his truth from everyone, even his best friend and fellow comic-book geek, Aaron, who has just returned home from prison a hardened racist.
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Good BUT not as good as it sounded
- By jaymie thomas on 12-13-19
By: John Vercher
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My Body
- By: Emily Ratajkowski
- Narrated by: Emily Ratajkowski
- Length: 5 hrs and 16 mins
- Unabridged
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Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age 21, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book.
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so vain..
- By Emily Valdez on 01-10-22
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Point B
- A Teleportation Love Story
- By: Drew Magary
- Narrated by: Rebecca Soler
- Length: 15 hrs and 19 mins
- Unabridged
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When the corporate monolith PortSys brought porting to the masses, CEO Emilia Kirsch and her son, Jason, accomplished what every other start-up company had failed to deliver. They really did change the world. They reversed climate change. They created a multitrillion-dollar industry out of thin air, curing economic woes across the globe. They made it so that anyone could be anywhere simply by touching a screen...including the man who murdered Sarah Huff. Now, Sarah’s 17-year-old sister, Anna, is determined to hunt the bastard down. But there are a few problems.
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Sherry Potter’s only got one spell: portkey
- By aaron gilbert on 11-02-20
By: Drew Magary
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We Begin at the End
- By: Chris Whitaker
- Narrated by: George Newbern
- Length: 10 hrs and 30 mins
- Unabridged
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Duchess Day Radley is a 13-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother.
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Horrible narrator in this audible book
- By M. patton on 03-03-21
By: Chris Whitaker
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The Other Woman
- By: Eric Jerome Dickey
- Narrated by: Machelle Williams
- Length: 9 hrs and 37 mins
- Unabridged
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Eric Jerome Dickey strides boldly over the minefield that is modern marriage. The central couple's biggest challenge is timing: He works days; she works nights. Instead of growing together, they're rapidly drifting apart, coexisting on stolen phone calls from work, punctuated by occasional bedroom encounters that leave them both feeling even emptier and more alone. When she finds out about his affair - and starts her own - the delicate fabric of their marriage is torn irrevocably asunder. Or is it?
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Boring narrator
- By Nea Igess on 07-21-19
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Before We Were Wicked
- By: Eric Jerome Dickey
- Narrated by: Dion Graham
- Length: 9 hrs and 46 mins
- Unabridged
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They say the love of money is the root of all evil, but for Ken Swift, it's the love of a woman. Ken is 21, hurting people for cash to try to pay his way through college, when he lays eyes on Jimi Lee, the woman who will change the course of his entire life. What's meant to be a one-night stand with the Harvard-bound beauty turns into an explosion of sexual chemistry that neither can quit. And when Jimi Lee becomes pregnant, their two very different worlds collide in ways they never could have anticipated.
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Mixed feelings on this one
- By Av8ist on 07-28-19
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Permanent Midnight
- A Memoir (20th Anniversary Edition)
- By: Jerry Stahl, Nic Sheff - foreword
- Narrated by: Jerry Stahl, Scott Merriman
- Length: 11 hrs and 43 mins
- Unabridged
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A searing confessional infused with the darkest humor, Permanent Midnight chronicles the opiated abyss of a Hollywood screenwriter and his formidable climb into sobriety. Made into a major motion picture starring Ben Stiller and Owen Wilson, Permanent Midnight is revered by critics and an ever-growing cult of devoted fans as one of the most compelling contemporary memoirs.
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Point deduction for the recording
- By Amazon Customer on 11-21-20
By: Jerry Stahl, and others
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Missing Parts
- By: Lucinda Berry
- Narrated by: Abby Craden
- Length: 6 hrs and 43 mins
- Unabridged
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Growing up abandoned by her father and raised by a single mother, Celeste was determined to create the perfect family - but even perfect families have secrets. Her days are filled with a rewarding career, a devoted husband, and her four-year-old daughter. Celeste is the only one who knows the precarious house of cards her family is built upon - until the day her daughter falls critically ill. Then her world quickly spirals out of control, her secret threatening to destroy her marriage, family, reputation, and sanity.
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SPOILER ALERT. Sigh...
- By Kelly on 10-08-20
By: Lucinda Berry
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Too Bright to Hear Too Loud to See
- By: Juliann Garey
- Narrated by: Dan Butler
- Length: 11 hrs and 7 mins
- Unabridged
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In her tour-de-force first novel, Juliann Garey takes us inside the restless mind, ravaged heart, and anguished soul of Greyson Todd, a successful Hollywood studio executive who leaves his wife and young daughter and for a decade travels the world giving free reign to the bipolar disorder he's been forced to keep hidden for almost 20 years.
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Psychosis or Syphilis?
- By Vira on 04-02-13
By: Juliann Garey
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You Can Go Home Now
- A Novel
- By: Michael Elias
- Narrated by: Sophie Amoss
- Length: 7 hrs and 41 mins
- Unabridged
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Nina is a tough Queens detective with a series of cold-case homicides on her desk - men whose widows had the same alibi: They were living in Artemis, a battered women’s shelter, when their husbands were killed. Nina goes undercover into Artemis. Though she is playing the victim, she’s anything but. Nina knows about violence and the bullies who rely on it because she’s experienced it in her own life.
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Excellent Suspense!
- By shelley on 06-30-20
By: Michael Elias
What listeners say about The Lookback Window
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tedd Adams
- 10-12-23
Not bad, but know what you're getting
The overall story was better than average. Fairly well developed characters and a clear plotline. But be warned...the elements of this story are extremely disturbing and graphic. It was almost too much at times. Most bothersome is that the author seemed to relish in the most horrific depictions of child exploitation. The story could have held its own without devolving into borderline child pornography.
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- Amazon Customer
- 10-10-23
TOUGH SUBJECT POORLY COVERED
In a recent review, the "NY Times" called this book "A gripping and savagely beautiful debut novel." I had decided to read Hertz's book after reading a more recent review in the weekend edition of the paper same paper (the quote in this sentence comes from a separate review by Eric Lee published online on AUG 1). Deciding to read the book in the first place was a big deal for me; the trepidation came from having been sexual abuse victim as a child myself. In my case, the abuse lasted for two years at the hands two separate members of the Catholic clergy. With that in mind, I was neither impressed nor "gripped" by this so-called "beautiful" novel. The emotions and raw feelings Hertz enumerates in the book are real, and no doubt cathartic. As victims of rape, molestation, serial abuse, and severe sexual violence, each of us who manage to survive into adulthood carry around heaping tons of scar tissue we must learn to live with (or...not). I'm quite sure that the self-abuse that follows survivors (e.g., drug and alcohol abuse/dependence, sexual promiscuity, inability to maintain healthy relationships)(which Hertz details in massive doses throughout the book) will resonate with everyone who has either experienced sexual abuse themselves or has observed these behaviors themselves as the loved-one of an abuse victim. In that sense (alone), "The Lookback Window" is of significant value in its breathtakingly brutal honesty of what abuse of this kind does to the human species. What I found disturbing about the book is its graphicness; while told from the slant of a sexual abuse victim, it is nonetheless gay pornography. After reading it, I'm not sure I understand why the author had to provide so much detail about his adult sexual encounters, but offers comparatively little detail about the actual abuse he encountered as a child/teenager. While I applaud Mr. Hertz's willingness to take this very, very difficult subject on (especially through the lens of his own experiences), I was disappointed by the author's need to simultaneously put in so much raw sexual detail. At the. end of the day I'm not sure how it actually contributes to an otherwise important accounting of this pervasive behavior towards children in our society.
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- CWPLAY
- 10-16-23
A Waste of Time
All the explicit sex became really boring. I couldn’t identify with any of the characters or their feelings. It shouldn’t have been recommended by the New York Times. I now question their judgment.
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