The Modern Scholar: Detective Fiction
From Victorian Sleuths to the Present
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Narrated by:
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Professor M. Lee Alexander
About this listen
From mysterious origins through the Victorian sleuths and the "Golden Age" of the genre (the 1920s through the 1940s) and to the present day, detective fiction, mysteries, and spy thrillers have consistently topped best-seller lists around the world.
Professor M. Lee Alexander provides listeners with a lively discussion of groundbreaking authors from Edgar Allan Poe and Arthur Conan Doyle to Agatha Christie, Ian Fleming, and modern writers such as Nevada Barr and Jonathan Kellerman.
Download the accompanying reference guide.©2010 M. Lee Alexander (P)2010 Recorded Books, LLCRelated to this topic
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intriguing but skip if triggered by child abuse
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Story
When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.
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I’d skip this one. It’s well voiced and you think it may be interesting , but not this one .
- By The Dark Side on 11-01-24
By: Kathryn Croft
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The Grandmother
- By: Jane E. James
- Narrated by: Anna Cordell, Max Dinnen
- Length: 8 hrs and 39 mins
- Unabridged
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Overall
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Performance
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Story
Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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By: Jane E. James
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Verity
- By: Colleen Hoover
- Narrated by: Vanessa Johansson, Amy Landon
- Length: 8 hrs and 10 mins
- Unabridged
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Overall
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Performance
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Story
Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.
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intriguing but skip if triggered by child abuse
- By Amazon Customer on 05-16-19
By: Colleen Hoover
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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Overall
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Performance
-
Story
After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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By: James Patterson, and others
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- Narrated by: Katie Clarkson-Hill
- Length: 11 hrs and 26 mins
- Unabridged
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Overall
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Performance
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Story
Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.
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Overall
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This was such a fun Quick listen
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England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.
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It’s a perfect audible movie!
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My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.
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Disappointing plot
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A ferrari with no motor
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Too bizarre for someone who loves bizarre
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What listeners say about The Modern Scholar: Detective Fiction
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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Performance
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- Kindle Customer
- 02-05-15
A Decent Course But Not Outstanding
What did you like best about The Modern Scholar: Detective Fiction? What did you like least?
The great number of new authors and sub-genres I need to check out. This was the best part of the course.
The part I liked least was Professor Alexander's presentation. She was rather monotone in delivery and repetitive at some points.
Would you recommend The Modern Scholar: Detective Fiction to your friends? Why or why not?
I probably wouldn't recommend it unless someone was really into detective fiction.
Would you listen to another book narrated by M. Lee Alexander?
It would depend on the topic.
Did The Modern Scholar: Detective Fiction inspire you to do anything?
I'm inspired to spend more time on Amazon searching out some of the authors and sub-genres Prof. Alexander mentioned.
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Overall
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Performance
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- N. Polson
- 06-30-15
Listen in double time!
Great review and history of this literary genre, but the professor was very obviously reading the entire lecture and kept taking long pauses between sentences, pages? It was kind of like listening to someone who had never studied the subject, but was just filling in. But I now have many book recommendations, so all's well.
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Overall
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Performance
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Story
- Carole T.
- 09-05-12
Depends on What You Want
There's a lot of information in this set of lectures. It offers an exhaustive list of writers and their works throughout the history of the mystery genre. However, there's not much of critical analysis or insight about authors or books. If you want and expect, as I did, a defense of the mystery as more than a second-rate step-child in the field of Literature, you won't find it.
If, however, you appreciate a long listing of suggestions for reading mystery and detective fiction, this is a valuable tool. But you'll have to put up with a lot of very long . . . . . pauses! As other reviewers have noted, M. Lee Alexander presents this as though her audience were very slowly writing down every word and every sentence. It can be annoying (and you'll occasionally check your device to see if it's still working!).
Unarguably, Alexander knows her stuff, and it's wonderful to be reminded of some of the great old names in mystery fiction, like Mary Roberts Rhinehart, Patricia Wentworth, Josephine Tey (and lots of male authors, too). This course will send me back to some old favorites and has introduced me to some new and old series to try.
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10 people found this helpful
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Overall
- Art Grrrl
- 01-08-11
It's A Schlolarly Lecture On Detective Fiction
Professor Alexander's course is very thorough, and she seems to be passionate about the subject. But she is an academic giving a lecture. She pauses quite frequently, Her rhythm is not that of a professional actress reading a book but that of a lecturer speaking from an outline. I assume that her students (who are furiously scrbbling notes) appreciate the frequent pauses. This audio "book" is therefore not as polished as an Agatha Christie audiobook, but it is extremely worthwhile. Her rhythm was initially a little jarring, but the information is very good. I've listened to it several times now, there's so much in it. I recommend it.
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8 people found this helpful
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Overall
- Esmeralda
- 10-15-10
Badly directed overview of dective fiction
The Modern Scholar series normally provides a wonderful listen because of the academic analysis in easy to understand English. Generally, the professor herself does the reading. Though professors are clearly not professional narrators, the content usually more than compensates for this deficiency. Not this time, however. It takes M. Lee Alexander until chapter 11 before her narration comes up to speed, without far too long pauses on the wrong moments, slips of the tongue that were not edited out, starting every other sentence with 'And', combined with 'so' in the other half of the sentences. In short: the direction and editing is not up to standard and really distract from the content. Although you don't need to buy this audio book if you are looking for an in depth scholarly analysis of detective fiction. 90% of the audio book is taken up by spelling out the content of detective novels and short stories. Categories such as cosy, hard-boiled and international will not make you see detective fiction in exiting new ways. Buy it if you are looking for a very good overview of English language detectives to put on your reading list. Do not buy it if you are interested in exiting new academic insights with respect to detective fiction. And certainly don't buy it if you are easily distracted by bad narration.
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11 people found this helpful
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Overall
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- Canarylampshade
- 01-14-14
Very disappointed
What could have made this a 4 or 5-star listening experience for you?
Fact checking. The professor made a number of errors regarding authors whose work I know well -- leading me to lose interest in her lectures on those authors whose work I don't know a lot about.
What was most disappointing about M. Lee Alexander’s story?
Not a strong academic lecture at all.
What aspect of M. Lee Alexander’s performance would you have changed?
Again, it was not appropriately researched, the number of errors led the whole book to be a disappointment for me.
Any additional comments?
Bummer. I've 2 other Modern Scholar titles -- one on WWI, the other on the Paris peace talks. I trust Margaret MacMillan, but now am leery about the other titles. I won't be buying more.
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3 people found this helpful