The Player of Games
Culture Series, Book 2
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Narrated by:
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Peter Kenny
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By:
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Iain M. Banks
About this listen
The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre.
The Culture - a utopian human-machine symbiotic society - has thrown up many expert Game Players, and one of the greatest is Jernau Morat Gurgeh. He is Master of every board, computer and strategy - he is The Player of Games.
Bored with success, Gurgeh travels to the cruel and incredibly wealthy Empire of Azad to try their infamous game . . . a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh plays the game, and faces the challenge of his life - and very possibly his death.
The Culture series:
Consider Phlebas
The Player of Games
Use of Weapons
Excession
Inversions
Look to Windward
Matter
Surface Detail
The Hydrogen Sonata
The State of the Art
Other books by Iain M. Banks:
Against a Dark Background
Feersum Endjinn
The Algebraist
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Three remarkable journeys into the stars: Worlds of Exile and Illusion includes Rocannon's World, Planet of Exile, and City of Illusions. These three spacefaring adventures mark the beginning of grand master Ursula K. Le Guin’s remarkable career. Set in the same universe as Le Guin’s groundbreaking classics The Left Hand of Darkness and The Dispossessed, these first three books of the celebrated Hainish series follow travelers of many worlds and civilizations in the depths of space.
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The Algebraist
- Culture
- By: Iain M. Banks
- Narrated by: Peter Kenny
- Length: 19 hrs and 21 mins
- Unabridged
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It is 4034 AD. Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year.
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Surprisingly meh
- By Ryan on 05-19-24
By: Iain M. Banks
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Revelation Space
- By: Alastair Reynolds
- Narrated by: John Lee
- Length: 22 hrs and 12 mins
- Unabridged
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Nine hundred thousand years ago, something annihilated the Amarantin civilization just as it was on the verge of discovering space flight. Now one scientist, Dan Sylveste, will stop at nothing to solve the Amarantin riddle before ancient history repeats itself. With no other resources at his disposal, Sylveste forges a dangerous alliance with the cyborg crew of the starship Nostalgia for Infinity. But as he closes in on the secret, a killer closes in on him because the Amarantin were destroyed for a reason.
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Defeated
- By Eoin on 07-15-12
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Ubik
- By: Philip K. Dick
- Narrated by: Luke Daniels
- Length: 7 hrs and 56 mins
- Unabridged
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Glen Runciter runs a lucrative business - deploying his teams of anti-psychics to corporate clients who want privacy and security from psychic spies. But when he and his top team are ambushed by a rival, he is gravely injured and placed in "half-life," a dreamlike state of suspended animation. Soon, though, the surviving members of the team begin experiencing some strange phenomena, such as Runciter's face appearing on coins and the world seeming to move backward in time.
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Holy sh*t
- By Amazon Customer on 03-17-17
By: Philip K. Dick
What listeners say about The Player of Games
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- toby Perry
- 12-16-24
outstanding sci-fi
just brilliant like all his books. Peter Kenney IS the voice of culture books.
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- Parviainen Tuure
- 04-21-18
Great book, great voice acting!
Great, but some high pitched voice acting was slightly annoying. The book tells the tale of player who gets involved in a game that suprises by its many layers. An timeless classic!
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- Ronan Joseph
- 09-23-16
interesting story with a gripping climax
the story does a great job of engaging the reader throughout, and the narrator really makes it come to life.
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- Hopeypooze
- 06-23-23
great performance
this is probably the third time I've 'read' POG. the protagonist is not very likeable or remarkable. the drones and the minds are way more personable and sympathetic, which is probably the point. the older I get, the harder this book hits.
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- Jacobus
- 01-03-11
A Worthwhile listen
I thoroughly enjoyed, Peter Kenny's rendition of Iain M. Banks' "The Player of Games." Kenny's interpretation, especially his unbelievable mimicking of different drone-like voices, brought the book to life.
"Consider Phlebas," the first Culture novel where man and machine lives in a symbiotic relationship, is in my view, only an introduction to the background aspects necessary to understand this book.
The main character, Gergey, an over comfortable citizen of the Culture, is given a chance to get his cage rattled by playing the game of his life! But like the mysterious narrator tells you in the beginning, it is a story about a battle that was not a battle and a game that turned out not to be a game.
While going with Gergey on this "rollercoaster ride," experiencing how he comes to life, experience emotions he has never felt before, something at the back of the listener's mind keeps on gnawing at you, "Who is this mysterious narrator?" The book plays its own game with you, the question is, will you win or it.
This book comes highly recommended.
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4 people found this helpful
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- Guillaume de Shanghai
- 06-03-16
Entertaining sci-fi story and world!
This story is set in an intriguing and fascinating world (Culture). It gives exciting perspectives on our own society!
The narrator did a great job, making all the characters vivid through convincing and diverse voices.
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- Michael
- 09-02-20
When Online Gaming Gets a Little Tedious...
Life is full of moves, like chess, like cluedo, like a spectacular round of who dunnit. In The Player of Games, Iain Banks gives yet another virtuoso lesson in the art of entertainment and engineering. A beautifully crafted novel which will be around long after you and I are dust in the wind. Peter Kenny's narration is a treat too. Be it Male, female, robot or sadist...he's got it. Worth every minute you invest into it.
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- Jefferson
- 03-22-15
"All reality is a game"
In Iain M. Banks' second Culture novel, The Player of Games (1988), a playful narrator tells the story of Jernau Morat Gurgeh, a jaded 60-year old master game player living in the Culture, a vast interstellar civilization that appears to be something of a utopia. If anything can be said to run such a sprawling and creatively anarchic civilization that solved interstellar travel over 11,000 years ago, the Culture is run by its AI "Minds," spaceships that give themselves clever names like Cargo Cult, Little Rascal, So Much for Subtlety, Of Course I Still Love You, Kiss My Ass, and Just Read the Instructions, and range from modest military models to vast habitats accommodating billions of people. Thanks to the Minds and to the Culture's advanced technology and virtually unlimited access to resources, every humanoid or sentient drone living on one of its many worlds, orbitals, or ships can get or make or do or be anything he or she wants, there is no poverty, disease, money, blackmail, crime, or sexual or racial discrimination, people can change genders and safely "gland" (manufacture at will within their own bodies) any drug as often as they like, fatal accidents are rare, life-spans are long (people in their thirties seem like "toddlers" to people in their 100s), information is mostly free, and everyone is theoretically safe and fulfilled.
The problem, then, for Gurgeh is that he is probably the best games player in the Culture, which, when added to the safety and comfort of his milieu, has led to his having become disaffected by games (and life) played without stakes other than prestige. Sure he cares about that and feels that winning is better than sex or any "glanding," but really, according to Chamlis, a 4,000+ year old drone friend of the family, Gurgeh is at heart a gambler, and "a true gambler needs threat of real loss and danger to feel alive." Thus when Chamlis says that the best Minds of the Culture are in Contact, where they tend to operate like gamblers while seeking out and dealing with new civilizations, Gurgeh perks up a bit.
And the main movement of the novel depicts Gurgeh's five-year Contact mission to master a game called Azad as he travels to a far off Empire called Azad to play. The Empire is an interstellar one founded upon obsolete things like exploitation, ownership, domination, competition, military might, media control, sexual discrimination, and basically everything the Culture opposes. And Azad the game is what holds it all together. The game is a complex affair played for weeks if not months with vast, multiple boards consisting of varied types of terrain, partially sentient pieces with minds of their own, resource and other cards, and complex rules and strategies that most Azadians spend their whole lives learning. The Azadians are also wont to wager on the game mutilation and incarceration and such. For the Azadians the game replicates the complexity of reality and is thus the means by which they earn the right to hold high government offices (including emperor). Will Gurgeh be able to learn the game well enough to compete with the locals? And how will playing the game affect his nature as a member of the Culture? And if he does somehow manage to do well, how will the xenophobic Azadians accept it? For that matter, does the Culture want him to fail or succeed? Banks never quite explains the rules in detail, but does depict Gurgeh researching the game, practicing with his Contact spaceship, and eventually playing against Azadian opponents in momentum changing, surprising, and gripping ways.
As in all his Culture novels, here Banks displays a fertile imagination, reveling in creating awesome things like the Fire World, a planet on which an entire ecosystem has evolved around a vast field of fire that traverses the world once a month. As in all his Culture novels, here Banks explores interesting ideas like the ways in which games and languages reflect culture and reality and change your mindset, etc., and the relative values of societies based on competition or cooperation, and so on. Banks is quite good at doing what the best sf does: using fantastic technology and environments and civilizations etc. to explore the way we live right now. He uses the tri-gendered Azad culture, with all its sexual bias, to make us think about our own bi-gendered cultures, and he uses the Culture to make us think about our own competition-driven, success-oriented, resource-wasting, environment-polluting, poverty-exacerbating cultures.
And Banks does all that with a clean, cool prose. A millennia-old drone floats up an elevator shaft instead of using the elevator car with a "geriatric precosity." Gurgeh experiences culture-shock "as though the city, the planet, the whole Empire swirled around him in a frantic spinning tangle of nightmare shapes; a constellation of suffering and anguish, an infernal dance of agony and mutilation." The Emperor absorbs some bad news "At the top of the high tower . . . seemingly locked into the stone like a pale statue or a small tree born of an errant seed. The wind from the east freshened, tugging at the stationary figure's dark clothes and howling around the dark bright castle, tearing at the canopy of swaying cinderbuds with a noise like the sea."
Audiobook reader Peter Kenny does a fine job. I especially enjoyed his drone and ship voices, differentiated so as to evoke their different personalities: avuncular drone Chamlis, snarky American renegade drone Mawhrin-Skel, prissy library drone Flere-Imsaho, Indian warship the Limiting Factor, etc.
Fans of elegant, imaginative, philosophical, and political space-opera flavored by plenty of wit and bite should enjoy The Player of Games.
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2 people found this helpful
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- Anonymous User
- 04-28-17
excellent story with an unexpected twist
i was kept in the dark for the whole time not knowing what to expect in the end but indeed wasnt disappointed with the ending. the start of the story is a bit slow but once the motion starts rolling I began to engross into it.
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- Salla
- 11-12-20
Slightly predictable, but definitely entertaining!
The voice acting was absolutely spot on. The book has some slightly sluggish parts, but the voice acting makes up for it.
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