Zahra Starling and her younger half sister, Aurora, have nothing in common. Not their childhoods or their personalities. And certainly not their outlooks. After a terrible loss, Zahra prefers the solitude of her LA kitchen to people, especially family. Bubbly Aurora, a rising Hollywood starlet, has everything she’s ever dreamed of, except a relationship with her sister. Then comes a plea from their dying father, who wants both daughters by his side. He has a secret to share that’s been a long time coming.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever—if only they could trust each other.

The newly nameless narrator of Make Sure You Die Screaming has rejected the gender binary, has flamed out with a vengeance at their corporate gig, is most likely brain damaged from a major tussle with their now ex-boyfriend, and is on a bender to end all benders. A call from their mother with the news that their MAGA-friendly, conspiracy-theorist father has gone missing launches the narrator from Chicago to deep red Arkansas in a stolen car.

Widow Mimi lives on idyllic Mackinac Island, where cars are not allowed and a Gibson martini with three onions at the witching hour is compulsory. Her estranged granddaughter, Addie, is getting over the heartbreak of not only being dumped by her fiancé, Brian, but also being cut out of the deal for the brilliantly successful video game Murderscape they invented together (with Addie doing most of the heavy lifting).

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

It’s 1980s California, and everyone’s dreaming of the endless summer: sun-drenched beaches, infinite waves, and most of all, beautiful, beautiful freedom. For the Merrick siblings, this idyllic vision is their reality, as they travel up and down the coast with their parents in a van year-round, surfing and swimming their days away. But when a photographer secretly snaps a stunning photo of the family with their boards in the sand, and the image ripples across the country, the only life they’ve ever known is put at risk.

Hannah is a fusion scientist working alone at a remote cottage off the coast of Scotland when she sees a figure making his way from the sea. It is a young man from a human settlement on Mars, traveling backwards through time to try to make a crucial intervention in the fate of our dying planet, and he needs Hannah's help. Hannah and the stranger are on the path towards a breakthrough—and then things go terribly wrong.

The four Endicott siblings—Gemma, Connor, Roddy, and Jude—were once inseparable, a bond created by the absence of their dazzling, mercurial mother, who would return for a few weeks each summer to whisk them off on sprawling road trips around the country. Decades later, the unthinkable has happened: the Endicotts haven’t spoken in years . . . until an out-of-the-blue text arrives from Jude, now a famous actress, summoning them to a small town in North Dakota.

Bookish high school student Rintaro Natsuki is about to close the secondhand bookstore he inherited from his beloved bookworm grandfather. Then, a talking cat appears with an unusual request. The feline asks for — or rather, demands — the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and the cat and Rintaro must liberate them from their neglectful owners.

Business has never been better for Nura Khan, a third-generation matchmaker in Atlanta. Her exclusive clientele benefits from her impeccable track record. And while a single thirty-one-year-old matchmaker would normally raise some perfectly threaded eyebrows in the community, Nura’s childhood best friend, Azar, is willing to double as her pretend fiancé at her clients’ weddings—even though Nura’s feelings for him might not be so pretend.

Veronica Stratton, a specialty food broker with a business on the cusp of brilliant success that would change the trajectory of her life, visits her parents in idyllic Estes Park for Christmas. She's fresh from a breakup with her longtime boyfriend, so she's eager to reconnect with her beloved family in the mountains and forget about her troubles for a few days. But with the holiday comes a DNA test from her younger sister that confirms her secret suspicions: she's adopted. Having the truth out in the open leaves her feeling unmoored in ways she didn't anticipate.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.

Morocco, 1928. Marie-Madeleine Méric is not the kind of woman who stays quietly at her husband’s side. Polyglot, pianist, and pilot, she is a woman of many skills, with unconventional interests—like driving in car rallies—that earn her a daredevil reputation. But dabbling in intelligence work to assist her military officer husband and the French government helps her recognize who she is at heart: an adventurer.

New York City, 1950. Dreams come true for radio personality Maggie Lane when she gets her big break in the exciting new world of television. The Maggie Lane Baking Show is on the air. All she has to do is act like the ideal housewife, create sumptuous desserts, charm the show’s sponsors, and sign a morality clause to ensure that her girl-next-door image remains untarnished. Although newlywed Maggie has never baked so much as a cookie, and knows even less about maintaining a home, keeping up appearances is a necessary ingredient for success. Easy.

Linda is doing her best to lead a life that would appear normal to the casual observer. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless garage she rents on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true passion, taking BART to SFO for a round-trip flight to a regional hub. The destination is irrelevant, because each trip means a new date with a handsome stranger—a stranger with intelligent windscreens, sleek fuselages, and powerful engines.