January 1937. Jack Miller has just about run out of options. His shoes have worn through, he can't afford to heat his rented room in Tooting, and he longs to use his training as an specialist wireless operator instead of working in his dead-end job. When he is given the chance to join an arctic expedition, as communications expert, by a group of elite Oxbridge graduates, he brushes off his apprehensions and convinces himself to join them.

Will Burgess is used to hard knocks. Abandoned by his father, son of a drug-addicted mother, and charged with raising his six-year-old sister, Will has far more to worry about than most high school freshmen. To make matters worse, Mia Samuels, the girl of Will’s dreams, is dating his worst enemy, the most sadistic upperclassman at Shadeland High. Will’s troubles, however, are just beginning. Because one of the nation’s most notorious criminals - the Moonlight Killer - has escaped from prison and is headed straight toward Will’s hometown.

In the summer of 1994, psychologist Daniel Hill buys a rustic farmhouse nestled in the rolling hills of West Virginia. Along with his wife and teenage daughter, the family uproots their lives in Ohio and moves south. They are initially seduced by the natural beauty of the country setting. That soon changes when they discover a hidden room in the basement with a well, boarded shut and adorned with crucifixes. Local legends about the previous owner being an exorcist come to light, but by then, all Hell has broken loose.

When family man, Joe Crawford, confronts a young mother abusing her toddler in a gas station parking lot, he has no idea of the chain reaction he's setting in motion. How could he suspect the young mother is part of an ancient fire cult, a sinister group of killers that will destroy anyone who threatens one of its members? When the little boy is placed in a foster home, the young mother burns herself alive in grief and rage...and the cult's fanatics begin their mission of terror as Joe and his family are plagued by otherwise inexplicable events.

In the spring of 1912, American writer Arthur Pearce is reeling from the wounds inflicted by a disastrous marriage. But his plans to travel abroad, write a new novel, and forget about his ex-wife are interrupted by a young woman he encounters on a London-bound train. Her name is Sarah Coyle, and the tale she tells him chills his blood. Sarah’s younger sister has been entranced by Count Richard Dunning, who is rumored to dabble in bizarre religious rites and experimental medicine. Arthur agrees to help, but he has no idea of what awaits him at Altarbook, Sarah’s ancestral mansion

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

Ten writers are selected for a summer-long writing retreat with the most celebrated and reclusive author in the world. Their host is the legendary Roderick Wells. Handsome, enigmatic, and fiendishly talented, Wells promises to teach his pupils about writing, about magic, about the untapped potential that each of them possesses. Most of all, he plans to teach them about the darkness in their hearts.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Czechoslovakia, 1935: Viktor Kosárek, a newly trained psychiatrist who studied under Carl Jung, arrives at the infamous Hrad Orlu Asylum for the Criminally Insane. The facility is located in a medieval mountaintop castle surrounded by forests, on a site that is well known for concealing dark secrets going back many centuries. The asylum houses six inmates - the country's most treacherous killers - known to the terrified public as the Devil's Six. Viktor intends to use a new medical technique to prove that these patients share a common archetype of evil, a phenomenon he calls The Devil Aspect.

For nearly two decades, Jamie Warren has been running from darkness. He's haunted by a traumatic childhood and the guilt at having disappeared from his disabled brother's life. But then a series of unusual events reunites him with his estranged brother and their childhood friends, and none of them can deny the sense of fate that has seemingly drawn them back together. Nor can they deny the memories of that summer, so long ago—the strange magic taught to them by an even stranger man, and the terrible act that has followed them all into adulthood.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

Vermont, 1950. There's a place for the girls whom no one wants - the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming - until one of them mysteriously disappears.... Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death.

Some art takes on a life of its own. A beautiful house. A loving family. Two kids, a dog, and a tenure-track professorship teaching art at the local university. Dan Rineheart is living the dream. But all dreams must end. When an anonymous painting arrives at the university, Dan is tasked with uncovering the artist. No title. No name. No signature or frame. It’s a disturbing work of grotesque perfection. A work of art...that changes with each viewing. So begins the nightmare. Where painted clocks tick-tock in the dark hours before dawn.

There are things in the darkness, things much worse than the tracks and abandoned pieces of equipment that trip the children up and gash at their feet and legs, things that brush silently past them, touching their faces before disappearing again....

In Ava’s dreams, her son, Noah, looks just the way she remembers him: a sweet two-year-old in rolled-up jeans and a red sweatshirt. When Ava wakes, the agonizing truth hits her all over again. Noah went missing two years ago, and his body has never been found. Almost everyone, including Ava’s semi-estranged husband, Wyatt, assumes the boy drowned after falling off the dock near their Church Island home. Ava has spent most of the past two years in and out of Seattle mental institutions, shattered by grief and unable to recall the details of Noah’s disappearance.

The stillbirth of Mackenzie's son destroyed her marriage. Grieving, Mac reluctantly heads for her childhood home to seek refuge with her mother, who constantly reminds her of life's dangers. Driving across Texas, Mac swerves to avoid hitting a deer... and winds up in a dead spot, a frightening place that lies between the worlds of the living and the dead. If they can control their imaginations, people can literally bring their dreams to life - but most are besieged by fears and nightmares which pursue them relentlessly.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

It starts as a prank - a way to blow off steam after a long summer at Camp Horseshoe. Among the teen counselors, tensions and hormones are running high. No wonder the others agree when Jo-Beth Chancellor suggests they scare Monica O'Neal a little.... or a lot. Monica has it coming, and no one will really get hurt. What could go wrong? Everything.

hnny Harris is home again, his too-tight jeans and damn-your-eyes belligerence honed to perfection by a ten-year stretch in federal prison for murder. Now he’s out on parole and ready for the job Rachel Grant has promised him to help him begin a new life. Unlike the rest of the town, Rachel has always believed in her former student’s innocence. But one thing has changed. The sullenly handsome boy she remembers is still sullen, still handsome - but no longer a boy.

Weeds by Stephen King: When a meteorite lands on his property, Jordy Verrill envisions an easy payday. Unfortunately for Jordy, this is no ordinary rock - and the uncompromising force inside has found its first target.

Following the death of his 10-year-old son, physician Peter Croft embarks on a desperate, seemingly random search for a missing child, risking his sanity, even his life in a grief-induced quest. His journey propels him into the darkest reaches of human suffering and pits him squarely against an adversary whose own obsession defies all reason.

Greed, terrorism, and simple bad luck conspire to bring mankind to its knees as a viral infection spreads out of control, reducing those infected to undead horrors that feed upon the rest. It's a time of misery and death for most, however there are some who are lucky, some who are ruthless, and some who are just too damned tough to go down without a fight. This is their story.

Alex was Ian's five-year-old son: brilliant, earnest, and compassionate. He is dead now, but Ian can't let him go. When his wife urges him to move on, he drives her away. His performance at work collapses; his friends leave him. Six months later, alone in an empty house, Ian starts to see his son again.

The living dead are more alive than ever! Zombies have become more than an iconic monster for the 21st century: They are now a phenomenon constantly revealing as much about ourselves - and our fascination with death, resurrection, and survival - as our love for the supernatural or post-apocalyptic speculation. Our most imaginative literary minds have been devoured by these incredible creatures and produced exciting, insightful, and unflinching new works of zombie fiction.

Seven years ago, Sarah Mason's five-year-old daughter vanished during an outing at a park in Beaufort, South Carolina. Despite a frantic search, little Lexie was never found, and Sarah was left to pick up the pieces of her shattered life and go on the best she could. Then, one hot August night, Sarah comes home to hear the phone ringing. When she picks it up, a child's terrified voice whispers, "Mommy, help, come and get me . . ." The call is cut off, but not before Sarah's heart goes into overdrive.

Thirteen-year-old Angel Sullivan falls in love with her family's new home - the house that stands at Black Creek Crossing in the small town of Roundtree, Massachusetts. But the idyll is soon shattered as Angel learns a shocking secret about the house.

Alma Harper has been trying to forget what happened in Widowsfield 16 years ago. She has a good life as a music teacher now, and might rekindle her relationship with her one true love. However, the number 314 haunts her, and threatens to bring her back to the day that her brother disappeared. When a reporter shows up, just days before March 14th, Alma realizes that her past is coming back to haunt her. What happened on March 14th, at 3:14, 16 years ago? No one but The Skeleton Man can remember.

Elena Michaels is the world’s only female werewolf. And she’s tired of it. Tired of a life spent hiding and protecting, a life where her most important job is hunting down rogue werewolves. Tired of a world that not only accepts the worst in her–her temper, her violence—but requires it. Worst of all, she realizes she’s growing content with that life, with being that person.

In the spring of 1912, American writer Arthur Pearce is reeling from the wounds inflicted by a disastrous marriage. But his plans to travel abroad, write a new novel, and forget about his ex-wife are interrupted by a young woman he encounters on a London-bound train. Her name is Sarah Coyle, and the tale she tells him chills his blood. Sarah’s younger sister has been entranced by Count Richard Dunning, who is rumored to dabble in bizarre religious rites and experimental medicine. Arthur agrees to help, but he has no idea of what awaits him at Altarbook, Sarah’s ancestral mansion

Jesse thinks he’s caught a break when he, Emma (the girl of his dreams), and her friend are assigned by their newspaper to cover the opening weekend of a sprawling new state park. But the construction of the park has stirred an evil that has lain dormant for nearly a hundred years, and the three young people - as well as every man, woman, and child unlucky enough to be attending the Algonquin Falls grand opening - are about to encounter the most horrific creatures to ever walk the earth.

Will Burgess is used to hard knocks. Abandoned by his father, son of a drug-addicted mother, and charged with raising his six-year-old sister, Will has far more to worry about than most high school freshmen. To make matters worse, Mia Samuels, the girl of Will’s dreams, is dating his worst enemy, the most sadistic upperclassman at Shadeland High. Will’s troubles, however, are just beginning. Because one of the nation’s most notorious criminals - the Moonlight Killer - has escaped from prison and is headed straight toward Will’s hometown.

Since the dawn of time, across almost every culture, there have been legends of shape-shifters. Men who turn into beasts and prey upon anyone unfortunate enough to cross their path. Of the shape-shifter tales, none invokes as much terror as the legend of the werewolf. The stories of men who become wolves persisted through the centuries from campfire folk tales to the modern age, where we are still thrilled and horrified by tales of bloodthirsty predators in our midst.

Episode Thirteen takes them to every ghost hunter's holy grail: the Paranormal Research Foundation. This brooding, derelict mansion holds secrets and clues about bizarre experiments that took place there in the 1970s. It's also famously haunted, and the team hopes their scientific techniques and high tech gear will prove it. But as the house begins to reveal itself to them, proof of an afterlife might not be everything Matt dreamed of.

When traveling actors recruited his wife for a plum role, Cody Wilson had no idea they would murder her. Twelve-year-old Willet Black was just as devastated the night the fiends slaughtered everyone he loved. Now Cody and Willet are bent on revenge, but neither of them suspects what they’re really up against. For the actors are vampires. Their thirst for human blood is insatiable. Even if word of their atrocities were to spread, it would take an army to oppose them. But it is 1885 in the wilds of New Mexico, and there is no help for Cody and Willet.

When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt.

Valerie just arrived at Doctor’s hidden utopia for what was supposed to be a weekend of wellness. A weekend of eating fruits straight from the farm. Of screaming hula hoop yoga and dynamic meditation to expel toxins Valerie knew were holding her back. A retreat where she’d attain the energy needed to return home and set new personal records at the gym. To land her dream job.

When the police are called to an affluent home in the middle of the night, they learn a seemingly normal 14-year-old boy has attacked his family. The boy exhibits signs of demonic possession, and even more troublingly, he knows too much about the Sweet 16 killings. Father Jason Crowder, a young priest assigned to the case, must marshal his courage in order to save the boy and the entire city from the forces of evil. But this is a darkness mankind has never encountered before. It craves more than blood. And it won’t rest until it possesses Father Crowder’s soul.

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.