It is said that Lord Dunsany wrote his stories with a handmade quill in a single draft, and The King of Elfland’s Daughter is widely regarded as one of his greatest works. A fantasy classic which has influenced some of the most popular fantasy writers of all time, including J. R. R. Tolkien and Neil Gaiman, and one of the landmark pre-Tolkien fantasy stories written. It is noteworthy not only for its poetic literature and picturesque imagery, but also its exploration of Elfland, a land of fancy, immortality, and forbidden love.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Fyodor Dostoevsky. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger. Written 20 years later under the pressure of crushing debt, The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction.

The classic fantasy that influenced C. S. Lewis and Tolkien, considered one of George MacDonald's most important works, is the story of the young man, Anodos, and his adventures in fairyland which ultimately reveal the human condition. "I write, not for children," wrote George MacDonald, "but for the child-like, whether they be of five, or 50, or 75." All-at-once written with an innocent whimsy and soulful yearning, the heart of Anodos' journey through fairyland reveals a spiritual quest that requires a surrender of the self.

A Voyage to Arcturus has inspired, enchanted, and unsettled audiences for decades. It is simultaneously an epic quest across one of the most unusual and brilliantly depicted alien worlds ever conceived, a profoundly moving journey of discovery into the metaphysical heart of the universe, and a shockingly intimate excursion into what makes us human and unique.

At the height of WWII, five idealistic young Americans receive a mysterious letter from the OSS, asking them if they are willing to fight for their country. The men and women from very different backgrounds - a Texan athlete with German roots, an upper-crust son of a French mother and a wealthy businessman, a dirt-poor Midwestern fly fisherman, an orphaned fashion designer, and a ravishingly beautiful female fencer - all answer the call of duty, but each for a secret reason of his or her own. They bond immediately, in a group code-named Dragonfly.

The Homecoming of Beorhtnoth Beorhthelm’s Son was originally published in the 1953 edition of Essays and Studies. In December of that year, J.R.R. Tolkien took possession of a reel-to-reel tape recorder and, some time during the first few months of 1954, decided to record ‘the whole thing on tape’ as a way of ‘testing’ the performative quality of the dramatic dialogue between Tídwald and Torhthelm.

On Stranger Tides follows the exploits of John Chandagnac, who travels to the new world after the death of his puppeteer father to confront his uncle, who has apparently made off with the family fortune. During the voyage, he befriends Beth Hurwood and her father, Benjamin Hurwood, an Oxford professor. Before they arrive at their destination, their ship is waylaid by Blackbeard and his band of pirates.

It is the story of Mr. Vane, an orphan and heir to a large house - a house in which he has a vision that leads him through a large old mirror into another world. In chronicling the five trips Mr. Vane makes to this other world, MacDonald hauntingly explores the ultimate mystery of evil.

The complete unabridged audiobook of J.R.R Tolkien's The Silmarillion. The Silmarillion is an account of the Elder Days, of the First Age of Tolkien’s world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part.

In his hugely influential and tempestuous career, Robert E. Howard created the genre that came to be known as sword and sorcery - and brought to life one of fantasy's boldest and most enduring figures: Conan the Cimmerian, reaver, slayer, barbarian, king. This volume gathers together three of Howard's longest and most famous Conan stories.

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

Trusted by no one, trusting nobody, the Confidential Agent is sent to England. But before his mission has barely begun, he comes face to face with an agent from the other side. As the car he is driving is run down in the fog, a thought strikes him: "It isn't probable - not in England, but it seems to be true, nonetheless - they're going to kill me."

The Shadow of the Torturer is the first volume in the four-volume epic, the tale of a young Severian, an apprentice to the Guild of Torturers on the world called Urth, exiled for committing the ultimate sin of his profession - showing mercy towards his victim.

Gene Wolfe's "The Book of the New Sun" is one of speculative fiction's most-honored series. In a 1998 poll, Locus Magazine rated the series behind only "The Lord of the Rings" and The Hobbit as the greatest fantasy work of all time.

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

Faust by Johann Wolfgang von Goethe, is a poem, translated by Bayard Taylor, which tells the beautiful and emotional story of a man who has seen and done it all. However, despite all of his learning and education, his life still feels empty and unaccomplished. He believes wholeheartedly that there is something else out there. Faust, having exhausted all other fields of study, turns to magic for fulfillment. He summons the devil and makes a pact - that if the devil can show him something rewarding and fulfilling, he will give the devil his soul.

This is the classic tale of a knight from King Arthur's Round Table who makes a dangerous deal with a mysterious visitor. The production is based on Jessie L. Weston's 1900 prose edition of a 14th-century poem.

American author Howard Pyle (who also wrote The Merry Adventures of Robin Hood) weaves the tales of chivalrous knights, the magic sword of Excalibur, the magician Merlin the Wise, and the legendary Arthur, later to become King of Britain. Pyle describes bouts of jousting and knightly jealousies played out in grand style.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

The Mabinogion, the earliest literary jewel of Wales, is a collection of ancient tales and legends compiled around the 12th and 13th century deriving from storytelling and the songs of bards handed down over the ages. It is a remarkable document in many ways. From an historical perspective, it is the earliest prose literature of Britain. But it is in its drama that many surprises await, not least the central role of King Arthur, his wife, Gwenhwyvar, and his court at Caerlleon upon Usk.

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

Allan Quatermain, hero of King Solomon's mines, tells a moving tale of his first wife, the Dutch-born Marie Marais, and the adventures that were linked to her beautiful, tragic history. This moving story depicts the tumultuous political era of the 1830s, involving the Boers, French colonists and the Zulu tribe in the Cape colony of South Africa. Hate and suspicion run high between the home government and the Dutch subjects.

" The Gods of Pegana" is the first book by Lord Dunsany, published in 1905. The book is a series of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegana.

She and Allan is a novel by H. Rider Haggard, first published in 1921. It brought together his two most popular characters, Ayesha from She (to which it serves as a prequel), and Allan Quatermain from King Solomon's Mines. Its significance was recognized by its republication by the Newcastle Publishing Company as the sixth volume of the celebrated Newcastle Forgotten Fantasy Library series in September 1975.

First published in three separate volumes from 1855 to 1863, Bulfinch's Mythology quickly became the standard source of classic tales from ancient Greece and Rome, the Norse tradition, and beyond. This edition contains the full text of The Age of Fable, or Stories of Gods and Heroes, the first volume of Bulfinch's seminal work. From stories of the Greek gods of Mt. Olympus to retellings of the Iliad and the Odyssey, from descriptions of mythological monsters to tales of Hindu and Egyptian deities, Bulfinch's versions of these classic stories bring their characters to life.

The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.

There are tales of Middle-earth from times long before The Lord of the Rings. The story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World.

The classic fantasy that influenced C. S. Lewis and Tolkien, considered one of George MacDonald's most important works, is the story of the young man, Anodos, and his adventures in fairyland which ultimately reveal the human condition. "I write, not for children," wrote George MacDonald, "but for the child-like, whether they be of five, or 50, or 75." All-at-once written with an innocent whimsy and soulful yearning, the heart of Anodos' journey through fairyland reveals a spiritual quest that requires a surrender of the self.

Beowulf is considered the finest heroic poem in Old English. It celebrates the character and exploits of Beowulf, a young nobleman and warrior, as he proves his superhuman strength and endurance. He also represents the ideal lord and vassal, rewarding his men generously and accomplishing glorious deeds to honor his king.

"The Worm Ouroboros" is a heroic high fantasy novel. It starts with the description of the prolonged war between the domineering King Gorice of Witchland and the Lords of Demonland. The framing story having introduced the chief lords of Demonland - the brothers Juss, Spitfire, and Goldry Bluszco, and their cousin Brandoch Daha - the story begins in earnest with a dwarf ambassador from Witchland arriving in Demonland to demand that the Demons recognize King Gorice XI of Witchland as their overlord.

It is said that Lord Dunsany wrote his stories with a handmade quill in a single draft, and The King of Elfland’s Daughter is widely regarded as one of his greatest works. A fantasy classic which has influenced some of the most popular fantasy writers of all time, including J. R. R. Tolkien and Neil Gaiman, and one of the landmark pre-Tolkien fantasy stories written. It is noteworthy not only for its poetic literature and picturesque imagery, but also its exploration of Elfland, a land of fancy, immortality, and forbidden love.

The King of Elfland's Daughter is one of the most beloved fantasy novels of our time. Lord Dunsany, in his inventive, poetic style, tells the heartbreaking story of a marriage between a mortal man and an elf princess. This masterpiece has influenced some of our greatest contemporary fantasists, including Neil Gaiman, J.R. Tolkien, H.P. Lovecraft, Fritz Leiber, Ursula K. Le Guin, and C.L. Moore, who stated: "No one can imitate Dunsany, and probably everyone who's ever read him has tried." Dunsany's "The Gods of Pegana" follows "The King of Elfland's Daughter."

In the land of Dorimare, on the shores of the Dapple and the Dawl, the law-abiding residents of Lud-in-the-Mist are plagued by an illegal influx of fairy fruit enticing people to acts of poetry, dancing, and other dangerous flights of fancy. When respectable Mayor Nathaniel Chanticleer finds his family entangled in the scandal, he must call upon both his sharp legal mind and his unacknowledged creative spirit to craft a reconciliation with the Faerie. Dare to embrace your wild side in this classic fantasy. Suitable for ages eight and up.

Thor has broken the sword Tyrfing so that it cannot strike at the roots of Yggdrasil, the tree that binds together earth, heaven, and hell. But now the mighty sword is needed again to save the elves in their war against the trolls, and only Skafloc, a human child kidnapped and raised by the elves, can hope to persuade Bölverk the ice-giant to make Tyrfing whole again. But Skafloc must also confront his shadow self, Valgard the changeling, who has taken his place in the world of men.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

Long ago when the Earth was flat, beautiful, indifferent Gods lived in the airy Upperearth realm above; curious, passionate demons lived in the exotic Underearth realm below; and mortals were relegated to exist in the middle. Azhrarn, Lord of the Demons and the Darkness, was the one who ruled the night, and many mortal lives were changed because of his cruel whimsy. And yet, Azhrarn held inside his demon heart a profound mystery which would change the very fabric of the Flat Earth forever.

Scattered about the galaxy were the time-space Gates of a vanished but not forgotten alien race. In their time, long before the rise of the native civilizations, they had terrorized a hundred worlds—not from villainy but from folly, from tampering with the strands that held a universe together.

Now the task was to uproot these Gates, destroy their potency for mischief, take horror out of the hands of the few who hungered for power by misuse of the Gates.

After 700 years of being ruled by man, the Parliament of Erl is ready to be ruled by a magical lord. Obeying the immemorial custom, the lord of Erl sends his son Alveric to fetch the King of Elfland’s daughter, Lirazel, to be his bride. Alveric makes his way to Elfland, where time passes at a rate far slower than the real world, wins her hand, and they return to Erl together. Alveric and Lirazel marry and have a son, but marriage between a mortal and a fairy princess is never simple. Lirazel struggles to adapt to the customs of humans.

In the ancient city of Lankhmar, two men forge a friendship in battle. The red-haired barbarian Fafhrd left the snowy reaches of Nehwon looking for a new life, while the Gray Mouser, apprentice magician, fled after finding his master dead. These bawdy brothers-in-arms cement a friendship that leads them through the wilds of Nehwon facing thieves, wizards, princesses, and the depths of their desires and fears.