Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

Always on the periphery, looking on, young Frankie Howe was never quite sure enough of herself to take center stage—after all, life had already judged her harshly. Now old, Frankie finds it easier to forget the life that came before. Then Damian, a young Irish caretaker, arrives at her London flat, there to keep an eye on her as she recovers from a fall. A memory is sparked, and the past crackles into life as Damian listens to the story Frankie has kept stored away all these years.

Bella Parkinson is the most promising actress in London, bright, sexy...and hopelessly scatterbrained. Rupert Henriques is dashingly handsome and wealthy enough to buy her every theatre in London if she wanted it; he cannot wait to marry her. But Bella has a secret from her past - and the one man who knows it is about to come back into her life again....

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

On a White Night in 2019, prima ballerina Natalia Leonova returns to St. Petersburg two years after a devastating accident that stalled her career. Once the most celebrated dancer of her generation, she now turns to pills and alcohol to numb the pain of her past. She is unmoored in her old city as the ghosts of her former life begin to resurface: her loving but difficult mother, her absentee father, and the two gifted dancers who led to her downfall. One of those dancers, Alexander, is the love of her life, who transformed both Natalia and her art.

Lila De is on the verge of a career breakthrough when she gets a call from her mother in Kolkata, informing her that she’s inherited her family’s sprawling estate–so she returns home after a decade with no contact. Her extended family isn’t so easy to win over, and to make matters worse, Lila is caught between her old boyfriend and her occasional lover–her star author–who suddenly wants to define the relationship. As Lila come to terms with both past and present, suppressed family secrets emerge, culminating in a shocking act of violence. Lila has no choice but to finally address her family.

Camford, 1920. Gilded and glittering, England's secret magical academy is no place for Clover, a commoner with neither connections nor magical blood. She tells herself she has fought her way there only to find a cure for her brother Matthew, one of the few survivors of a faerie attack on the battlefields of WWI which left the doors to faerie country sealed, the study of its magic banned, and its victims cursed.

A collection of BBC Radio 3's iconic Shakespeare productions: eight comedies with all-star casts including David Tennant, Helena Bonham Carter, Anne-Marie Duff, Martin Jarvis, Siân Phillips and Miriam Margolyes. The plays included in this collection are: Much Ado About Nothing, As You Like It, A Midsummer Night's Dream, The Merchant of Venice, Twelfth Night, The Tempest, The Taming of the Shrew, and All's Well That Ends Well.

In London, twenty-six-year-old Venetia Stanley—aristocratic, clever, bored, reckless—is part of a fast group of upper-crust bohemians and socialites known as “The Coterie.” She’s also engaged in a clandestine love affair with the Prime Minister, H. H. Asquith, a man more than twice her age. He writes to her obsessively, sharing the most sensitive matters of state.

In Foundation the chronicler of London and of its river, the Thames, takes us from the primeval forests of England's prehistory to the death of the first Tudor king, Henry VII, in 1509. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past - a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house.

They could have been allies: two self-made millionaires who invented a global industry, in an era when wife and mother were supposed to be the highest goals for their sex. Elizabeth Arden and Helena Rubinstein each founded empires built on grit and determination…and yet they became locked in a feud spanning three continents, two world wars, and the Great Depression.

The remote Irish village of Duneen has known little drama, but when human remains are discovered on an old farm, suspected to be those of Tommy Burke - a former lover of two different inhabitants - the village's dark past begins to unravel. As the frustrated sergeant PJ Collins struggles to solve a genuine case for the first time in his life, he unearths a community's worth of anger and resentments, secrets and regret.

Cole James’s reputation as Hollywood’s favorite himbo no longer suits him. His fans can’t separate the real man from the character he played on a soapy teen drama decades ago. But that’s going to change with Waverley, the hit streaming historical romance series. Maggie Niven hates her own notoriety. Fired for directing a divisive play, Maggie takes her fight against censorship public. When Hollywood comes calling, she becomes the new intimacy coordinator for Waverley. But it’s harder than she imagined to focus on the job.

In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.

Welcome to a world of cutthroat competition populated by fearless athletes, wealthy sponsors, and beautiful starlets and set against the glorious Cotswold countryside and the playgrounds of the world. Within this arena we meet the brooding gypsy Jake Lovell, under whose magic hands the most difficult horse or woman becomes biddable, who is driven by his hatred of Rupert Campbell-Black, the handsome and supremely confident star of the show ring.

1966, NYC: Jacqueline Susann’s Valley of the Dolls hits the bookstores and she is desperate for a bestseller. It’s steamy, it’s a page-turner, but will it make the big money she needs? In London, Jackie Collins’s racy The World Is Full of Married Men launches her career. But neither author is prepared for the price they will pay for being women who dare to write about sex. Jacqueline and Jackie are lambasted by the literary establishment, deluged with hate mail, and even condemned by feminists. In public, both women shoulder the outcry with dignity; in private, they are crumbling.

French countryside, Present Day: Blythe Bricard is the daughter of famous fashion muses but that doesn't mean she wants to be one. She turned her back on that world, and her dreams, years ago. Fate, however, has a different plan, and Blythe will discover there is more to her iconic mother and grandmother than she ever knew.

Parisian Claire has been working hard to become a Michelin-starred chef one day, but ever since the heady time she spent in the company of socialites Gina and Margot, her dream has been to own a Dior gown. This seemed like a far-off fantasy, until the eccentric and wealthy Madame Vaughn, who lives above Claire’s family brasserie, abruptly leaves Paris, asking Claire to mind her apartment. More bafflingly, Madame Vaughn also makes Claire a very special gift: a stunning Dior gown.

A girl and her mother have been on the run for sixteen years, from the monster they left in their kitchen with a knife in his throat and the police who want to make them pay for his death. Home is now a van with four flat tires in a junkyard by the edge of the Brisbane River. The girl has no name, because names are dangerous when you're on the run. But she has a dream.

It was 1970 when thirteen-year-old runaway Kit Walker was abducted by Manny Romero, a smooth-talking, low-level criminal, who first coddled her and then groomed her into his partner-in-crime. Before long, Kit and Manny were infamous for their string of gas station robberies throughout Texas, making a name for themselves as the Texaco Twosome.

The Pavlin family built an empire on love. As the first jewelers to sell diamond rings exclusively for proposals, they started a tradition that has defined engagements ever since. But when an ill-fated publicity stunt pits the three Pavlin sisters against one another for a famous family jewel, their bond is broken. No ordinary diamond ring, the Electric Rose splinters the sisters, leaving one unlucky in love, one escaping to the shores of Cape Cod, and the other, ultimately, dead. Now, over a decade later, Gemma Maybrook is still reconciling the reality of her mother's death.

Bea couldn't be more excited to trade the stifling Stockholm summer heat for vacation on Gotland Island. She’s looking forward to spending quality time with her beloved husband of thirty-two years, Niklas, and their two moody teenage daughters, and recuperating from the stress of daily life in the company of her beloved in-laws. One night shortly before their departure, Bea and Niklas have a seemingly mundane argument over a trivial issue, and Niklas goes out with a friend to blow off steam.

After her mother invites a new man to live with them, tensions quickly rise in the cramped house. Gunner is kind but strange, too—a one-eyed shoplifter with more than a few hidden secrets. But when tragedy strikes shortly after, Cora rebels against her small-town existence in search of love, acceptance, and a path to something good. If only she can learn to navigate her grief and everything she thinks she knows about who she is and what she might be capable of, she may finally find the way forward.

Seventy-seven-year-old Dorothy Darling has lived in Shelley House longer than any of the other residents, and if you take their word for it, she’s as cantankerous as they come. But Dorothy has her reasons for spying. And none of them require justifying herself to Kat Bennett. Twenty-five-year-old Kat has never known a place where she felt truly at home, and crumbling Shelley House is no different. Her neighbors find her prickly and unapproachable, but beneath her tough exterior, Kat’s plagued by a guilty secret from her past.

It’s the summer of 2015, and Alice Quick needs to get to work. She’s twenty-eight years old, grieving her mother, barely scraping by as a nanny, and freshly kicked out of her apartment. If she can just get her act together and sign up for the MCAT, she can start chasing her dream of becoming a doctor...but in the Age of Distraction, the distractions are so distracting. There’s her tech millionaire brother’s religious awakening. His picture-perfect wife’s emotional breakdown. Her chaotic new roommate’s thirst for adventure.

For children’s book author Imogen, an idyllic life in the English countryside seems like the perfect fit for her and her husband. But when tragedy strikes, Imogen is left widowed, and finds herself moving into Storybook Cottage alone with only her monstrously narcissistic cat for company. After discovering she is pregnant, Imogen grows determined to embrace a new start in Middlemass, with its duckpond, cricket matches and village fêtes. The only thing Imogen can’t seem to shake is her neighbor—a brooding, artisan blacksmith named Gabriel—who she can’t quite decide is friend or foe.

Though they look like any other family, they aren’t one—not quite. They are three sets of parents who find themselves intertwined after adopting four biological siblings, having committed to keeping the children as connected as possible. At the heart of the family, the adoptive mothers grapple to define themselves and their new roles. Tabitha, who adopted the twins, crowns herself planner of the group, responsible for endless playdates and holidays, determined to create a perfect happy family.

As a teenager, for a moment, Ella Fitchburg found love—yearning, breathless love—that consumed both her and her boyfriend, Jude, as they wandered the streets of New York City together. But her life was unexpectedly upended when she was accused of trying to murder Jude’s father, an imperious superior court judge, and sentenced to twenty-five years in prison. When she learns she’s pregnant shortly after sentencing, she reluctantly decides to give up the child. Ella is released after serving six years. While she is desperate to turn the page on a new life, she can’t seem to let go of her past.

Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and Nashville, plus a few new ones. She yearns to feel the rush of making live music one more time and bask in the glow of a packed house before she makes the last, and most important, stop on the tour: the farm she left behind at age ten and the sister she is finally ready to confront about an agonizing betrayal in their childhood.