
The Cut
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Narrado por:
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Richard Armitage
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Jacob Dudman
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De:
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Richard Armitage
Acerca de esta escucha
An unmissable thriller written by Richard Armitage, author of #1 bestseller Geneva, narrated by the author and by Jacob Dudman.
You can’t escape your past. The cut always reopens.
In the sleepy village of Barton Mallet, the old ruins of Blackstone Mill watch over the residents as they go about their quiet lives. Ben Knot and his friends are looking forward to a summer of fun and freedom once their last year of school is over. The class of 1994 have been through a lot together, good and bad, but teasing turns to bullying when the Knot gang target younger boy Mark Cherry. As tensions rise and violence escalates, the group fractures and tragedy strikes. Before the summer is over, one of them will be killed. Murdered by someone they called a friend.
Thirty years on, Ben is an award-winning architect who has moved his family back to the village where he grew up. His girlfriend Dani is a hands-on step mum to his kids, budding actor Nate and star footballer Lily, but even though the family seem happy, Ben has never been able to forget the tragedy of the past. And it’s a past that is coming back to haunt him with the murderer’s imminent release from prison. Ben’s glittering career is also starting tarnish as some shady business deals have put him on the path to bankruptcy. With the killer’s parole date approaching and the banks calling in their loans, Ben struggles to keep a grip on the perfect life he has built.
When Nate lands the leading role in a new horror movie, Dani jumps at the chance to propel him towards stardom, despite Ben’s concerns that it will complicate their lives. Ben is persuaded to support his son’s dreams, but when the film crew descend on the village to start shooting, the dream starts to turn into a nightmare. The film is not quite what it seems. His kids are being pushed to the limit and Ben’s paranoia makes him question the film makers’ motives. Ben is desperate for answers and will stop at nothing to keep his family safe.
If the first cut is the deepest, then the last cut is going to end it all.
©2024 Richard Armitage (P)2024 Audible Ltd.Los oyentes también disfrutaron...
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Watch the trailer

About the Creator and Narrator

About the Performer
Reseñas de la Crítica
"Armitage has done it again... THE CUT is a chilling, atmospheric thriller with characters you'll never forget." - Harlan Coben
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A new meant-to-be-heard psychological thriller from Richard Armitage
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Historia
A fictional true crime podcast starring BAFTA Award winner Sheridan Smith (Mrs Biggs, Cilla) and Golden Globe winner Joanne Froggatt (Downton Abbey), THE MARGATE MURDERS follows the hunt for an elusive serial killer who murders once every decade, and then changes his identity. In a story full of shocking twists and turns, a journalist, a survivor, a witness, a detective and a forensic psychologist are all interviewed for their perspective on the what went right, and what went horribly wrong, in the hunt for a killer. But everyone has their own agenda, and maybe even something to hide…
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Excellent writing
- De ellen m watt en 10-16-24
De: Tom Hofland, y otros
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Trapdoor
- De: J.P. Pomare
- Narrado por: Harriet Gordon-Anderson, Blazey Best, Yannick Lawry, y otros
- Duración: 5 h y 54 m
- Grabación Original
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General
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Narración:
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Historia
Eva Kavinsky wakes in a dark cellar, with no memory of how she got here. Imprisoned with her, seemingly at random, are four men. The only way out is the trapdoor in the ceiling – and it's locked. The single clue about what brings them all here is a cryptic message sprayed onto one wall. Connect the dots. Repent. A camera fixed high above reach is livestreaming this whole nightmare to the world. What confessions are they meant to make to their unseen audience?
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Suspenseful and surprising
- De Patrick J. McDonald en 11-08-23
De: J.P. Pomare
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The Jane Austen Society
- A Novel
- De: Natalie Jenner
- Narrado por: Richard Armitage
- Duración: 9 h y 55 m
- Versión completa
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General
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Narración:
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Historia
One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England's finest novelists. Now, it's home to a few distant relatives and their diminishing estate. With the last bit of Austen's legacy threatened, a group of disparate individuals come together to preserve both Jane Austen's home and her legacy. These people - a laborer, a young widow, the local doctor, and a movie star, among others - could not be more different and yet they are united in their love for the works and words of Austen.
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Why so much bad language? Ruined a good book
- De Anonymous User en 08-12-20
De: Natalie Jenner
Entertaining but confusing at times
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Improved towards the end
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Great story. Great narration
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What an Ending!!!
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The flip back from past to present.
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A good mystery and twisted plot makes a great story.
And if that is what you enjoy, then then listen.
The Narrators are good. I loved the voices from each.
Intriguing Story
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Excellent story
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Interesting story, great narration
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I couldn’t guess the end!
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Thematically, The Cut, well, cuts. Rather, for some, it can trigger (ala Carrie), so be forewarned, prepared, and in the right headspace. Sometimes for me, audiobooks are my bedtime stories. This book is NOT a D.I. Jackman and Marie adventure. It demands more attention and respect. It required extra focus and active listening. I stopped my first attempts at nighttime listening, and opted to devote a couple of days to give it its proper due.
What some have identified in the story as challenging and perhaps confusing, I also understand. The prose is dense, and likely some of the detail could have been tempered. For example, (really this isn’t meant to be about me, but …) I’ve a musical background. Much of the descriptive narrative about the cello, rosin, and horse hairs landed well and pictorialized scenes nicely. However, descriptions about musical composers and pieces, despite that I understand and "speak" the musical language, I found superfluous. The musical erudition did not add anything to the story. Similarly, much of the film industry jargon seemed to ramble on a bit.
I’ll try to avoid spoilers, but some of the story might have benefited from rearranging just a bit. For instance, I think I would have liked the Max reveal later—toward the climax closer to the rather than forecasted in earlier chapters. Contemporary references, e.g., social media and dropping name brands, well, made me wonder if some product placement deals might have been contracted. And, these types of references are soon dated in our constantly changing world, which can be corny or nostalgic depending on any given audience member's frame of mind at any given time.
What is also evident is that The Cut is Mr. Armitage’s personal journey and was a somewhat cathartic effort. For this reason, aforementioned latitude is warranted. Every artist should be allowed at least one work where s/he lets it all hang out. Finally, for those who intend to read The Cut, and I recommend you do, it’s not entirely a whodunnit (it’s pretty clear early on).
I hope Richard Armitage continues writing as I enjoy all his work across performance media and genres.
Worth your time indeed
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